28.AUX SEND 1 and 2 (Aux Inputs 1-4) AUX SEND 5 and 6 (Aux Inputs 5-8)
These tap a portion of each channel’s signal out to either an effects processor or for stage monitoring. These go to the same Aux Send buses as the mono channel Aux Sends. The Aux Input Aux Sends are always
Aux Inputs
FEEDBACK LOOP WARNING: It is
common to use an Aux Send to route
signals to an external processor, and
then return the signal from the processor via the Aux Inputs. Since the
Aux Inputs on the Onyx 80 Series have Aux Sends of their own, you could accidentally route the Aux Input to an Aux Send that is being returned via that same Aux Input. This will cause a feedback loop, characterized by a LOUD howl or screech through the sound system, followed by howls of discontent from the audience. Be careful with the Aux Sends on the Aux Inputs!
29.AUX 3-4 Switch (Aux Inputs 1-4) AUX 7-8 Switch (Aux Inputs 5-8)
For Aux Inputs Press this switch to send the Aux Input signal to the Aux 3 and 4 buses instead of the Aux 1 and 2 buses. The Aux 1 and 2 knobs for that channel strip suddenly become Aux 3 and 4 knobs!
For Aux InputsPress this switch to send the Aux Input signal to the Aux 7 and 8 buses instead of the Aux 5 and 6 buses. The Aux 5 and 6 knobs for that channel strip suddenly become Aux 7 and 8 knobs!
30. STEREO Switch
When this switch is up, both Aux Sends are fed a mono sum of the stereo channel’s signal (L+R).
When this switch is pushed in, the two Aux sends become a stereo send, with Aux 1 sending the right signal and Aux 2 sending the left signal. The same thing applies when Aux
This is useful for providing a stereo mix for IEM (in- ear monitor) systems.
31. BALANCE
BALANCE adjusts the amount of channel signal sent to the left versus the right outputs. On the stereo Aux Input channels, the BALANCE knob works like the bal-
ance control on your home stereo (panning left turns |
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down the right channel, and panning right turns down |
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the left channel). |
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32. MUTE |
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Press this switch to mute the channel. This discon- |
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nects the channel’s signal from all the Groups, the Main |
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Mix, and Aux Send buses. You can still solo the channel |
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in PFL mode when the MUTE switch is pushed in. |
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33. Stereo Aux Input Fader |
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The fader controls the stereo channel’s level, from |
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off to unity gain at the “U” marking, on up to 10 dB of |
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additional gain. |
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34. Signal Level LEDs |
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These LEDs indicate the channel’s signal level after |
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the GAIN and EQ controls, but just prior to the chan- |
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nel’s fader. So even if the fader is turned down, you can |
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see if a signal is present. |
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If you’ve followed the “Set the Levels” procedure, the |
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should light occasionally, and the OL (Overload) LED |
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should not light at all. If the OL LED is blinking fre- |
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quently, the signal is probably distorted from overdriving |
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the input. Either turn down the GAIN control or turn |
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down the signal at its source. |
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35. GROUP and MAIN MIX ASSIGN Switches |
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Alongside each channel fader are two buttons referred |
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to as channel assignment switches. Used in conjunction |
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with the channel’s BALANCE knob, they are used to |
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determine the destination of the channel’s signal. |
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The Aux Inputs are assignable to GROUPS |
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the MAIN MIX. With the BALANCE knob [31] at the |
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center detent, the left and right stereo signal is equally |
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balanced. To feed only one side or the other, turn the |
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BALANCE knob accordingly. |
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36. PFL Solo Switch |
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Like the PFL switch on the mono channels, this |
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switch allows you to hear signals through your head- |
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phones or monitor outputs without having to route them |
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to the MAIN or GROUP mixes. Since this is |
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Listen, you can listen to the stereo Aux Input even when |
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the Aux Input fader is turned down. Unlike the mono |
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channel PFL, the Aux Input PFL is a stereo signal (post- |
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balance control). |
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PFL solo mode always overides AFL solo mode. The |
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Rude Solo LEDS below the SOLO meters indicate which |
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solo mode is active. |
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Owner’s Manual |
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