Shooting

Progressive shooting

The progressive mode can be selected using the PROGRESSIVE item (see page 39) of the setting menu SCENE FILE screen.

30P mode:

Images are shot in the progressive mode at 30 frames per second.

The 30 frames per second images are converted into 60-field interlace signals, and the resulting video signals are output or recorded.

Shift-free, high-quality still pictures can be obtained in this mode.

30 P A B C D E F G H I J

60 i AoAeBoBeCoCeDoDeEoEeFo FeGoGeHoHe Io Ie Jo Je

24P mode:

Images are shot in the progressive mode at 24 frames per second.

The 24 frames per second images are converted into 60-field interlace signals using the regular [2:3] conversion system, and the resulting video signals are output or recorded. Cinema-like images can be obtained in this mode.

24 P

A

B

C

 

D

E

F

G

 

H

 

 

 

 

 

 

 

 

 

60 i

AoAeBoBe

 

BoCeCoDe

 

DoDeEoEeFo

Fe

 

FoGeGoHe

 

HoHe

24P advance mode:

Images are shot in the progressive mode at 24 frames per second.

The 24 frames per second images are converted into 60-field interlace signals by the advanced conversion system, and the resulting video signals are output or recorded.

24 PA

A

B

C

D

E

F

G

H

 

 

 

 

 

 

 

60 i

AoAeBoBe

BoCe

CoCeDoDeEoEeFo

Fe

FoGe

GoGeHoHe

When editing images using the conventional 24P [2:3] conversion system, the images of different frames are expanded for the [BoCe] [CoDe] [FoGe] [GoHe] frames in the figure, causing the picture quality to further deteriorate. Under the 24P advanced conversion system, images with minimal picture quality deterioration in the 24P mode can be obtained by weeding out the [BoCe] [FoGe] frames in the figure.

Furthermore, when an editing system that supports the advanced conversion system is used, editing can be performed with minimal picture quality deterioration compared with the 24P mode.

OWhen an editing system that supports the advanced conversion system is not going to be used, shoot in the regular 24P mode.

Bear in mind the following points when shooting in any of the progressive modes.

O The color bars cannot be displayed.

O The gain cannot be controlled. The gain value is controlled using a fixed value.

O The auto focus cannot be controlled.

O When the progressive mode has been selected, the sync signals of the images are temporarily disturbed.

Furthermore, no images are output for approximately 3 seconds.

O A shutter speed setting of 1/50 (OFF) or 1/60 is recommended.

O Since the images are recorded in 5-frame increments when shooting in the 24P mode or 24P advance mode, the timing at which recording starts may be delayed slightly.

O When shooting in the progressive mode using the ATW (Auto Tracking White) function, it will not be possible to adjust the black balance even by pressing the AWB button.

58

Page 57 Page 59
Page 58
Image 58
Panasonic AG-DVX100 P manual Progressive shooting, 30P mode, 24P mode, 24P advance mode
Page 57 Page 59

AG-DVX100 P specifications

The Panasonic AG-DVX100 P is a landmark camcorder that has garnered a reputation in the digital filmmaking community for its professional-grade features and performance. Released as an enhancement over its predecessors, the DVX100 P is widely praised for its advanced technologies that cater to both amateur and professional videographers.

One of the standout features of the AG-DVX100 P is its 3CCD image sensor system. This innovative technology effectively captures three separate color channels—red, green, and blue—resulting in superior color reproduction and enhanced image quality. The camcorder supports a native 16:9 aspect ratio, which allows for cinematic framing and versatility when producing content for film or television.

The AG-DVX100 P also supports a variety of recording formats, including standard DV and advanced progressive scan recording at 24 frames per second (fps). This 24p capability is particularly significant, as it allows filmmakers to achieve that coveted film-like aesthetic, making the camcorder suitable for serious narrative projects, documentaries, and more. The ability to shoot in both interlaced and progressive formats provides versatility for various shooting situations.

In addition to its excellent image quality, the camcorder comes equipped with a powerful digital signal processor (DSP) that enhances the overall performance by optimizing color management and reducing noise. The camera's built-in optical image stabilization further aids in achieving smooth footage, particularly in dynamic shooting conditions.

The AG-DVX100 P features an intuitive interface and ergonomic design, making it user-friendly. It includes customizable settings and a variety of manual controls, enabling videographers to fine-tune their exposure, focus, and white balance for optimum results. The camcorder is also compatible with a range of lenses, expanding creative possibilities.

Another notable characteristic of the DVX100 P is its versatility in low-light scenarios. With its impressive sensitivity ratings, it performs well even in dimly lit environments, making it a reliable choice for various shooting conditions.

Overall, the Panasonic AG-DVX100 P is a significant tool for those serious about video production. Its combination of professional features, user-friendly design, and high-quality imaging places it among the top choices for filmmakers and content creators alike. With a legacy of reliability and performance, it continues to be a cherished asset in the technical toolkit of videographers worldwide.
Top Page Image Contents