Mackie SR244 specifications Wearing Contact material

A-I1N0

TRIM

A-I1N0

TRIM

A-I1N0

TRIM

A-I1N0

TRIM

A-I1N0

TRIM

A-I1N0

TRIM

A-I1N0

TRIM

A-I1N0

TRIM

A-I1N0

TRIM

A-I1N0

TRIM

A-I1N0

TRIM

A-I1N0

TRIM

TRIM

TRIM

9

10

11

12

13

14

15

16

17

18

19

20

21

23

LAMP

22

24

AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX AUX

PRE1

PRE1

PRE1

PRE1

PRE1

PRE1

PRE1

PRE1

PRE1

PRE1

PRE1

PRE1

PRE1

PRE1

1

1

1

28

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

SOLO

+20

+15

10

7

PRE2

PRE2

PRE2

PRE2

PRE2

PRE2

PRE2

PRE2

PRE2

PRE2

PRE2

PRE2

PRE2

PRE2

2

2

2

4

2

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

SOLO

+20

+15

0

TO AUX

2

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

3

SEND

1-2

4

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

SOLO

+20

(EFX TO MONITOR)

7

10

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

4

20

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

SOLO

+20

+20

30

TAPE

40

RETURN

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

PRE

5

LEVEL SET

LEFT

RIGHT

5

5

5

5

5

5

5

5

5

5

5

5

5

5

+15

SOLO

ASSIGN

TO SUB

GLOBAL

0dB = 0dBu

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

1-2

AUX RETURN

6

3-4

6

6

6

6

6

6

6

6

6

6

6

6

6

6

+15

SOLO

SUB

SOLO

RUDE

POWER

SOLO

AUX SEND

STEREO

LIGHT

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

+15

MASTERS

AUX RETURNS

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

EQ

MODE

HI

HI

HI

HI

HI

HI

HI

HI

HI

HI

HI

HI

HI

HI

TRACK

TRACK

TRACK

TRACK

12k

12k

12k

12k

12k

12k

12k

12k

12k

12k

12k

12k

12k

12k

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

1

2

3

4

+15

PRE FADER

•

•

•

•

LEVEL

IN PLACE AFL

HI

HI

5

6

7

8

MID

MID

MID

MID

MID

MID

MID

MID

MID

MID

MID

MID

MID

MID

3k

3k

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

-15

+15

SOLO

AUX

SUB

LOW

LOW

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

FREQ

MID

MID

800Hz

800Hz

8kHz

100 8kHz

100 8kHz

100 8kHz

100 8kHz

100 8kHz

100 8kHz

100 8kHz

100 8kHz

100 8kHz

100 8kHz

100 8kHz

-15 +15

-15 +15

0

+10

0

+10

0

+10

0

+10

MAIN MIX

AIR

AIR

AIR

AIR

LEVEL

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

LOW

16kHz

16kHz

16kHz

16kHz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

80Hz

+15

-15 +15

-15

+15

-15 +15

-15 +15

-15 +15

-15 +15

-15 +15

-15

+15

-15 +15

-15 +15

-15 +15

-15 +15

-15 +15

SOLO

SOLO

SOLO

SOLO

AUX 1-2

Hz5CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

LOW CUT

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

75 Hz

/OCTB

18dB/OCT

18dB/OCT

18dB/OCT

18dB/OCT

18dB/OCT

18dB/OCT

18dB/OCT

18dB/OCT

18dB/OCT

18dB/OCT

18dB/OCT

TALKBACK

OL

OL

OL

OL

OL

OL

OL

OL

OL

OL

OL

OL

OL

OL

-20

-20

-20

-20

-20

-20

-20

-20

-20

-20

-20

-20

-20

-20

TAPE RETURN

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

L

R

TO PHONES / C R

AN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PHONES / C-R

LEVEL

																																												L/R ASSIGN		L/R ASSIGN		L/R ASSIGN		L/R ASSIGN
