High-quality linear PCM recording capability
Features of the LS-10
Multi-format compatibility
Newly developed to accurately capture any type of sound, the
Microphone Case
Mesh Screen
Filter
Mesh Grille
Microphone Unit
Shock Absorber
Side Net
Microphone Holder
Bottom Cap
Supported recording formats include the MP3 and WMA formats that are widely used in Internet file distributions and are suitable for
Comparison of file capacity between recording formats (Reference values)
| Rec Mode | Capacity used per minute | Main purpose | |
| 96 | Approx. 51 MB |
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Linear PCM | 96 | Approx. 26 MB |
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48 | Approx. 20 MB | Mastering, professional use | ||
(WAV) | 48 | Approx. 13 MB |
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| 44.1 | Approx. 17 MB |
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| 44.1 | Approx. 11 MB | Music CD production | |
MP3 | 320 kbps | Approx. 2.4 MB | Network distribution, | |
256 kbps | Approx. 1.9 MB | |||
| 128 kbps | Approx. 0.9 MB | ||
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High audio quality microphone amplifier circuitry
WMA | 160 kbps | Approx. 1.2 MB | Playback on Windows, | |
128 kbps | Approx. 1 MB | |||
| 64 kbps | Approx. 0.5 MB | ||
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The microphone amplifier circuitry is divided into independent left and right channels to eliminate interference between channels. The analog circuitry is powered by an independent power supply provided separately from the digital power supply. In addition, the system control (digital processing) and audio processing use independent circuit boards to ensure clear signal transmission and high S/N.
System Control Board | Audio Board |
Analog Power Supply (Independent from Digital Board)
L/R Independent
Microphone Amp
Circuits
Separate system control (digital)/audio processing boards
•The values shown are reference values.
Recommended setups for different applications
Recording settings can be adjusted to suit the needs of different recording situations. Note that the examples listed in the following table are typical setups that may require further adjustment depending on the target sound source and ambient conditions. Experiment with the different setups and select the most optimum one.
Typical recording settings (Reference values)
Long-term recording capability
Recording time can be as long as 16 hours with two AA
•See table on page 15 for the reference recording time of each recording mode. • The maximum capacity per le is limited to about
4 GB with the MP3/WMA formats and about 2 GB with the linear PCM (WAV) format. • The maximum recording time per le is about 26 hours 40 minutes with the WMA format. • The recording time available with an SD/SDHC card varies depending on the card. • Check the Olympus website (http://olympus.com) for compatible SD/SDHC cards.
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| Recording Situation |
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Recording Function | Indoor music | Band performance | Performance in a | Bird songs, | Small conference | Large conference | |
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| performance | in a studio | big hall, etc. | train sound, etc. | or interview | in a big hall | |
MIC SENSE | For most applications, LOW is recommended to reduce noise. HIGH is better for capturing quiet sounds or voices. | ||||||
| LOW |
| LOW or HIGH | HIGH | |||
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LOW CUT | The | ||||||
| OFF |
| ON | ||||
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Rec Mode | Linear PCM (WAV) is recommended for audio quality; MP3 or WMA is recommended for longer recording time. | ||||||
| Linear PCM (WAV) format |
| MP3 format/WMA format | ||||
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Rec Level | MANUAL is recommended for wider dynamic range (such as in live recording), and AUTO is recommended for voices in a conference. | ||||||
MANUAL (The limiter function can also be set.) | AUTO | ||||||
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Zoom Mic | The directivity of the |
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This adjustment is recommended when there is a specific sound source to be captured, for example when recording a lecture. | |||||||
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4 | 5 |