Watching TV
Other useful functions
Change aspect ratio
ASPECT Change the aspect ratio
Aspect Selection
16:9
14:9 Just 4:3 4:3 Full Zoom1 Zoom2 Zoom3
Select
Change
EXIT
RETURN
Aspect Selection list
Enjoy viewing the picture at its optimum size and aspect.
ASPECT Display Aspect Selection list | store |
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select | While the list is displayed, select the mode | |
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●To change the mode using the ASPECT button only ASPECT Press repeatedly until you reach the desired mode
16:9
Directly displays the image at “16:9” without distortion (anamorphic).
4:3
Displays the image at the standard “4:3” without distortion.
Zoom2
Displays a “16:9” letterbox (anamorphic) image full- screen without distortion.
14:9
4:3 Full
Zoom3
Displays the
image at the standard “14:9” without distortion.
Displays a “4:3” image enlarged horizontally to fit the screen.
●Digital TV mode and HD signal only
Displays a “2.35:1” letterbox (anamorphic) image
At “16:9”, displays the image at its maximum (with slight enlargement).
Just
Zoom1
Displays a “4:3” image
Displays a “16:9” letterbox or “4:3” image without distortion.
Note
●Only “16:9” and “4:3 Full” are available in Digital TV mode. ●Only “16:9” and “4:3” are available in PC mode.
●Only “16:9” is available when “Viewing Mode” is set to “Game”. ●Not available in teletext mode and multi window.
●Aspect mode can be memorized separately for SD (Standard definition) and HD (High definition) signals. (except Digital TV mode)
Multi window
PIP View in multi window (p. 47)
●Remote control operations apply to the main screen.
Enjoy viewing two images at once, such as a TV programme and a DVD.
Y | DVD |
| AV1 |
G |
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| EXIT | PinP | Swap |
B | Main screen | Sub screen | |
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Operations in multi window
●To exit multi window (return to the 
Colour bar | ●To change the layout or images, first |
| show the colour bar |
PIP
INFO
16
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●To change the layout | G Y | ●To exit multi window | R |
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●To change the input mode of sub screen |
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Swap sub screen B |
| Change the input mode with | Swap again | B | |
for main screen |
| the remote control (p. 20) |
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