9				10				11				12			13			14			15			16			17			18			19			20			21 22			23 24											MAIN MIX
UTE				MUTE				MUTE				MUTE			MUTE			MUTE			MUTE			MUTE			MUTE			MUTE			MUTE			MUTE			MUTE			MUTE
																																													SUB		SUB		SUB		SUB	TAPE RETURN	LEFT/RIGHT
MUTE / SOLO				MUTE / SOLO				MUTE / SOLO				MUTE / SOLO			MUTE / SOLO			MUTE / SOLO			MUTE / SOLO			MUTE / SOLO			MUTE / SOLO			MUTE / SOLO			MUTE / SOLO			MUTE / SOLO			MUTE / SOLO			MUTE / SOLO		1		2		3		4		TO MAIN MIX
			dB				dB				dB			dB			dB			dB			dB			dB			dB			dB			dB			dB			dB			dB		dB		dB		dB			dB
		SOLO	10		SOLO	10				SOLO	10		SOLO	10		SOLO	10		SOLO	10		SOLO	10		SOLO	10		SOLO	10		SOLO	10		SOLO	10		SOLO	10		SOLO	10		SOLO	10		10		10		10			10
			5			5					5			5			5			5			5			5			5			5			5			5			5			5		5		5		5			5
	1-2		U	1-2			U		1-2		U	1-2		U	1-2		U	1-2		U	1-2		U	1-2		U	1-2		U	1-2		U	1-2		U	1-2		U	1-2		U	1-2		U		U		U		U			U
			5			5					5			5			5			5			5			5			5			5			5			5			5			5		5		5		5			5
	3-4			3-4					3-4			3-4			3-4			3-4			3-4			3-4			3-4			3-4			3-4			3-4			3-4			3-4
			10			10					10			10			10			10			10			10			10			10			10			10			10			10		10		10		10			10
		L-R	20		L-R	20				L-R	20		L-R	20		L-R	20		L-R	20		L-R	20		L-R	20		L-R	20		L-R	20		L-R	20		L-R	20		L-R	20		L-R	20		20		20		20			20
			30			30					30			30			30			30			30			30			30			30			30			30			30			30		30		30		30			30
			40			40					40			40			40			40			40			40			40			40			40			40			40			40		40		40		40			40
			50			50					50			50			50			50			50			50			50			50			50			50			50			50		50		50		50			50
			60			60					60			60			60			60			60			60			60			60			60			60			60			60		60
																																																60		60			60

The SR Series: The most affordable, full-featured mixing consoles available.

As you can see, there is every reason that the SR24•4 and 32•4 are fast becoming the premier, affordable 4-bus mixing consoles. With their proven durability, professional features and specs, and certainly not least, the low cost — the SR Series is des- tined to be a classic. There are no other mixing con- soles in their class, with all these features, at such an affordable price.

And that’s why people from all professions, with all kinds of different appli- cations, prefer Mackie’s SR Series. You’ll like them because of the SR24•4 and 32•4’s low price, easy-to- use features, and rugged construction. That’s got to sound good. And of course, Mackie does.

	60
VLZ – Very Low Impedance	+15
circuitry for low noise
	+15
Highheadroom,low-noisemic
preamps (–129.5dBm E.I.N.)	+15

3-Band EQ with Sweepable

+15

Mids: 80Hz, 100Hz–8kHz swept mid, 12kHz (Mids fixed at 800Hz & 3kHz for 4-band +15

EQ on stereo channels)

+15

60mm log-taper faders
with lip seal and long-	+15
wearing
contact material	+15
“AIR” high frequency EQ	8kHz
circuit on sub tracks 1-8

6auxsends +15

6 aux returns, 2 switchable pre- or post-fader (2 fixed

R

pre- and 2 fixed post-fader) 4 submix buses

Phones/ControlRoomlevel controlfor2-trackmonitoring

PFL/AFL Solo (globally switchable)

Constant-loudness pan pots

“Double-bussed” sub outs for 8-track recording

Balanced inputs & outputs (exceptRCAs&channelinserts)

