Hookup Diagrams
Acoustic Guitar
and Mic
Microphone
Guitar Processor
Return
Send
Stereo Effects Processor
Aux 1 set to
POST
2 | SEND |
| MAIN OUT | TAPE | |
NYX MIC | PRE |
| 2 | BAL/UNBAL |
|
O |
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| IN | OUT | |
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| 1 |
| L | L |
Drum Machine
INSERT INSERTL
(MONO)
BAL/UNBAL
1R
LINE
| BAL/UNBAL |
| BAL/UNBAL |
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| LINE |
| LINE | LINE | +4dB |
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| 48V |
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| 48V |
30 | 30 | 30 |
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20 U | 40 | 20 U | 40 | 20 | 40 MIC |
| GAIN |
| GAIN |
| GAIN |
U | 60 | U | 60 | U | 60 |
+40dB | +40dB |
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| ||
SEND | SEND | SEND |
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| PRE |
| PRE |
| PRE |
| POST |
| POST |
| POST |
U | EQ | U | EQ | U | EQ |
| HIGH |
| HIGH |
| HIGH |
| 12kHz |
| 12kHz |
| 12kHz |
+15 | +15 | +15 | |||
1k | 1k | U |
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| HIGH |
| FREQ |
| FREQ |
| MID |
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| 2.5KHz |
100 | 8k | 100 | 8k | +15 | |
U |
| U |
| U |
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| MID |
| MID |
| LOW |
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| MID | ||
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| 400Hz |
+15 | +15 | +15 | |||
U |
| U |
| U |
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| LOW |
| LOW |
| LOW |
| 80Hz |
| 80Hz |
| 80Hz |
+15 | +15 | +15 | |||
| AUX |
| AUX |
| AUX |
| 1 |
| 1 |
| 1 |
OO | MAX | OO | MAX | OO | MAX |
| 2 |
| 2 |
| 2 |
OO | MAX | OO | MAX | OO | MAX |
| PAN |
| PAN |
| PAN |
L | R | L | R | L | R |
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| R |
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| R | R |
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LINE IN |
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| L |
| L |
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| (MONO) |
| (MONO) |
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| BAL/UNBAL |
| BAL/UNBAL |
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| R |
| R |
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| PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE | |||||
| U |
| U |
| CTRL ROOM/PHONES |
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| SOURCE |
| 0dB=0dBu | ||
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| GAIN |
| GAIN |
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| L | R |
+20dB | +20dB |
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| 20 | CLIP | |||
| MAIN MIX |
| 15 |
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SEND |
| SEND | INPUT |
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| 10 |
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| PRE |
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| 6 |
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| POST |
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| EQ |
| LINE |
| TAPE |
| 3 |
| |
| U | U | FW |
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| 0 |
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| HIGH |
| HIGH | FW | ALT | 2 |
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| 12kHz |
| 12kHz |
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| LEVEL | |
| +15 | +15 |
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| 4 | SET | ||
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| 7 |
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| U |
| U |
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| ASSIGN TO |
| 10 |
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| MID |
| MID |
| MAIN MIX |
| 20 |
| |
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| 2.5kHz |
| 2.5kHz |
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| 30 |
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| +15 | +15 |
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| OO | MAX | OO | MAX | RUDE | |
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| CONTROL | PHONES | ||||
| U |
| U |
| SOLO | |||||
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| ROOM |
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| LOW |
| LOW |
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| 80Hz |
| 80Hz |
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| AUX MASTER |
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| +15 | +15 |
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| AUX |
| AUX |
| SEND |
| RETURN | ||
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| 1 |
| 1 |
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| 1 |
| 1 |
OO |
| MAX | OO | MAX | PRE | OO | +15 | RTN TO | OO | +10 |
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| POST |
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| AUX1 |
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| 2 |
| 2 |
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| 2 |
| 2 |
OO |
| MAX | OO | MAX | PRE | OO | +15 |
| OO | +10 |
| POST |
| ||||||||
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| PAN |
| PAN |
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| AUX SEND |
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| TO FW |
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L |
| R | L | R |
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| POWER |
Aux 2 set to
PRE
Laptop with
audio production
software
MUTE |
| MUTE |
| MUTE |
| MUTE |
| MUTE |
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ALT | OL | ALT | OL | ALT | OL | ALT | OL | ALT | OL |
| OO MAX | ASSIGN TO |
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| FW |
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U | U | - 20 | U | - 20 | U | - 20 |
| U | - 20 | MIC | LEVEL | U |
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| DESTINATION |
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OO +10dB |
| OO +10dB |
| OO +10dB | O O +10dB | OO | +10dB | PHONES | AUX | OO +10dB |
| |||
LEVEL |
| LEVEL |
| LEVEL |
| LEVEL |
| LEVEL |
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SOLO |
| SOLO |
| SOLO |
| SOLO |
| SOLO |
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| SRM150 | |
| 1 |
| 2 |
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| TALKBACK | MAIN MIX |
Powered
Monitor
Mackie
SRM450v2
Powered
Speaker
DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA • FABRIQUE EN CHINE
"MACKIE" & "ONYX" ARE TRADEMARKS OF LOUD TECHNOLOGIES INC. • COPYRIGHT ©2008
| FIREWIRE | MAIN OUT | CNTL - RM OUT |
POWER |
| BALANCED | R BAL/UNBAL L |
ON | R |
| L |
|
|
ALT
R/4 BAL/UNBAL L/3
Mackie
SRM450v2
Powered
Speaker
This diagram shows an acoustic guitar mic'd up directly to channel 1 and a microphone connected to channel 2 for vocals. A guitar processor is connected to the insert jack of channel 1.
An effects processor receives a mono input from the aux 1 send, and its stereo outputs connect to the stereo return inputs. Aux 1 is set
A Mackie SRM150 powered speaker is connected to aux send 2 as a monitor for the performer(s). Aux 2 is set to
Mackie SRM450v2 powered speakers are connected to the left and right main outputs.
A laptop connects to the FireWire port, and allows the
1-2 Man Coffeehouse Gig
Owner's Manual 7