Mackie specifications Sound Reinforcement Consoles, 24 or 32 in, 4 x 2 x 1 out, SR324/SR244

SOUND REINFORCEMENT CONSOLES

The SR24•4 and SR32•4 do for live sound what Mackie’s already done for studio recording. Like our acclaimed 8•Bus series, these professional grade mixing consoles were built to deliver the same kind of useful features and pro specifications as those found on “bigger boards.” And to stand up to continuous, 24-hr.-a-day use.

Many of today’s large hotels, convention centers, theaters and places of wor- ship require mixers that can handle advanced sound reinforcement. At the same time, they need to be por- table and compact enough to move around, flexible enough to work in a variety of applications, and be easy to use. Of course, they must be affordable. The SR24•4 & 32•4 mixing consoles are all that. And they feature the

same high headroom and ultra-low noise components and cir- cuitry as our 8•Bus series, with many of the same features.

24 or 32 in, 4 x 2 x 1 out.

The SR Series mixers are true 4-bus consoles. Any

channel can be assigned to any bus (or directly to the main mix), and each

bus can be assigned to the main L/R or mono

mixes, or fed out directly to, for instance, an 8-track re- corder. The SR24•4 and 32•4 each have 6 aux sends,

3-band EQ with sweepable mids, and Mackie’s unique “AIR” EQ circuit.

At a price that belies their durability and features, the SR24•4 and 32•4 are easily affordable workhorses that’ll be as welcome as live mix- ing consoles as they are in a recording studio.

Durability. A word

Mackie lives by.

The SR Series of mixing consoles can take just about any kind of punishment. They’re built like tanks. Be- cause we knew they would be moved around and used as both live and recording consoles, we made them to stand up to continuous duty. Not only can they take active abuse — they’re as rugged as anything Mackie makes — the SR24•4 and 32•4’s insides are made to stand up to more passive problems.

MORE INFORMATION

SR32•4/SR24•4

ARCHITECTS’ AND

ENGINEERS’

SPECIFICATIONS

“IN YOUR FACE”

ALL-PRODUCT BROCHURE

FEATURES

Fast, easy, accurate level-setting via Solo

4 Submix Buses

8•Bus-style mic preamps with –129.5dBm

“Double-Bussed” sub outs for 8-tk. recording

6 aux sends available at all times

Globally-switchable

AFL/PFL

3 Band EQ on mono chs.:

•80Hz Lo Shelving

•Sweepable, 100Hz to 8kHz Mid

•12kHz Hi Shelving

AIR EQ Circuit for Extra Sheen

Very Low Impedance (VLZ) circuitry for low noise

Trim Control on each channel for wide gain range

Balanced Inputs and Outputs

Tape Return to Main Mix

Mono Out with level control

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