C O N T R O L S A N D C O N N E C T I O N S
2. AUX EFFECTS SECTION
(14) AUX SEND 1 & 2 LEVEL CONTROLS
These controls adjust the final mixed level of the channel Aux 1 and Aux 2 auxiliary signals separately. These signals are then sent to the Aux Send 1 & 2 Outputs (30) respectively. These signals can be sent to the input of an effects processor,
(16)(18) (17) (19)
(15)
(14)
(29)
(28)
(27)
(26)
(15) AUX 2 / EFFECTS ENABLE SWITCH | (21) | |
This push button switch determines if the Channel Aux 2 |
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Eff Send signals are sent to Aux Send 2 (button out) or to |
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the internal Echo Effects section (button depressed). The |
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Aux 2 Level Control (16) and output are disabled when |
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this button is set to enable the internal Echo Effects. Note |
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the Aux Return 2 is operational regardless of this switch |
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setting. | (23) | |
(16) AUX RETURN 1 & 2 LEVEL CONTROLS | ||
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These controls adjust the signal level from the Aux Return |
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1 & 2 Inputs, which are then mixed into the Left and Right |
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Master bus. These can be used to return effected signals |
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into the PMX Series powered mixer or they can be used |
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as auxiliary inputs from line level devices such as |
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keyboards or Tape Returns of |
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internal Echo Effects cannot be applied to these auxiliary | (22) | |
returns. Note, Aux Return 2 is operational regardless of | ||
the Aux 2 / Effects Enable Switch (15) setting. |
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(17) ECHO EFFECTS TIME DELAY
This control sets the time interval, in milliseconds, of the
effects whereas higher settings enable the longest echo time for stadium reverbs and delay sounds with up to 200mS delays. Settings around 100mS emulate medium room and hall reverbs by adjusting the channel Effect Control (9) and Echo Depth
(19)to nine o’clock, Echo Input Level (18) to 12 o’clock, and Effect Volume Fader (20) to approximately
(18) ECHO EFFECTS INPUT LEVEL
This adjusts the level of signal input into the Echo Effects DSP.
(19) ECHO EFFECTS DEPTH
This control adjusts the number of repeats and feedback/depth of the echo effect. Turning the control clockwise sets the repeats to maximum for lengthy echoes or plate effects. Turning the control
(20) EFFECT VOLUME FADERS
These faders adjust the final level of the effected tone applied to the Master bus.
(25)
(20)
(24)
3. MASTER CONTROL AND EQ SECTION
(21) DUAL CHANNEL GRAPHIC EQUALIZER
The
(22) GROUP 1 & 2 VOLUME FADERS
These faders adjust the level of the Group 1 & 2 submix signals that are sent to the Group Outputs (35) and can also be selected for the Headphone (33) and Control Room (34)
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