Preset Functions

Stereo AGC

The DigiComp 16’s dynamic process algorithm also includes a stereo Automatic Gain Control (AGC) "block" that, if used, is able to maintain almost stable the mean amplitude of the input signal, increasing it when the "average"of the input signal amplitudes seems to be low and decreasing it when the "average" of the input signal amplitude seems to be too high. This process is useful when the sound reaching the input of the DigiComp 16 is coming from different sources having different output levels and it is necessary to "NORMALIZE" the input level of the DigiComp 16 to obtain better performance from the

dynamic process operating as "second block" of the algorithm.

1)Expander Speed: This parameter represents the speed at which the signal is expanded beyond the Expander Threshold. This occurs only if the Max value is different from 0dB.

2)Compressor Speed: This parameter represents the speed at which the signal is compressed once it goes beyond the Compressor Threshold. This occurs only if the Min value is different from 0dB.

3)Expander Threshold: This is the threshold beyond which the signal is expanded.

4)Compressor Threshold: This is the threshold beyond which the signal is compressed.

5)Hold Threshold: When this threshold is crossed by the signal level, coming from the compression region, the compression coefficient is maintained steady. When the crossing is from the expansion region, the expansion coefficient is kept the same.

6)Max: This is the maximum expansion ratio between input and output in the expansion region.

7)Min: This is the maximum compression ratio between input and output in the compression region. The AGC = Const. areas are regions in which the multiplying coefficient value assumes the last calculated before crossing the different thresholds, so in the expansion area the COEF AGC value is increasing, while in the compression area the COEF AGC value is decreasing.

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c. Compression Process Bypass

At any time you can bypass the process, thereby allowing the direct signal to pass through the DigiComp 16 unchanged. This can be done in two ways:

•By pressing the BYPASS switch (3)

•By connecting a footswitch to the BYPASS jack (9) and pressing the footswitch. On the back panel you will find a footswitch jack labelled BYPASS. This is a mono jack with connections for a standard footswitch. The footswitch must be plugged in before the DigiComp 16 has its power turned on — the DigiComp 16 will automatically recognize the right “polarity” of the pedal.

Installation

a. Standard Use

The DigiComp 16 may be placed anywhere — on a table, on top of an amp, next to a mixing console. If it will be on furniture, use the rubber feet provided for the bottom of the unit. Make sure to place the unit’s power supply away from other audio equipment that may induce fields, and away from the signal wiring. It is possible that the DigiComp 16 may pick up noise fields generated by other equipment such as a large power amplifier. In this case, move the unit until the noise goes away.

b. Application Examples

Line Instrument — When connecting audio cables and/or turning power on and off, make sure that all devices in your system have their volume controls turned down. The DigiComp 16 has two 1/4” unbalanced inputs and two 1/4” unbalanced outputs. This input/output configuration may provide three different audio connection options:

• Mono

Connect an audio cable to the LEFT INPUT (12) of the DigiComp 16 from a mono source, and another audio cable from the LEFT OUTPUT (10) of the DigiComp 16 to an amplification system or mixer input.

From Instrument or

Effect Send

To Mixing or Amplifier

Console

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Nady Systems 16 owner manual Preset Functions, Compression Process Bypass, Standard Use, Application Examples, Mono
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16 specifications

Nady Systems, a leading manufacturer of wireless microphone systems, has long been at the forefront of audio technologies. Among its diverse product lineup, the Nady Systems 16 stands out as a versatile and efficient wireless microphone solution for performers, educators, and presenters alike. This article highlights the main features, technologies, and characteristics of the Nady Systems 16.

The Nady Systems 16 operates in the UHF frequency range, providing a reliable and interference-free wireless audio experience. One of its notable features is the wide frequency range, which ensures that users can select the ideal channel for their specific environment. The device is engineered to deliver high-quality audio with minimal latency, making it perfect for live performances and presentations where timing is crucial.

Equipped with True Diversity technology, the Nady Systems 16 minimizes dropouts and signal interruptions. This technology uses two separated antennas within the receiver to automatically select the strongest signal, ensuring consistent audio quality no matter the user's position on stage. Users can also expect extended range capabilities, making it suitable for larger venues and open outdoor spaces.

The convenience of operation is another strong suit of the Nady Systems 16. It features an easy-to-read LCD display that provides real-time information on channel selection, battery status, and signal strength. Additionally, the auto-scan feature allows users to quickly find the best available frequency, simplifying setup and reducing the likelihood of interference from other devices.

The Nady Systems 16 also emphasizes user comfort and flexibility. The handheld microphone is lightweight and ergonomically designed, allowing for extended use without fatigue. For those who prefer a bodypack option, the system includes an ultra-compact bodypack transmitter, which pairs effortlessly with various lavalier and headset microphones, making it ideal for theater, interviews, and educational settings.

Battery life is another critical aspect of the Nady Systems 16. The system typically operates for up to eight hours on a single set of AA batteries, providing ample time for performances, events, or lessons without the need for frequent battery changes.

Connectivity is highly user-friendly, with balanced XLR outputs and unbalanced 1/4-inch outputs, providing versatility for different audio setups. The robust construction of the microphone and transmitter ensures durability, making it reliable for regular use in demanding environments.

In summary, the Nady Systems 16 is a state-of-the-art wireless microphone system that combines innovative technology with user-friendly features. With its robust audio performance, ease of use, and versatility, it remains a popular choice among audio professionals and enthusiasts. Whether for on-stage performances, public speaking, or educational purposes, the Nady Systems 16 continues to deliver reliable and high-quality sound for a wide range of applications.
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