channel DJ Production Console
Rear Panel Features
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1. MIC Inputs |
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| 4. LINE/PHONO Inputs |
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d.4 Pro 4-
These Neutrik “combo” input connectors accept either balanced male XLR connectors, or 1/4" TRS balanced or TS unbalanced connectors. Use XLR connectors for
The microphone signals entering the d.4 Pro are in for a special treat: the microphone preamplifiers are the Mackie Onyx design, as used in our Onyx line of mixers.
The microphone signals are routed through the mic preamp, EQ section, level control, on/off/talk assign, and then to the main mix bus. Mic signals can also be sent to the aux bus for external processing, before returning to the main mix bus.
These RCA jacks accept a stereo
5. LINE/PHONO
If you connect a turntable with
2. 48V PHANTOM POWER
If your microphone is a condenser design, it probably requires phantom power to operate. Push in this switch to supply 48 VDC to pins 2 and 3 of the XLR microphone connectors (the 1/4" connectors are not affected).
Dynamic microphones, like Shure’s SM57 and SM58,
| do not require phantom power. However, phantom |
| power will not harm most dynamic microphones should |
| you accidentally plug one in while the phantom power |
| is turned on. Check your microphone’s user’s manual if |
| you are not sure whether your microphone needs phan- |
| tom power or not. |
| 3. CD Inputs |
| The bottom pair of RCA jacks accept a stereo |
| el signal from a CD player or other |
| device (such as an MP3 player). |
10 | d.4 Pro DJ Production Console |
If you connect a
Do not press this switch in if you have a line- level signal connected.
6. PHONO GROUND TERMINAL
These terminals are provided to connect a ground wire from your turntable(s) to the d.4 Pro.
Most turntables provide a ground wire to connect to the preamp for the purpose of eliminating “hum” in the audio signal. Simply turn the ground terminal on the d.4 Pro