Hookup Diagrams

Acoustic Guitar

and Mic

Microphone

Guitar Processor

Return

Send

Stereo Effects Processor

Aux 1 set to

POST

2

3-4

SEND

 

MAIN OUT

TAPE

NYX MIC

PRE

 

2

BAL/UNBAL

 

O

 

 

IN

OUT

 

 

 

 

 

 

1

 

L

L

Drum Machine

INSERT INSERTL

(MONO)

BAL/UNBAL

1R

LINE

 

BAL/UNBAL

 

BAL/UNBAL

 

 

 

LINE

 

LINE

LINE

+4dB

 

HI-Z

 

HI-Z

-10dB

 

48V

 

 

 

48V

30

30

30

 

20 U

40

20 U

40

20

40 MIC

 

GAIN

 

GAIN

 

GAIN

U

60

U

60

U

60

-20dB

+40dB

-20dB

+40dB

 

 

SEND

SEND

SEND

 

 

PRE

 

PRE

 

PRE

 

POST

 

POST

 

POST

U

EQ

U

EQ

U

EQ

 

HIGH

 

HIGH

 

HIGH

 

12kHz

 

12kHz

 

12kHz

-15

+15

-15

+15

-15

+15

1k

1k

U

 

 

 

 

 

 

HIGH

 

FREQ

 

FREQ

 

MID

 

 

 

 

 

2.5KHz

100

8k

100

8k

-15

+15

U

 

U

 

U

 

 

MID

 

MID

 

LOW

 

 

 

MID

 

 

 

 

 

400Hz

-15

+15

-15

+15

-15

+15

U

 

U

 

U

 

 

LOW

 

LOW

 

LOW

 

80Hz

 

80Hz

 

80Hz

-15

+15

-15

+15

-15

+15

 

AUX

 

AUX

 

AUX

 

1

 

1

 

1

OO

MAX

OO

MAX

OO

MAX

 

2

 

2

 

2

OO

MAX

OO

MAX

OO

MAX

 

PAN

 

PAN

 

PAN

L

R

L

R

L

R

 

 

 

 

R

 

 

 

R

R

 

LINE IN 5-6

 

-8

 

 

 

 

 

 

 

 

L

 

L

 

 

 

 

 

 

 

 

(MONO)

 

(MONO)

 

 

 

 

 

 

 

 

BAL/UNBAL

 

BAL/UNBAL

 

 

 

 

 

 

 

 

R

 

R

 

 

 

 

 

 

 

 

 

 

 

PREMIUM ANALOG MIXER w/ PERKINS EQ & FIREWIRE

 

U

 

U

 

CTRL ROOM/PHONES

 

 

 

 

 

 

 

 

SOURCE

 

0dB=0dBu

 

 

GAIN

 

GAIN

 

 

 

 

L

R

-20dB

+20dB

-20dB

+20dB

 

 

 

 

20

CLIP

 

MAIN MIX

 

15

 

 

 

 

 

 

 

 

 

SEND

 

SEND

INPUT

 

 

 

 

10

 

 

 

PRE

 

 

 

 

 

 

6

 

 

 

POST

 

 

 

 

 

 

 

 

 

EQ

 

LINE

 

TAPE

 

3

 

 

U

U

FW 1-2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

0

 

 

 

HIGH

 

HIGH

FW 1-2

ALT 3-4

2

 

 

 

12kHz

 

12kHz

 

 

 

 

LEVEL

-15

 

+15

-15

+15

 

 

 

 

4

SET

 

 

 

 

 

 

 

 

 

7

 

 

U

 

U

 

 

ASSIGN TO

 

10

 

 

 

MID

 

MID

 

MAIN MIX

 

20

 

 

 

 

 

 

 

 

 

 

 

2.5kHz

 

2.5kHz

 

 

 

 

30

 

-15

 

+15

-15

+15

 

 

 

 

 

 

 

 

 

 

