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7. SATELLITE/SUBWOOFER PHASING TEST
In any system using a subwoofer separate from Satellite speakers, a phasing test must be performed to insure good bass blending. This test insures optimum sound in the critical bass frequencies where your Subwoofer and Satellite speakers overlap.
Play a familiar CD, LP, or tape with steady, consistent bass content through your system. Listen carefully to the
If your Subwoofer has a PHASE switch on its back panel, move it either from (+) to
If your Subwoofer does not have a PHASE switch, it takes a bit more work. You will have to change the Positive and Negative speaker inputs on the back of BOTH Satellite speakers.
You can do this at the back of both Satellite speakers, or at the Subwoofer's TO SPEAKERS terminals, but never at both locations. The lead that was on the Positive (+) terminal should be switched to the Negative
Now listen to the same musical passage as you did earlier, concentrating on the
You need to perform this test because when Satellite speakers are located separate from a Subwoofer, each speaker is at a different distance from your ear. In some cases, the difference will be just enough so that the output from the Subwoofer arrives out of phase with the output of the Satellites. When this happens, that critical
If you want to experiment further, move the Satellite speakers either towards or away from your listening position, making changes in small increments. This will "focus" the system's sound to its optimum. When you hear the best combination of stereo image localization and maximum impact and output in the
8. SPEAKER DAMAGE & HOW TO AVOID IT
An important factor to consider with any loudspeaker system is the potential for speaker damage. Even though your M&K Satellites have extremely high power handling ability (especially for Satellite speakers), they still can be damaged by relatively low powered amplifiers.
While very few M&K Satellites are actually returned for service, the vast majority of those returned are not for manufacturing defects. Instead, they are returned because they have been overdriven, almost always because the amplifier or receiver used was driven into clipping distortion. This damage is considered abuse, and is not necessarily covered under warranty.
This clipping distortion occurs when the demands of the music are greater than the amplifier's available power. It can occur at 20 watts with a small amplifier, or at 400 watts with a large amplifier. When this happens, the amplifier's output waveform (which should look like a smooth arc) is "clipped" off, exhibiting a flat top instead of the arc.
This flat top contains multiples of the original amplified frequencies, sometimes at higher levels than the original signal itself. For tweeters, this can be very damaging, as this distortion is well above the audible range (where you are unable to hear it), and where the tweeter is most vulnerable to damage.
When an amplifier clips, its sound becomes harsh and grating, and a
When tone controls or equalizers are used to boost frequencies, the problem occurs much more rapidly. Even a small boost of low or high frequencies can easily double the power requirement and lead to amplifier clipping at moderate levels. Therefore, you should use your tone controls judiciously, avoiding extreme boosts of the bass and treble controls, especially when you are listening at high volume levels.
The best way to avoid speaker damage is to use common sense. Use moderate boosts of tone controls or equalizers, at the very most. Listen carefully for any harshness and