Mesa/Boogie V-AMPPRO manual Effects Processor, Wah Wah, V-AMPIRE/V-AMP PRO/V-AMP2, Tubepreamp

￿￿￿￿￿￿￿￿

V-AMPIRE/V-AMP PRO/V-AMP 2

6. EFFECTS PROCESSOR

-

BYPASS (NO SPEAKER SIMULATION)

1

1 x 8" VINTAGE TWEED

A special feature of your V-AMPIRE/V-AMP PRO/V-AMP 2 is

2

4 x 10" VINTAGE BASS

its built-in multi-effects processor module offering 16 different

3

4 x 10" V-AMP CUSTOM

groups of first-class effects such as chorus, flanger, delay,

4

1 x 12" MID COMBO

auto wah as well as various effects combinations.

5

1 x 12" BLACKFACE

6

1 x 12" BRIT ’60

The appendix gives an overview of all MIDI data transmitted

7

1 x 12" DELUXE ’52

and received by your device.

8

2 x 12" TWIN COMBO

+ The standard operating mode of the multi-effects

9

2 x 12" US CLASS A

processor is stereo, so you can use stereo effects

10

2 x 12" V-AMP CUSTOM

￿

for recording purposes via the LINE OUT or play in

11

2 x 12" BRIT ’67

stereo using a second amplifier.

12

4 x 12" VINTAGE 30

￿￿￿￿￿￿

￿￿￿￿￿￿￿￿

￿￿￿￿￿￿￿

TWEED

COMBO

￿￿￿￿￿￿￿

13

4 x 12" STANDARD ’78

You can adjust up to 3 effects parameters on the V-AMPIRE/

14

4 x 12" OFF AXIS

V-AMP PRO/V-AMP 2 by turning the EFFECTS control; by turning

15

4 x 12" V-AMP CUSTOM

the EFFECTS control holding down the TAP button, and simply by

￿￿￿￿￿￿￿￿￿￿￿

￿￿￿￿￿￿￿

pressing the TAP button while in time to the music.

Tab. 5.1: V-AMPIRE/V-AMP PRO/V-AMP 2 cabinets

+ To match speed-based effects to the tempo of the

music, press the TAP button at least twice in time

to the music.

￿￿￿￿￿￿￿￿￿￿￿￿

AMERICAN BLUES

￿￿

MODERN CLASS A

CLASSIC CLEAN

￿

￿

BRIT. BLUES

1

ECHO

Mix

Feedback

Delay Time

BRIT. CLASS A

BRIT. CLASSIC

CC49, val 1

CC54

CC53

CC50+51

2

DELAY

Mix

Feedback

Delay Time

BRIT. HI GAIN

￿￿￿￿

CC49, val 0

CC54

CC53

CC50+51

RECTIFIED HI GAIN

3

PING PONG

Mix

Feedback

Delay Time

MODERN HI GAIN

CC49, val 2

CC54

CC53

CC50+51

4

PHASER/DELAY

Delay Mix

Mod. Mix

Delay Time

FUZZ BOX

""￿￿#￿￿￿

CC55, val 1 + CC49, val 0

CC54

CC59

CC50+51

ULTIMATE V-AMP

5

FLANGER/DELAY 1

Delay Mix

Mod. Mix

Delay Time

DRIVE V-AMP

CC55, val 5 + CC49, val 0

CC54

CC59

CC50+51

6

FLANGER/DELAY 2

Delay Mix

Mod. Mix

Delay Time

CRUNCH V-AMP

CLEAN V-AMP

CC55, val 5 + CC49, val 2

CC54

CC59

CC50+51

7

CHORUS/DELAY 1

Delay Mix

Mod. Mix

Delay Time

￿￿￿￿￿%&'()*+￿￿!

￿￿

TUBE￿￿￿￿￿￿￿￿￿￿￿￿PREAMP

,(-./

CC55, val 3 + CC49, val 0

CC54

CC59

CC50+51

01$2￿.,*3(+45$%&/,6+($)￿￿￿￿￿￿

8

CHORUS/DELAY 2

Delay Mix

Mod. Mix

Delay Time

CC55, val 3 + CC49, val 2

CC54

CC59

CC50+51

9

CHORUS/COMPRESSOR

Sense

Mod. Mix

Modulation Speed

CC55, val 4 + CC44, val 1

CC45

CC59

CC58

AND DELUXE

￿￿￿￿￿

10

COMPRESSOR

Sense

Attack

-

CUSTOM CLASS A

CC44, val 1

CC45

CC46

11

AUTO WAH

Depth

Speed

-

SMALL COMBO

￿￿￿￿

CC44, val 2

CC45

CC46

BLACK TWIN

12

PHASER

Mix

Feedback

Modulation Speed

AND CUSTOM

CC55, val 1

CC59

CC58

CC56

13

CHORUS

Mix

Depth

Modulation Speed

NON TOP BOOST

CC55, val 4

CC59

CC57

CC56

CLASSIC 50 W

14

FLANGER

Mix

Feedback

Modulation Speed

BRIT. CLASS A 15 W

￿

￿

CC55, val 6

CC59

CC58

CC56

RECTIFIED HEAD

15

TREMOLO

Mix

-

Modulation Speed

SAVAGE BEAST

CC55, val 2

CC59

CC56

16

ROTARY

Mix

Depth

Modulation Speed

CUSTOM HI GAIN

￿￿￿

CC55, val 0

CC59

CC57

CC56

ULTIMATE PLUS

Tab. 6.1: Effects and MIDI controllers

CALIF. DRIVE

￿￿

￿!

CUSTOM DRIVE

+ Table

6.1 shows

the MIDI controllers for the

CALIF. CLEAN

￿￿￿￿

CUSTOM CLEAN

￿￿￿￿￿￿￿￿￿￿￿￿7"

corresponding parameters. The settings are made

via MIDI. A detailed list of all controllable MIDI

Tab. 5.2: Loudspeaker/amp simulation default settings

parameters will be available free of charge on the

BEHRINGER internet site: www.behringer.com.

6.1 Wah Wah

The MIDI function enables you to use an additional Wah Wah effect. The optimum control of this effect is achieved by using a MIDI foot controller with expression pedal, e.g. our BEHRINGER MIDI FOOT CONTROLLER FCB1010.

+ Adjust the filter characteristic and grade in the DRIVE menu by simultaneously pressing TAP and turning

the EFFECTS control (see also B).

6. EFFECTS PROCESSOR 13