Trim control on each chan- nel for wide gain range

TRIM

-1

TRIM

U

TRIM

U

TRIM

0

MIC GAIN

19

U

20

21

23

LAMP

10

60

-20

+20

22

-20

+20

24

+10dB

-40dB

AUX

U

AUX

U

AUX

U

AUX

U

U

U

1

1

1

1

1

1

1

CLIP

28

PRE

PRE

PRE

PRE

OO

+15

OO

+15

OO

+15

OO

+15

SOLO

OO

+20

OO

+15

10

U

U

U

U

U

U

7

2

2

2

2

2

2

2

4

PRE

PRE

PRE

PRE

2

OO

+15

OO

+15

OO

+15

OO

+15

SOLO

OO

+20

OO

+15

0

U

U

U

U

U

TO AUX

2

3

3

3

3

3

3

SEND

1-2

4

OO

+15

OO

+15

OO

+15

OO

+15

SOLO

OO

+20

(EFX TO MONITOR)

7

U

U

U

U

U

U

10

4

4

4

4

4

4

20

OO

+15

OO

+15

OO

+15

OO

+15

SOLO

OO

+20

OO

+20

30

U

TAPE

40

5

RETURN

PRE

U

PRE

U

PRE

U

PRE

LEVEL SET

LEFT

RIGHT

SOLO

ASSIGN

5

5

5

5

OO

+15

OPERATING LEVEL

U

TO SUB

GLOBAL

0dB = 0dBu

OO

+15

OO

+15

OO

+15

1-2

AUX RETURN

U

U

U

6

3-4

6

6

6

6

OO

+15

SOLO

SUB

SOLO

RUDE

POWER

SOLO

AUX SEND

STEREO

LIGHT

OO

+15

OO

+15

OO

+15

MASTERS

AUX RETURNS

EQ

U

EQ

U

EQ

U

EQ

U

MODE

HI

HI

HI

HI

TRACK

TRACK

TRACK

TRACK

12k

12k

12k

12k

1

2

3

4

-15

+15

-15

+15

-15

+15

OO

+15

PRE FADER

U

U

U

•

•

•

•

LEVEL

IN PLACE AFL

MID

MID

HI

HI

5

6

7

8

MID

MID

3k

3k

SOLO

AUX

SUB

-15

+15

-15

+15

-15

+15

U

U

5

5

5

5

LOW

LOW

FREQ

FREQ

MID

MID

800Hz

800Hz

100

8kHz

-15

+15

-15

+15

0

+10

0

+10

0

+10

0

+10

OO

MAX

MAIN MIX

U

U

U

AIR

AIR

AIR

AIR

LEVEL

LOW

LOW

LOW

LOW

16kHz

16kHz

16kHz

16kHz

80Hz

80Hz

80Hz

80Hz

-15

+15

-15

+15

-15

+15

SOLO

SOLO

SOLO

SOLO

AUX 1-2

LOW CUT

75 Hz

18dB/OCT

TALKBACK

OL

OL

OL

OL

-20

L

R

-20

L

R

-20

L

R

-20

L

R

L

R

L

R

L

R

TAPE RETURN

OO

MAX

TO PHONES / C R

PAN

PAN

PAN

PAN

PAN

PAN

PAN

PHONES / C-R

L/R ASSIGN

L/R ASSIGN

L/R ASSIGN

L/R ASSIGN

LEVEL

20

21 22

23 24

MAIN MIX

MUTE

MUTE

MUTE

SUB

SUB

SUB

SUB

TAPE RETURN

LEFT/RIGHT

MUTE / SOLO

MUTE / SOLO

MUTE / SOLO

1

2

3

4

TO MAIN MIX

dB

dB

dB

dB

dB

dB

dB

dB

SOLO

10

SOLO

10

SOLO

10

SOLO

10

10

10

10

10

5

5

5

5

5

5

5

5

1-2

U

1-2

U

1-2

U

1-2

U

U

U

U

U

3-4

5

3-4

5

3-4

5

3-4

5

5

5

5

5

10

10

10

10

10

10

10

10

L-R

20

L-R

20

L-R

20

L-R

20

20

20

20

20

30

30

30

30

30

30

30

30

40

40

40

40

40

40

40

40

50

50

50

50

50

50

50

50

60

60

60

60

60

60

60

60

OO

OO

OO

OO

OO

OO

OO

OO