Input Signals and Corresponding Recording Formats

 

 

menu

 

Recording Format

Recording Time

 

 

 

 

IEEE 1394

Time Code

Recording Codec

Input Signal

 

(With Six 32 GB P2 cards)

SDI Output*

2

Analog Outpt*

2

screen*1

(P2 Card)

 

 

Output

Output

 

 

AVC-Intra100

AVC-Intra50

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1080/59.94i

 

1080/59.94i

 

 

 

 

1080/59.94i

59.94

 

1080/59.94i

 

 

720/59.94p

 

720/59.94p

 

–

yes

 

 

 

 

 

 

 

480/59.94i

 

480/59.94i

 

 

 

 

 

 

 

 

 

 

1080/50i

 

1080/50i

 

 

 

 

1080/50i

50

 

1080/50i

192min.

384min.

720/50p

 

720/50p

 

–

yes

 

 

 

 

 

 

 

576/50i

 

576/50i

 

 

 

 

 

 

 

 

 

 

1080/29.97PsF

 

1080/29.97PsF over 59.94i

 

 

 

1080/29.97PsF

29.97

 

1080/29.97p (Native)*6

 

 

720/29.97PsF over 59.94p

720/29.97PsF over 59.94p

–

–

 

 

 

 

 

 

 

480/29.97PsF over 59.94i

480/29.97PsF over 59.94i

 

 

 

1080/23.98p over 59.94i*3

59-23

 

1080/23.98p (Native)*6

 

 

1080/23.98PsF

 

–

 

–

–

 

1080/23.98PsF

23.98

 

1080/23.98p (Native)*6

240min.

480min.

1080/23.98PsF

 

–

 

–

–

 

1080/24PsF

24

 

1080/23.98p (Native)*6

 

 

1080/24PsF

 

–

 

–

–

 

 

 

 

 

 

 

1080/25PsF

 

1080/25PsF over 50i

 

 

 

1080/25PsF

25

 

1080/25p (Native)*6

 

 

720/25PsFover 50p

720/25PsF over 50p

–

–

AVC-Intra 50/100

 

 

 

 

 

 

576/25PsF over 50i

576/25PsF over 50i

 

 

 

(With AJ-YBX200G

 

 

 

 

 

 

720/59.94p

 

720/59.94p

 

 

 

AVC-Intra Codec

720/59.94p

59.94

 

720/59.94p

192min.

384min.

1080/59.94i

 

1080/59.94i

 

–

yes

Board)

 

 

 

 

 

 

480/59.94i

 

480/59.94i

 

 

 

 

 

 

 

 

 

 

720/50p

 

720/50P

 

 

 

 

720/50p

50

 

720/50p

 

 

1080/50i

 

1080/50i

 

–

yes

 

 

 

 

 

 

 

576/50i

 

576/50i

 

 

 

 

 

 

 

 

 

 

720/29.97p over 59.94p

720/29.97p over 59.94p

 

 

 

720/29.97p over 59.94p*4

29.97

 

720/29.97p (Native)*6

384min.

768min.

1080/29.97PsF

 

1080/29.97p over 59.94i

–

–

 

 

 

 

 

 

 

480/29.97p over 59.94i

480/29.97p over 59.94i

 

 

 

720/23.98p over 59.94p*4

59-23

 

720/23.98p (Native)*6

480min.

960min.

1080/23.98PsF

 

–

 

–

–

 

720/24p over 60p*4

60-24

 

720/23.98p (Native)*6

1080/24PsF

 

–

 

–

–

 

 

 

 

 

 

 

 

 

 

 

 

 

720/25p over 50p

 

720/25p over 50p

 

 

 

 

720/25p over 50p*5

25

 

720/25p (Native)*6

 

 

1080/25PsF

 

1080/25p over 50i

 

–

–

 

 

 

 

 

384min.

768min.

