CONTROLS AND CONNECTORS

REAR PANEL

(16)

(17)

(18)

(19)

(20)

Rear Panel

(16)AC POWER CORD IEC CONNECTOR WITH INTEGRATED FUSE HOLDER

This standard IEC power cord receptacle is used to connect the AC power to your unit. It features a built-in fuse holder for a 5 X 20mm, 0.5A/250V slow-blow fuse. If the fuse continuously blows, shut off the unit and have it serviced by qualified service personnel.

(17) AC VOLTAGE SELECT SWITCH

Before plugging in the power cord, check to see that the unit is set for the proper voltage for your area: ~115V(60Hz) or ~230V (50Hz).

(Note: Use at the improper voltage can damage your unit and void the warranty.)

(18) OUTPUTS

Unbalanced 1/4" (6.3mm) and balanced XLR outputs

(Note: Only one output (1/4" or XLR) can be used at one time. Do not connect to both at the same time, or the signal will be severely distorted.)

(19) SIDE CHAIN

1/4” Tip-Ring-Sleeve Send/Return jack. Connect an insert cable to this jack and to a signal processor or other device to alter the action of the TMP-3 compressor.

(20) INPUTS

Unbalanced 1/4" (6.3mm) and balanced XLR inputs.

(Note: Only one input per each channel (1/4" or XLR) can be used at one time. Do not connect to both at the same time or the signal will be severely distorted.)

CONNECTION

Make sure the TMP-3 power cord is properly connected to a grounded AC outlet. Note examples illustrating proper connection of microphones and instruments to the TMP-3. Do not use both inputs at the same time. After the TMP-3 has been properly connected, turn the POWER SWITCH (1) on.

MIC PREAMP SETTINGS (2,3,4,5,6)

+4dB Line Level Output. Do not

For condenser mics, press in the PHANTOM POWER (4). Press

connect to a Mic Input.

Connect to mixer line-level input.

 

the +30dB GAIN/NORM (2) switch in if you’re sending a line level

 

(+4dB) signal into the TMP-3. This helps prevent overload.

 

Provide a signal to the TMP-3 by connecting either a microphone

 

or an instrument to the INPUT (20). Adjust the GAIN CONTROL

 

(5) while sending the signal. When the CLIP LED (6) lights more

 

than just occasionally, reduce the GAIN CONTROL (5) (counter-

 

clockwise) one or two marks to achieve the proper level of

 

incoming signal.

 

COMPRESSOR SETTING (11, 12, 13)

Press in the IN/OUT (11) switch to engage the compressor. Begin by setting the THRESHOLD (13) control high (around 3 o’clock)

+4dB Line Level Output. Do not connect to a Mic Input.

Connect to mixer line-level input.

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Nady Systems TMP-3 owner manual Connection, Rear Panel

TMP-3 specifications

The Nady Systems TMP-3 is a versatile and innovative microphone preamp designed to cater to the needs of musicians, recording engineers, and audio professionals. This compact and portable unit is particularly appreciated for its exceptional audio quality and user-friendly features, making it a popular choice among those who seek to enhance their sound recording capabilities.

One of the standout features of the TMP-3 is its dual-channel design, allowing users to connect two microphones or instruments simultaneously. This flexibility is invaluable in various settings, enabling users to capture multiple audio sources without the need for additional equipment. The preamp delivers a seamless transition between input sources, ensuring optimal performance in both studio and live environments.

The TMP-3 employs advanced analog technology that ensures a clean and natural sound reproduction. It is engineered to handle high SPL (Sound Pressure Levels), making it suitable for a wide range of applications, from professional studio recordings to live sound reinforcement. With a low-noise circuitry, the TMP-3 significantly minimizes unwanted background noise, providing a pristine audio experience.

Another notable feature of the TMP-3 is its integrated phantom power capability, which allows users to power condenser microphones directly from the unit. This built-in 48V phantom power source eliminates the need for external power supplies, making the TMP-3 a highly portable solution for on-the-go recording. Additionally, the preamp includes a 1/4" output, ensuring compatibility with various audio interfaces and mixers.

The lightweight and compact design of the TMP-3 further enhances its appeal, making it easy to transport to gigs, rehearsals, or studio sessions. The rugged construction ensures durability, allowing the unit to withstand the rigors of frequent use. Its intuitive layout ensures that users can quickly adjust settings, making it accessible even for those who may be new to audio equipment.

In summary, the Nady Systems TMP-3 microphone preamp stands out for its dual-channel capabilities, exceptional sound quality, and portability. With features such as phantom power, low noise circuitry, and a durable design, it caters to a wide array of audio recording needs, making it an excellent investment for both amateurs and seasoned professionals alike. Whether for studio work or live performances, the TMP-3 continues to be a reliable choice for enhancing audio production.