S P E C I F I C AT I O N S

1. INPUT SECTION

 

Input

Connector

Input Impedance

Max Level

MONO CH MIC

XLR BALANCED

2.8K

+13dBu, 3.6V RMS*

MONO CHANNEL LINE

1/4” UNBALANCED

10K

+17dBu, 5.5V RMS

 

 

 

1/4” TRS BALANCED

20K

+23dBu, 11V RMS

 

AUX RETURN

1/4” UNBALANCED

10K

+11dBu, 2.8V RMS

 

TAPE IN

STEREO RCA JACKS

10K

+18dBu, 6V RMS

 

INSERT INPUT

1/4” UNBALANCED

10K

+22dBu, 10V RMS

 

With Trim, Tape In, and Aux Return Level controls set to Mid (50%) *With Trim set to Min (0%)

Phantom Power on XLR inputs ....................................................................................................................................................48VDC, globally selected

2. MIXER SECTION

Trim

Range 28dB

Channel High EQ +/-15dB

12KHz, Rotary control

Channel Mid EQ +/-15dB

Variable 250Hz - 6KHz, Two Rotary controls

Channel Low EQ +/-15dB

80Hz, Rotary control

Channel Aux 1, Aux 2 Eff, Pan

Rotary controls

Low Cut, L-R Select, G1-2 Select

Push-button switches

Channel faders

-to +10dB, 60mm sliders

Echo Effect Time Delay

0 to 200mS

Dual 7-Band EQ +/-12dB

63Hz, 250Hz, 630Hz, 1KHz, 2.5KHz, 6.3KHz, 15KHz 20mm sliders

Master and Group dual faders, Effect single fader

-to +10dB, 60mm sliders

3. MASTER OUTPUT SECTION

 

Channel Input to Main Output

 

 

 

 

 

Frequency Response

 

20Hz~25KHz (+/- 3dB)

 

 

THD + Noise

 

0.04%

 

 

S/N Ratio

-85dB (gain controls @ unity), -94dB (gain controls down)

 

 

Noise Floor

350uV (gain controls @ unity), 150uV (gain controls down)

 

 

 

 

 

 

 

 

Output

Connector

Output Impedance

Max Level

 

 

AUX SEND 1 & 2

1/4” UNBALANCED

200

+21dBu, 9V RMS

 

 

GROUP 1 & 2

1/4” UNBALANCED

200

+18dBu, 6V RMS

 

CONTROL ROOM L-R

1/4” UNBALANCED

200

+8dBu, 1.9V RMS

 

RECORD OUT

STEREO RCA JACKS

1.4K

+21dBu, 8.5V RMS

 

MAIN L-R

1/4” UNBALANCED

200

+21dBu, 8.5V RMS

 

 

 

XLR BALANCED

400

+27dBu, 17V RMS

 

 

HEADPHONE

1/4” STEREO

12

2 x 50mW, 1.75V RMS**

 

**When connected to 32output

 

 

 

 

4. POWER OUTPUT SECTION

 

 

 

 

Power Output

 

 

 

 

8Both Channels Driven (1% THD)

 

150W RMS per side

 

4Both Channels Driven (1% THD)

 

200W RMS per side

 

Channel Input to Speaker Output

 

 

 

 

 

Frequency Response

 

25Hz~22KHz (+/- 3dB)

 

 

THD

 

0.09%

 

 

S/N Ratio

-72dB (gain controls @ unity), -85dB (gain controls down)

 

 

Noise Floor

9mV (gain controls @ unity), 2mV (gain controls down)

 

Amplifier Protection

Fan cooling, short circuit protection, current limiting, Speaker DC protection circuits, clip indicators,

 

 

 

 

 

Power ON/OFF relays for anti-thump circuit

 

5. GENERAL

 

 

 

 

Power Requirements

Voltage selectable, 115VAC/60Hz or 230VAC /50Hz

 

Fuse Requirements

 

5x20mm glass tube F.B. 8A 250V @ 115VAC

 

 

 

 

 

4A 250V @ 230VAC

 

PMX-1600

 

 

 

 

Weight

 

35.25 lbs. (16 Kg)

 

Dimensions (HWD)

 

6.4” x 28.7” x 17.2” (163 x 729 x 437mm)

 

 

PMX-600

 

 

 

 

 

Weight

 

24.5 lbs. (11.1 Kg)

 

 

Dimensions (HWD)

 

6.4” x 16.9” x 17.2” (163 x 430 x 437mm)

The specifications above are correct at the time of printing of this manual. For improvement purposes, all specifications for this unit, including design

and appearance, are subject to change without prior notice.

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Nady Systems PMX-1600 16, PMX-600 6 owner manual E C I F I C At I O N S

PMX-1600 16, PMX-600, PMX-1600, PMX-600 6 specifications

Nady Systems is a renowned name in the audio equipment industry, recognized for its high-quality products designed for musicians, event organizers, and sound engineers. Among their impressive lineup are the PMX-1600 and PMX-600 mixers, which cater to a variety of audio mixing needs.

The Nady PMX-1600 is a versatile 16-channel audio mixer that offers an array of features perfect for both live performances and studio applications. One of its standout characteristics is the inclusion of 16 balanced XLR inputs, allowing for the connection of multiple microphones and instruments. This mixer also boasts a 3-band EQ for each channel, enabling precise sound shaping tailored to individual performance requirements.

Equipped with a built-in digital effects processor, the PMX-1600 enhances audio output by providing a multitude of effects options, including reverb, delay, and chorus. This feature is particularly beneficial for live sound environments, allowing users to elevate the performance sound without the need for additional external effects units. Its onboard USB interface adds to its versatility, offering seamless connectivity to computers for recording and playback, making it an ideal choice for both stage performances and studio settings.

On the other hand, the Nady PMX-600 is a compact 6-channel mixer designed for smaller setups without compromising on sound quality. The PMX-600 includes several balanced inputs and a simple, user-friendly layout. Its built-in effects and 3-band EQs allow for effective sound customization, perfect for solo musicians or small bands.

Both mixers utilize advanced audio technologies that minimize signal loss and maximize sound clarity. Nady Systems has integrated high-performance components to ensure durability and reliability during extensive use, typically encountered in live sound applications.

The ergonomic design of the PMX mixers offers easy access to controls, making them suitable for users of all skill levels. These mixers are also designed with portability in mind, allowing for easy transport to gigs or events. With robust construction, they withstand the rigors of touring and daily usage.

In summary, the Nady PMX-1600 and PMX-600 mixers combine advanced technology, user-friendly design, and practical features to meet the audio needs of various users. Whether for a solo performer or a full band, these mixers deliver exceptional sound quality and flexibility, making them an excellent choice for any audio application.