54. MUTE GROUPS MASTER | By the way, it is okay to have more than one destina- | |
| tion switch pushed in at the same time. The talkback | |
Remember the four MUTE GROUP [17] switches in | signal will be routed to all the destinations you have | |
each channel strip, just above the channel fader and | selected. But if you don’t have any of the destination | |
MUTE switch? Well, these are the master switches used | switches pushed in, the talkback signal won’t go to any | |
to engage the four mute groups. | internal destination (it appears at the TALKBACK OUT | |
When a MUTE GROUP MASTER switch is pushed | jack [77] regardless of the destination switch settings). | |
| ||
in, all of the channels assigned to that mute group are | 57. TALKBACK Switch | |
muted and their corresponding mute LEDs light. You | ||
| ||
can engage more than one mute group at a time. If | This is a latching switch, meaning it’s always active | |
a channel is assigned to two or more mute groups, it | ||
when the switch is pushed in. As long as the switch is | ||
remains muted as long as any one of the mute groups it | ||
engaged, the talkback signal is routed to the TALKBACK | ||
is assigned to is activated. | ||
OUT jack [77] and to the outputs determined by the | ||
| ||
Mute groups are handy for quickly turning off a num- | destination switches [56]. Push the switch again to | |
ber of microphones all at once; for example, all the vocal | release it, and the talkback circuit is turned off. | |
mics during a break, or all the drum mics...just for fun. |
| |
TALKBACK Section | MONO OUT Section | |
In addition to the Left and Right Main Mix outputs, | ||
| ||
The talkback feature allows the engineer to commu- | the Onyx 80 Series provides an independent mono- | |
nicate with the talent either through the AUX | phonic output. The Left and Right Main Mix signals are | |
outputs, GROUPS | summed and sent to the MONO OUT [78]. | |
[79] outputs. In addition, a TALKBACK LINE OUT [77] |
| |
jack is provided on the rear panel for patching into an | 58. MONO OUT Level Control | |
external intercom system. Connect an external micro- | ||
| ||
phone to the TALKBACK MIC IN XLR [76] connector on | This controls the output level at the MONO OUT. | |
the rear panel. | ||
|
Manual s’Owner
55. TALKBACK LEVEL
Use this knob to control the level of the talkback signal being routed to the AUX, GROUP, or MAIN L/R outputs. This also controls the talkback level for the
TALKBACK LINE OUT.
You should start with the TALKBACK LEVEL control turned down, and then slowly turn it up until you get confirmation from whoever is listening to headphones or monitors that they can hear you. Once you have set the level, you can leave it there for the duration of the session (or the gig).
56. TALKBACK DESTINATION Switches
These switches route the talkback signal to various outputs, including AUX
59.PRE FADER Switch
When this switch is up, the Mono Out signal contains the summed Left and Right Main Mix signal after the MAIN MIX faders, so the Mono Output is controlled by both the MAIN MIX faders and the MONO OUT level control.
When this switch is pushed in, the Mono Out signal sums the Left and Right Main Mix signal before the MAIN MIX faders, so even if the MAIN MIX faders are turned all the way down, you still get a signal at the MONO OUT.
LEFT
OO | MAX | OO | MAX |
RIGHT
OO | MAX | OO | MAX |
AB
MATRIX
MASTER
OO | +15 | OO | +15 |
STEREO
AFLAFL
MUTE GROUPS
MASTERTALKBACK
MUTE 1
|
| OO | MAX | |
MUTE | 2 | LEVEL | ||
DESTINATION | ||||
|
| |||
MUTE | 3 | AUX | AUX | |
|
| |||
MUTE | 4 | AUX | AUX | |
|
| GRPS | MAIN | |
MONO |
| L/R | ||
|
|
| ||
OUT |
|
|
| |
OO MAX |
|
|
|
PRE
FADERTALKBACK
Owner’s Manual | 19 |