BIAS ADJUSTMENT: (Continued)

Some of the other recommended biasing, “methods” — such as -”.. tubes running red hot, increase the bias .. sounds harsh and runs too cool, turn it down ...” are guesswork at best. Luckily, one of the great things about tube amps is that they can usually stand some abuse without causing any real harm ... at least not immediately.

But don’t these alterations imply that you are second-guessing the amp designer and that there’s a better set of operating conditions that the designer missed but the tube sellers have discovered?

Now some players may like the sound of their amp altered by tubes with extreme characteristics and with the bias set to help compensate. But often it is the mere novelty of change that they’re really responding to and when the amp goes back to the proper original way, we’ve seen them be far happier still!

Because every part in every one of our designs has been meticulously evaluated, compared and stressed over — no matter how seemingly insignificant it might be. And with every design we look for a “sweet spot” where all the parameters — including the bias — come together to give the best sonic performance, consistently and reliably. Every part and voltage is important — yet no one complains that these other parameters aren’t available for tinkering.

Consider our patented Simul-Classcircuitry where there are two different bias voltages used for separate pairs of power tubes ...

and changing one voltage also changes the other. Great care goes into getting this just right and we think we’d be asking for trouble

to have it adjustable for the world to play with ... unless you like paying to have your amp messed up. Sorry, I meant to say, “Uh, ...

your amp needed biasing.”

If that doesn’t appeal to you, then merely plug a matched set of Mesa tubes into one of our amps and you’re ready for tone. Guaran- teed. You’d be amazed at the number of service calls we field every day that lead to a diagnosis of out-of-tolerance, non-spec tube problems. To think these would be prevented by including a bias adjustment is something of an insult to you and us. If you put the wrong size tires on your car, do you think changing the pressure will make them right?

Please, don’t think this is a blanket indictment of the other guys selling tubes — it isn’t. And their tubes aren’t all bad either. It just doesn’t make sense to pay more of your hard earned cash for tubes that were probably made in the same Russian or Chinese factory and which have the possibility of being outside the performance window we select for your amp. And it pains us to hear the hype and mystique built up around biasing when twenty-five years of evidence affirms our decision to make bias circuits that “never need adjustment”. How much money and trouble that has saved Mesa/Boogie players you couldn’t estimate.

Our rigorously tested and hand selected tubes are available at your nearest Mesa/Boogie Pro Center or from us directly. Nobody offers better price, quality or warranty than we do ... so why swerve?

Next time we’ll talk about our part in developing the great Sylvania STR 415 type 6 6 and how we’re on the verge of seeing something fairly close reappear on the market. Remember, we still have some of these super rugged mondo-bottles available for older amps — Boogies only please! Until then, Relax, Breathe and Nourish your soul!

Cheers!

Mesa/Boogie Ltd.

Randall Smith

Designer & President

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Mesa/Boogie DC3 manual Your amp needed biasing, Cheers Randall Smith Designer & President

DC3 specifications

The Mesa/Boogie DC-3 is a highly regarded guitar amplifier known for its versatility, power, and distinctive tone. Introduced during the early 1990s, the DC-3 has become a staple among musicians who appreciate its unique blend of classic and modern sounds. The amplifier is part of the Mark series, renowned for its innovative design and exceptional sound quality.

One of the standout features of the DC-3 is its all-tube preamp, which contributes to its warm and rich tonal characteristics. The amplifier utilizes three 12AX7 tubes in the preamp stage, providing a dynamic response that enhances the natural tonal qualities of the guitar. This all-tube configuration is complemented by a powerful 2x6L6 power tube setup, delivering a powerful 30 watts of output. This combination allows the DC-3 to produce a wide range of tones, from clean and sparkling to thick and saturated drive.

The DC-3 is equipped with a unique two-channel design, offering a Clean channel and a Lead channel, each with its own set of controls for ultimate tonal shaping. The Clean channel is characterized by its bright and articulate sound, making it suitable for a variety of genres, including jazz, pop, and rock. The Lead channel, on the other hand, offers greater gain and sustain, perfect for heavier styles like hard rock and metal. These channels can be blended together using the shared EQ, allowing for a truly customizable sonic experience.

Mesa/Boogie's innovative graphic equalizer further enhances the versatility of the DC-3. It features a five-band EQ that allows players to sculpt their sound with precision. This feature makes it easy to dial in the perfect tone for different performance environments, whether in the studio or on stage.

The DC-3 also includes a built-in reverb, adding depth and ambience to the overall sound. This is a valuable addition for musicians looking to enrich their performances without the need for additional effects pedals.

Robust construction and attention to detail are hallmarks of Mesa/Boogie amplifiers, and the DC-3 is no exception. It is built to withstand the rigors of touring and the demands of professional musicians. With its impressive tonal palette, reliable performance, and durable design, the Mesa/Boogie DC-3 continues to be a favorite among guitarists, making it a worthy investment for anyone serious about their craft.