OO

MAX

OO

MAX

RUDE

 

 

 

 

 

CONTROL

PHONES

 

U

 

U

 

SOLO

 

 

 

ROOM

 

 

 

 

 

 

 

 

 

 

 

 

 

LOW

 

LOW

 

 

 

 

 

 

 

 

80Hz

 

80Hz

 

 

AUX MASTER

 

-15

 

+15

-15

+15

 

 

 

 

 

AUX

 

AUX

 

SEND

 

RETURN

 

 

1

 

1

 

 

 

1

 

1

OO

 

MAX

OO

MAX

PRE

OO

+15

RTN TO

OO

+10

 

 

 

 

 

POST

 

 

 

 

 

 

 

 

 

 

 

 

AUX1

 

 

 

 

2

 

2

 

 

 

2

 

2

OO

 

MAX

OO

MAX

PRE

OO

+15

 

OO

+10

 

POST

 

 

 

PAN

 

PAN

 

 

 

 

 

 

 

 

 

 

 

 

AUX SEND 1-2

 

 

 

 

 

 

 

 

 

TO FW 5-6

 

 

 

L

 

R

L

R

 

 

 

 

POWER

Aux 2 set to

PRE

Laptop with

audio production

software

MUTE

 

MUTE

 

MUTE

 

MUTE

 

MUTE

 

 

 

 

 

ALT 3-4

OL

ALT 3-4

OL

ALT 3-4

OL

ALT 3-4

OL

ALT 3-4

OL

 

OO MAX

ASSIGN TO

 

 

 

 

 

 

 

FW 7-8

 

U

-20

U

- 20

U

- 20

U

- 20

 

U

- 20

MIC

LEVEL

U

 

 

 

 

 

 

 

 

 

 

 

 

DESTINATION

 

 

OO +10dB

 

OO +10dB

 

OO +10dB

O O +10dB

OO

+10dB

PHONES

AUX

OO +10dB

 

LEVEL

 

LEVEL

 

LEVEL

 

LEVEL

 

LEVEL

 

 

 

 

 

 

 

 

 

1-2

 

 

SOLO

 

SOLO

 

SOLO

 

SOLO

 

SOLO

 

 

 

 

SRM150

 

1

 

2

 

3-4

 

5-6

 

 

7-8

TALKBACK

MAIN MIX

Powered

Monitor

Mackie

SRM450v2

Powered

Speaker

DESIGNED BY MACKOIDS IN WOODINVILLE, WA, USA • MANUFACTURED IN CHINA • FABRIQUE EN CHINE

"MACKIE" & "ONYX" ARE TRADEMARKS OF LOUD TECHNOLOGIES INC. • COPYRIGHT ©2008

 

FIREWIRE

MAIN OUT

CNTL - RM OUT

POWER

 

BALANCED

R BAL/UNBAL L

ON

R

 

L

 

 

ALT 3-4 OUT

R/4 BAL/UNBAL L/3

Mackie

SRM450v2

Powered

Speaker

This diagram shows an acoustic guitar mic'd up directly to channel 1 and a microphone connected to channel 2 for vocals. A guitar processor is connected to the insert jack of channel 1.

An effects processor receives a mono input from the aux 1 send, and its stereo outputs connect to the stereo return inputs. Aux 1 is set post-fader, using the Aux 1 pre/post switch in the Aux Master section.

A Mackie SRM150 powered speaker is connected to aux send 2 as a monitor for the performer(s). Aux 2 is set to pre-fader, using the Aux 2 pre/post switch in the Aux Master section.

Mackie SRM450v2 powered speakers are connected to the left and right main outputs.

A laptop connects to the FireWire port, and allows the 2-channel main mix of the performance to be recorded using your audio production software. Two channels of audio can also play from the computer to the main mix. For example, you can play intermission music when the call for an egg-nog decaf latté or green tea gets too strong and you have to take a break.

1-2 Man Coffeehouse Gig

Owner's Manual 7