MTX Audio TA91002 specifications

2.Adjusting the Gain Control – Before you start setting your amp gains, be sure to defeat all EQs (“off” position). You want to set the gain levels properly BEFORE applying any equalization.

Start with the source unit’s volume around ¾ of the way up, and the gain on the amp all the way down (counter- clockwise). Slowly increase the gain clockwise until the speaker starts to distort. Immediately decrease gain until the distortion goes away. This will be a good reference point on the volume control to where the signal starts to distort. Remember every CD will be different; use common sense and constantly listen for obvious distortion and adjust volume accordingly. The gain on the amp has nothing to do with how much power the amp can produce, just how fast the amp puts out max power. Just like in an automobile, full throttle is very rarely needed.

3.Adjusting the Hi, 12dB / Low, 24dB Mono @ 40Hz–350Hz Variable X-over Frequency Controls –

•Setting for Subwoofers: First enable the electronic crossover by selecting the “ON” position of the X-OVER switch, and then select the “L-PASS” (low pass) position on the L-PASS/H-PASS switch. Next, using “L- PASS FREQ” you have control over what frequency you want your amp to start crossing over your signal. By turning this control all the way counter-clockwise you are crossing the signal over at 40Hz (the range is counter-clockwise 40Hz to clockwise 350Hz). This means that the amp will send the woofers frequencies from 20Hz to 40Hz and then start to taper down as the frequencies get over 40Hz (octave roll off). The industry standard for low pass crossover point is right around 90Hz. However, by experimenting with the crossover point (higher or lower) you will find what sounds best in this install. This amp uses a 24 decibel per octave roll off, which is pretty steep, or tapers off fairly quickly from the crossover point. This design complements both the subwoofer and mids to provide greater musical detail.

•Setting for Components and Separates: First enable the electronic crossover by selecting the “ON” position of the X-OVER switch, and then select the “H-PASS” (high pass) position on the L-PASS/H-PASS switch. Next, using “H-PASS FREQ” you have control over what frequency you want your amp to start crossing over your signal. By turning this control all the way counter-clockwise, you are crossing the signal over at 40Hz (the range is counter-clockwise 40Hz to clockwise 350Hz). This means that the amp will send the components or separates the frequencies from 40Hz to 20kHz and then start to taper down as the frequencies get over 40Hz (octave roll off). The industry standard for high pass setting or crossover point is around 120Hz. When the amp is in HP setting and the crossover point is set to 120Hz, the amp is sending the speakers 120Hz–20kHz. This crossover network allows the drivers to recreate the frequencies within a precisely designed range so that the speakers do not become distorted by trying to reproduce frequencies that they are physically unable to reproduce. This feature ensures that the components or separates do not receive low bass notes. The 12dB/ oct means the slope, or the amount of other frequencies that will be affected, is fairly narrow. This design complements both the subwoofer and mids to provide greater musical detail.

•Setting for Full Range (No Crossover): To disable the electronic crossover, select the “OFF” position of the

X-OVER switch. This setting will allow the amplifier to play all frequencies.

4.Setting the 30Hz, 12dB Fixed Subsonic Filter – First enable the Subsonic Filter by selecting the “ON” position of the SUBSONIC FILTER switch. This feature will help remove some of the potentially damaging low frequencies of 30 Hz and below from your subwoofer system. Use this feature if the subwoofer breaks up at lower frequencies.

5.Adjusting the Parametric Equalizer – In some applications the bass amplifier needs some help in boosting or cutting certain frequencies. A parametric equalizer is distinguished from a conventional equalizer circuit in that it allows the user to control the level of the boost or cut as well as the center frequency and the bandwidth of the boost or cut (the range of frequencies affected).

The following steps describe what each of the three controls of the parametric Bass EQ do in isolation. It is important to understand these behaviors because they must all be considered when setting up the EQ.

•Setting the Q: The “Q” feature can be adjusted to affect a range of frequencies from as wide as 0.5 to as narrow as 4.0 and as a general rule of thumb, start tuning with a “Q” setting below “2”. Higher “Q” values are rarely needed unless there is some truly bizarre acoustic problem in the system. Lower “Q” values give you a broader (and usually more natural-sounding) effect. A “Q” of “1.6” (10 o’clock setting) is a good starting point.

•Setting the Frequency: Begin listening for the loudest musical spot or range within the bass range of

your sound system. Adjust the center frequency to match this point. For most systems, the best “Center Frequency” adjustment will be between 40-50Hz. Use 45Hz (12 o’clock setting) as a starting point and adjust up or down gradually.