9. AUX 1 RETURN INPUTS

Patch the outputs of external parallel effects devices to these inputs.

Signals coming in are adjusted using the AUX 1 RETURN (43) fader and MUTE.

When connecting a mono device (just one cord), always use the left (mono) input and plug nothing into the right input. The signal will appear on both sides.

10. AUX 2 RETURN INPUTS

Patch the outputs of external parallel effects devices to these inputs.

Signals coming in are adjusted using the AUX 2 RETURN (40) fader and MUTE.

When connecting a mono device (just one cord), always use the left (mono) input and plug nothing into the right input. The signal will appear on both sides.

Note: The AUX 2 RETURN signal is combined with the signal from the internal effects processor.

11. CD/TAPE INPUT

Patch the outputs of your intermission entertainment here. Any line-level mono or stereo device can be used: tape, DVD/CD player, television audio, etc.

Signals coming into the CD/TAPE (11) inputs are adjusted using the CD/TAPE RETURN (35) fader and MUTE.

Also see page 16 for information regarding the BREAK (36) switch.

SLEEVE TIP SLEEVE TIP

RCA unbalanced wiring: Tip = hot, sleeve = shield

When connecting a mono device (just one cord), you’ll need a “Y-splitter” RCA adapter. It turns a mono output cord into two cords; so both the left and right tape input jacks can be used. This adapter is widely available.

Note: There is a chance of feedback if you have the ins and outs connected to the same recorder, and it is in record mode.

12. TAPE OUTPUT

Use these jacks to capture the entire performance to tape. The signal at these jacks is the main mix, but it is not affected by the position of the MAIN MIX (34) faders.

If you find that the output to tape is quite low in level, but your main speaker sound levels are good, you might try turning down the

level controls of your amplifiers a little. Adjust the channel faders upwards to compensate. This will increase the levels in the mixer and the tape output.

13. EFX FOOTSWITCH

You can connect a normally-open footswitch here to switch the EMAC effects processor in and out. Closing the switch connection causes the internal effects to be bypassed, as you bask in the warm glow of the BYPASS LED (44).

Note: This only affects the internal effects and does not affect any signals from devices plugged into AUX 1 and AUX 2 returns.

SLEEVE

SLEEVE

TIP

TIP

TIP

SLEEVE

1/4" TS (Tip-Sleeve) Footswitch wiring: Tip = one end of a normally-open switch Sleeve = shield, and other end of a

normally-open switch.

14. AC POWER INPUT

This IEC socket on the rear panel, is where you connect the supplied AC linecord to provide AC power to

POWER

the mixer. Plug

 

 

 

 

the cord into a

ON

suitable AC outlet,

 

 

 

 

properly grounded

 

and capable of de-

 

livering adequate

 

current.

 

The mixer has a universal-input, switching

 

power supply, so you can plug the AC linecord

 

into any AC outlet with a nominal voltage

 

between 100 and 240 VAC, without having to

 

worry about setting any switches or using a

 

step-up or step-down voltage transformer.

 

15. POWER SWITCH

Push the side of the switch labeled “ON” to turn the mixer on; you should see the POWER LED (30) glow in confirmation on the top right of the mixer. To turn the mixer off, push the switch the other way.

As a general rule, turn the mixer on first, before any amplifiers or powered speakers, and at the end of a show, turn it off last. This will prevent any turn-on or turn-off thumps being heard in your speakers.

100240 VAC, 50/60 Hz,

30 WATTS

11