Headphones

Effects Processor

Voice-over

Microphone

Voice-over booth

record

Headphone Amp

Video Deck

play

Synthesizer

 

1

 

 

2

 

 

NYX MIC

PRE

 

 

O

 

 

INSERT

 

 

 

 

1

 

 

 

 

LINE

 

 

LINE

 

BAL/UNBAL

 

BAL/UNBAL

 

LINE

 

 

LINE

 

HI-Z

 

 

HI-Z

 

48V

 

 

48V

30

30

 

20 U

40

20 U

40

 

 

GAIN

 

 

GAIN

U

60

U

60

 

-20dB

+40dB

-20dB

+40dB

 

SEND

SEND

 

 

PRE

 

PRE

 

POST

 

POST

U

EQ

U

 

EQ

 

HIGH

 

 

HIGH

 

12kHz

 

 

12kHz

-15

+15

-15

+15

 

1k

1k

 

 

FREQ

 

 

FREQ

100

8k

100

8k

 

U

 

U

 

 

 

MID

 

 

MID

-15

+15

-15

+15

 

U

 

U

 

 

 

LOW

 

 

LOW

 

80Hz

 

 

80Hz

-15

+15

-15

+15

 

 

AUX

 

AUX

 

1

 

 

1

OO

MAX

OO

MAX

 

2 2

 

 

3-4

SEND

 

NYX MIC

PRE

 

 

O

 

 

 

 

 

 

1

 

 

 

 

2

R

 

 

L

 

 

 

(MONO)

LINE IN 5-6

7-8

 

BAL/UNBAL

 

 

 

 

 

R

L

L

 

 

 

(MONO)

(MONO)

 

 

 

BAL/UNBAL

 

+4dB -10dB

R

U

40 MIC

GAIN GAIN

U

60

-20dB

+20dB

 

 

 

 

SEND

 

SEND

 

 

PRE

 

 

PRE

 

POST

 

 

POST

U

EQ

 

U

EQ

 

HIGH

 

 

HIGH

 

12kHz

 

 

12kHz

-15

+15

-15

+15

 

U

 

 

 

 

 

HIGH

 

 

 

 

MID

 

U

 

 

2.5KHz

 

 

 

-15

+15

 

 

MID

U

 

 

 

2.5kHz

 

LOW

-15

+15

 

 

MID

 

 

 

 

400Hz

 

 

 

-15

+15

 

 

 

U

 

 

U

 

 

LOW

 

 

LOW

 

80Hz

 

 

80Hz

-15

+15

-15

+15

 

 

AUX

 

 

AUX

 

1

 

 

1

OO

MAX

OO

MAX

 

2 2

U

-20dB +20dB

SEND INPUT

LINE

UFW 1-2

HIGH

12kHz

-15 +15

U

MID

2.5kHz

-15 +15

U

LOW

80Hz

-15 +15

AUX

1

OO

MAX

2

TAPE

2

OUT

L

R R

PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE

ROOM/PHONES

 

SOURCE

 

0dB=0dBu

 

 

 

 

L

R

 

 

 

 

20

CLIP

 

MAIN MIX

 

15

 

 

 

 

 

10

 

 

 

 

 

6

 

 

TAPE

 

3

 

 

 

 

 

0

 

 

FW 1-2

ALT 3-4

2

 

 

 

 

 

 

LEVEL

 

 

 

 

4

SET

 

 

 

 

 

 

 

 

 

7

 

 

ASSIGN TO

 

10

 

 

MAIN MIX

 

20

 

 

 

 

 

 

 

 

 

 

30

 

OO

MAX

OO

MAX

RUDE

CONTROL

PHONES

ROOM

 

 

SOLO

AUX MASTER

SENDRETURN

 

 

1

 

 

1

PRE

OO

+15

 

OO

+10

POST

 

 

RTN TO

 

 

AUX1

2

2

PRE

 

Effects/ Sampler

Keyboard Controller

Electronic

OO

MAX

OO

MAX

OO

MAX

OO

MAX

OO

MAX

 

PAN

 

PAN

 

PAN

 

PAN

 

PAN

L

R

L

R

L

R

L

R

L

R

POST

OO

+15

OO

+10

AUX SEND 1-2

TO FW 5-6

POWER

Drum Kit

MUTE

 

MUTE

 

MUTE

 

MUTE

 

MUTE

 

 

 

 

ALT 3-4

OL

ALT 3-4

OL

ALT 3-4

OL

ALT 3-4

OL

ALT 3-4

OL

 

OO MAX

ASSIGN TO

 

 

 

 

 

 

FW 7-8

U

-20

U

- 20

U

- 20

U

- 20

U

- 20

MIC

LEVEL

U

Recorder

 

 

 

 

 

 

 

 

 

DESTINATION

 

OO +10dB

 

OO +10dB

 

OO +10dB

OO +10dB

OO +10dB

PHONES

AUX

OO +10dB

LEVEL

 

LEVEL

 

LEVEL

 

LEVEL

 

LEVEL

 

 

 

 

 

 

 

 

1-2

 

SOLO

 

SOLO

 

SOLO

 

SOLO

 

SOLO

 

 

 

 

 

1

 

2

 

3-4

 

5-6

 

7-8

TALKBACK

MAIN MIX

Mackie

 

DESIGNED

WOODINVILLE,

MANUFACTURED IN CHINA • FABRIQUE EN CHINE

 

ARE

TECHNOLOGIES INC. • COPYRIGHT ©2008

 

HR824mkII

POWER

FIREWIRE

BALANCED

R BAL/UNBAL

L

Powered

 

 

 

CNTL - RM OUT

ON

 

 

 

 

Reference

 

 

 

3-4

 

 

 

 

 

BAL/UNBAL

 

Monitor for

 

 

MAINLEVEL

+MIC

 

 

 

 

OUTPUT

4dB

 

Control Room

Desktop

Mac or PC

Cinema Display for Audio

Cinema Display for Video

Mackie

HR824mkII

Powered

Reference

Monitor for Control Room

RAID rack

This diagram shows a voice-over microphone connected to channel 1 mic input, a video deck's audio output connected to channels 3/4, with its audio inputs receiving the main mix from the 1/4" outputs. A synthesizer is connected to channel 5/6, and an electronic drum kit connected to channel 7/8.

An effects processor and a sampler each receive a mono input from an aux send (post-fader), and their stereo outputs connect to the respective stereo return inputs. A keyboard controller is attached to the sampler. Headphones are used to monitor all levels, using a headphone amp with multiple headphones, including one in the voice-over booth.

A pair of Mackie HR824mkII powered reference monitors is connected to the left and right control room outputs for careful and accurate monitoring in the control room.

A desktop Mac or PC is connected to a FireWire port, allowing the 2-channel main mix to be recorded and two channels to be played back. Two cinema screens are connected to the desktop, one displaying audio and the second for video. A RAID rack is attached to the computer for mass storage. A recorder is connected to the main outs, and utilized as the master recorder.

Post-Production System

Owner's Manual 11