576/25p over 50i

 

576/25p over 50i

 

 

 

 

 

 

 

 

720/25p over 50p

 

720/25p over 50p

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

720/25p over 60p*4

60-25

 

720/25p (Native)*6

 

 

1080/25PsF

 

1080/25p over 50i

 

–

–

 

 

 

 

 

 

 

576/25p over 50i

 

576/25p over 50i

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Recording Codec

Input Signal

menu

 

Recording Format

Recording Time

SDI Output*2

 

SDI Output*2

 

IEEE 1394

Time Code

1

(P2 Card)

 

 

 

 

screen*

 

(With Six 32 GB P2 cards)

 

 

 

 

Output

Output

 

 

 

 

 

 

 

1080/59.94i

 

1080/59.94i

 

 

 

 

1080/59.94i

59.94

 

1080/59.94i

 

 

720/59.94p

 

720/59.94p

 

1080/59.94i

yes

 

 

 

 

 

 

 

480/59.94i

 

480/59.94i

 

 

 

 

 

 

 

 

 

 

1080/50i

 

1080/50i

 

 

 

 

1080/50i

50

 

1080/50i

 

 

720/50p

 

720/50p

 

1080/50i

yes

 

 

 

 

 

 

 

576/50i

 

576/50i

 

 

 

 

 

 

 

 

192min.

1080/29.97PsF

 

1080/29.97PsF over 59.94i

1080/29.97PsF

 

 

1080/29.97PsF

59.94

 

1080/59.94i

 

 

720/29.97PsF over 59.94p

720/29.97PsF over 59.94p

yes

 

 

 

 

 

 

 

480/29.97PsF over 59.94i

480/29.97PsF over 59.94i

over 59.94i

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1080/23.98PsF*7

 

–

 

–

–

 

1080/23.98p over 59.94i*3

59.94

 

1080/59.94i

 

 

1080/23.98p over 59.94i

1080/23.98p over 59.94i

1080/23.98p

 

 

 

 

 

720/23.98p over 59.94p

720/23.98p over 59.94p

yes

 

 

 

 

 

 

 

over 59.94i

 

 

 

 

 

 

 

480/23.98p over 59.94i

480/23.98p over 59.94i

 

 

 

 

 

 

 

 

 

 

 

1080/23.98PsF

–

 

–

 

–

–

 

–

 

–

–

 

1080/24PsF

–

 

–

 

–

–

 

–

 

–

–

 

1080/25PsF

–

 

–

 

–

–

 

–

 

–

–

DVCPRO HD

 

 

 

 

 

 

720/59.94p

 

720/59.94p

 

 

 

 

720/59.94p

59.94

 

720/59.94p

 

 

1080/59.94i

 

1080/59.94i

 

720/59.94p

yes

 

 

 

 

 

192min.

480/59.94i

 

480/59.94i

 

 

 

 

 

 

 

 

720/50p

 

720/50p

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

720/50p

50

 

720/50p

 

 

1080/50i

 

1080/50i

 

720/50p

yes

 

 

 

 

 

 

 

576/50i

 

576/50i

 

 

 

 

 

 

 

 

 

 

720/29.97p over 59.94p

720/29.97p over 59.94p

 

 

 

720/29.97p over 59.94p*4

29.97

 

720/29.97p (Native)*6

384min.

1080/29.97PsF

 

1080/29.97p over 59.94i

–

–

 

 

 

 

 

 

 

480/29.97p over 59.94i

480/29.97p over 59.94i

 

 

 

720/23.98p over 59.94p*4

59-23

 

720/23.98p (Native)*6

480min.

1080/23.98PsF

 

–

 

–

–

 

720/24p over 60p*4

60-24

 

720/23.98p (Native)*6

1080/24PsF

 

–

 

–

–

 

 

 

 

 

 

 

 

 

 

 

 

 

720/25p over 50p

 

720/25p over 50p

 

 

 

 

720/25p over 50p*5

25

 

720/25p (Native)*6

 

 

1080/25PsF

 

1080/25p over 50i

 

–

–

 

 

 

 

 

384min.

576/25p over 50i

 

576/25p over 50i

 

 

 

 

 

 

 

 

720/25p over 50p

 

720/25p over 50p

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

720/25p over 60p*4

60-25

 

720/25p (Native)*6

 

 

1080/25PsF

 

1080/25p over 50i

 

–

–

 

 

 

 

 

 

 

576/25p over 50i

 

576/25p over 50i

 

 

 

 

 

 

 

 

 

 

480/59.94i

 

480/59.94i

 

 

 

 

480/59.94i

59.94

 

480/59.94i

 

 

1080/59.94i

 

1080/59.94i

 

480/59.94i

yes

 

 

 

 

 

 

 

720/59.94p

 

720/59.94p

 

 

 

 

 

 

 

 

 

 

480/29.97p over 59.94i

480/29.97p over 59.94i

480/29.97p

 

 

480/29.97p over 59.94i

59.94

 

480/59.94i

 

 

1080/29.97PsF

 

1080/29.97p over 59.94i

yes

 

 

 

 

 

over 59.94i

 

 

 

 

 

384min.

