CONTROLS AND CONNECTIONS

3. MASTER SECTION

(11)

(10)

(9)

 

(15)

a. AUX Sends/Returns Function and Operation

(9)STEREO AUX RETURNS (LEFT/MONO, RIGHT)

(18)AUX RETURN CONTROL

The Aux Return jacks are the mono or stereo returns for Aux Send. If you connect a signal to the Left/Mono Return jack only, the Aux Return will operate in mono and the signal will be routed to the Aux Return Control (18) and then mixed into the left and right Master Mix Stereo Outputs (11). The separate left and right return jacks are provided for use with stereo signals such as those from the output of a stereo effects processor. The left and right return signals will be routed to the Aux Return level control (18) and mixed into the left and right Stereo Out (11), while maintaining stereo separation.

The Aux Returns are multi-functional. They may be used for returning the outputs of effect units, as Tape Returns from a multi- track recorder, or as extra instrument inputs, especially if your MIDI keyboard or rack supplies a pre-mixed stereo signal.

Certain stereo effects produce a perceived imbalance between the left and right channel levels. To correct for this you will have to bring your stereo effect back on a stereo channel, which has a Balance control (14). When applying short left and right delays, the shortest one will always seem loudest. When pitch shifting up and down in wide stereo to thicken a sound, the signal shifted upwards will seem louder than one that goes down. In both cases use the Balance control to compensate. When performing any stereo imaging exercise, don’t just rely on the control room

(16) (17)

(12)

monitors. Get a pair of headphones and listen in stereo and in reverse stereo, just in case you have any significant hearing discrepancies. Sometimes you might want to narrow the stereo width of a reverb field. To do this you will have to come back on two mono channels to get independent pan for the left and right signals.

(10) AUX SEND

The Aux Send jack is the output for the signal sent from the channel AUX/EFF controls (5). They are 1/4" unbalanced phone jacks wired: Tip = positive (+), Sleeve = ground. Aux Send is post-fader. These signals can be sent to the input of an effects processor, multi-track recorder, or used for any other line-level auxiliary purpose

b. Main Mix Function and Operation

(11)STEREO OUTPUTS

(15)TAPE INPUTS

(16)REC OUTPUTS

(29)MASTER MIX GAIN CONTROL

(21)LED OUTPUT METER

(24)TAPE/REC TO MASTER SWITCH

The Stereo Outputs are Left (L) and Right (R) unbalanced 1/4" phone jacks, wired: Tip = positive (+), Sleeve = ground. The REC Outputs (16) also provide an output of the Master Mix. These outputs are RCA jacks, and designed primarily for inputs to tape recorders, etc.

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Nady Systems MXE-612 AUX Sends/Returns Function and Operation, Stereo AUX Returns LEFT/MONO, Right AUX Return Control
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MXE-612 specifications

The Nady Systems MXE-612 is a powerful and versatile audio mixer designed to meet the demands of both professional and amateur audio applications. Known for its reliability and excellent sound quality, the MXE-612 has become a popular choice for live sound reinforcement, studio recording, and multimedia presentations.

One of the key features of the MXE-612 is its six input channels. Each channel provides a combination of XLR and 1/4" TRS inputs, allowing for the connection of various audio sources, including microphones, instruments, and other audio devices. This flexibility makes it easy to integrate the mixer into a wide range of setups. The preamps in the MXE-612 are designed to deliver low noise and high headroom, ensuring that audio signals are captured with clarity and precision.

Another standout characteristic of the MXE-612 is its built-in effects processor. The mixer includes multiple effects such as reverb, delay, and chorus, which can be applied to individual channels or the overall mix. This feature enhances the audio experience, allowing users to add depth and dimension to their sound. The intuitive interface of the effects processor makes it easy to dial in the desired settings quickly.

The MXE-612 also features a 3-band EQ on each channel, providing users with the ability to sculpt their sound. The EQ allows for precise adjustments of bass, midrange, and treble frequencies, offering full control over the tonal balance of each input. Additionally, the master section of the mixer includes a 9-band graphic equalizer, which further enhances the overall sound shaping capabilities.

Connectivity is another strong point of the MXE-612. It comes equipped with XLR outputs for professional audio connections, as well as auxiliary send and return capabilities for external processors or monitors. This makes the mixer suitable for a variety of applications, including live performances and studio work.

Overall, the Nady Systems MXE-612 is a reliable and feature-rich audio mixer that offers exceptional sound quality and versatility. Its combination of multiple input options, built-in effects, comprehensive EQ controls, and robust connectivity makes it an ideal choice for musicians, sound engineers, and content creators looking for a professional-grade mixer that can handle any audio task with ease. As audio technology continues to evolve, the MXE-612 stands out as a practical solution for today's audio mixing needs.
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