720/29.97p over 59.94p

720/29.97p over 59.94p

 

 

 

 

 

 

 

 

DVCPRO50/

 

 

 

 

1080/23.98PsF*7

 

–

 

–

–

480/23.98p over 59.94i

59.94

 

480/59.94i

(DVCPRO 50)

480/23.98p over 59.94i

480/23.98p over 59.94i

 

 

DVCPRO/

 

 

 

480/23.98p

 

 

768min.

1080/23.98p over 59.94i

1080/23.98p over 59.94i

yes

DV

 

 

 

 

over 59.94i

 

 

 

 

720/23.98p over 59.94p

720/23.98p over 59.94p

 

 

 

 

 

 

(DVCPRO/DV)

 

 

 

 

 

 

 

 

 

576/50i

 

576/50i

 

 

 

 

576/50i

50

 

576/50i

 

 

1080/50i

 

1080/50i

 

576/50i

yes

 

 

 

 

 

 

 

720/50p

 

720/50p

 

 

 

 

 

 

 

 

 

 

576/25p over 50i

 

576/25p over 50i

 

576/25p

 

 

576/25p over 50i

50

 

576/50i

 

 

1080/25PsF

 

1080/25p over 50i

 

yes

 

 

 

 

 

 

over 50i

 

 

 

 

 

 

 

720/25p over 50p

 

720/25p over 50p

 

 

 

 

 

 

 

 

 

 

 

 

 

*1: Settings must be made on the menu screen (system frequency mode). *2: Selection must be made on the menu screen. SDI output and analog output switch simultaneously.

*3: HD-SDI output signal (1080/23.98p over 59.94i) from AJ-HPX2000/HPX2100/HPX3000. *4: HD-SDI output signal (variable frame rate) from the AJ-HDC27 series.

*5: HD-SDI output signal (720/25p over 50p) from the AJ-HPX2100/HPX2000. *6: This mode records only effective frames. *7: Output is produced only when the playback system frequency is set to 23.98 or 59.94.

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Panasonic AJ-HPM110 manual Input Signals and Corresponding Recording Formats
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AJ-HPM110 specifications

The Panasonic AJ-HPM110 is a highly regarded portable P2 HD recorder that has garnered significant attention in the professional video production industry. Renowned for its exceptional performance and advanced technologies, the AJ-HPM110 is designed to meet the demands of high-definition digital cinema and broadcast professionals.

One of the standout features of the AJ-HPM110 is its ability to record and play back in multiple formats, including DVCPRO HD, DVCPRO50, DVCPRO, and AVCHD. This versatility allows professionals to work flexibly with various codecs, catering to diverse production requirements. Its P2 card-based workflow eliminates the need for time-consuming tape-based systems, providing quick access to media and enhancing overall efficiency during shoots.

The AJ-HPM110 is equipped with a dual-slot P2 card design, enabling hot-swapping of cards. This feature allows users to continue recording without interruption and reduces the risk of losing footage. The device supports a wide range of P2 card capacities, making it suitable for extended shoots where storage space may be a concern.

Another significant technological advancement in the AJ-HPM110 is its robust data management capabilities. The onboard metadata management system allows for seamless integration with editing systems, facilitating a more streamlined post-production workflow. Users can easily label and categorize clips, ensuring that finding specific shots is efficient and straightforward.

The unit features advanced connectivity options, including SDI and HDMI outputs, which enable direct connection to various devices, such as monitors and switchers. The inclusion of timecode and genlock in/out further enhances synchronization with other cameras and audio equipment, making it an ideal choice for multi-camera productions.

A compact and lightweight design makes the AJ-HPM110 highly portable, allowing professionals to take it on location or to studio shoots without the burden of bulky equipment. Its intuitive user interface and clear LCD display facilitate quick operation, even in fast-paced production environments.

In summary, the Panasonic AJ-HPM110 stands out as a versatile and efficient solution for video professionals requiring high-quality recording capabilities. Its array of features, including multi-format support, robust data management, dual P2 slots, and comprehensive connectivity options, makes it an invaluable asset for any production team looking to elevate their work.
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