
5 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Listening to your system |
| |||||||||||||||
b. You can also adjust the C.WIDTH, DIMEN., and PNRM. effect |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||
| F.S.S.ADVANCE | Allows you to create natural surround |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||||||||||
| (see Setting the Audio options | on page 36 | ). |
|
|
|
|
| Using the Sound Retriever |
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||||||||||||
|
|
|
|
| (Front Stage | sound effects using just the front speakers |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||||||||||||||||||
c. You can also adjust the H.GAIN effect (see Setting the Audio |
| Surround | and the subwoofer. |
|
|
|
|
| When audio data is removed during the compression | ||||||||||||||||||||||||||||||||||||
| options | on page 36 | ). |
|
|
|
|
| ADVANCE) | Use to provide a rich surround sound effect |
| process, sound quality often suffers from an uneven sound | |||||||||||||||||||||||||||||||||
|
|
|
| ||||||||||||||||||||||||||||||||||||||||||
d. You can also adjust the C.IMG effect (see Setting the Audio |
|
| directed to the center of where the front left |
| image. The Sound Retriever feature employs new DSP | ||||||||||||||||||||||||||||||||||||||||
| options | on page 36 | ). |
|
|
|
|
|
| and right speakers sound projection area |
| technology that helps bring CD quality sound back to | |||||||||||||||||||||||||||||||||
e. Cannot be selected when the Speaker System is set to Surr. |
|
| converges. |
|
|
|
|
|
|
| compressed | ||||||||||||||||||||||||||||||||||
| Back (see The Speaker System setting | on page 49 | ). |
|
|
|
|
|
|
|
|
|
|
|
| and smoothing jagged artifacts left over after compression. | |||||||||||||||||||||||||||||
f. • You can choose the STEREO mode by using STEREO button |
|
|
| Front left | Front right |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||||||
| on the front panel. |
|
|
|
|
|
|
| speaker | speaker |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 1 |
| 2 | 3 | DISP |
|
| ||||||||||||||||
| • The audio is heard with your surround settings and you can |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 4 |
| 5 |
| 6 |
|
|
|
|
|
|
| |||||||||||||
| still use the Midnight, Loudness, Phase Control, Sound |
|
|
|
|
|
|
|
|
|
|
|
|
| RECEIVER SLEEP SOURCE |
|
| CH |
|
|
| ||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||||||
| Retriever and Tone functions. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 7 |
| 8 |
| 9 | CH |
|
| ||||||||||||||
| Note |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| INPUT | CLR | 0 |
| ENTER | SHIFT |
|
|
|
| |||||||||
| • In modes that give 6.1 channel sound, the same signal is |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||
| heard from both surround back speakers. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Press |
| , then press S.RETRIEVER to switch the | ||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| RECEIVER | ||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
| S.R AIR | Suitable for listening to the sound from a |
|
| S.RTV | (Sound | Retriever) ON or OFF. |
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||||
|
|
|
|
|
|
|
|
|
| SURROUND |
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
| (Sound Retriever | Bluetooth wireless technology device. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||
Using the Advanced surround ADV SURR | ADVANCED |
|
|
|
|
|
|
|
|
|
|
| Note |
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||||||||
|
|
|
| AIR) | The S.R AIR listening mode can only |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| • The Sound Retriever is only applicable to | ||||||||||||||||||||||||||||||
The Advanced surround feature creates a variety of surround |
|
| selected when the ADAPTER input. |
| |||||||||||||||||||||||||||||||||||||||||
effects. Try different modes with various soundtracks to see |
| PHONES SURR | When listening through headphones, you |
|
| sources. |
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||||||||||||||||
which you like. |
|
|
|
|
|
|
|
|
|
| can still get the effect of overall surround |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||||
| ACTION | Designed for action movies with dynamic |
|
|
|
|
|
|
|
|
|
|
| Listening with Acoustic Calibration EQ |
|
|
|
|
|
|
| ||||||||||||||||||||||||
|
|
|
|
| soundtracks. |
|
|
|
| Using Stream Direct DIRECTAUTO/ | AUTO SURROUND/ |
|
|
|
|
| You can listen to sources using the Acoustic Calibration | ||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
| STREAM DIRECT |
|
|
|
|
| ||||||||||||||||||||||||||
| DRAMA | Designed for movies with lots of dialog. |
|
|
|
|
|
|
|
| Equalization set in Automatically setting up for surround | ||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||||||||||||||||||||||||
| ENT.SHOW | Suitable for musical sources. |
|
|
|
| Use the Stream Direct modes when you want to hear the |
| sound (MCACC) on page 23. Refer to these pages for more on | ||||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
| truest possible reproduction of a source. All unnecessary |
| Acoustic Calibration Equalization. |
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||||||
| ADVANCED GAME | Suitable for video games. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||||||||||||||
|
|
|
|
| signal processing is bypassed. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||
| SPORTS | Suitable for sports programs. |
|
|
|
| AUTO SURROUND | See Auto playback on page 33. |
|
|
|
|
|
|
|
|
| 1 |
| 2 | 3 | DISP |
|
|
|
| |||||||||||||||||||
| CLASSICAL | Gives a large concert |
|
|
|
|
|
|
|
|
|
|
|
|
|
| RECEIVER SLEEP SOURCE |
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||||
|
|
| DIRECT | Sources are heard according to the settings |
|
| 4 |
| 5 | 6 | CH |
|
|
|
| ||||||||||||||||||||||||||||||
| ROCK/POP | Creates a live concert sound for rock and/or |
|
|
| made in the Manual SP Setup (speaker |
|
|
|
|
|
|
|
|
| 7 |
| 8 | 9 | CH |
|
|
|
| |||||||||||||||||||||
|
|
|
|
| pop music. |
|
|
|
|
| setting, channel level, speaker distance), as |
|
|
|
|
|
|
| INPUT |
|
|
|
| ||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| SHIFT |
|
|
|
|
| ||||||||||||||||
| UNPLUGGED | Suitable for acoustic music sources. |
|
|
| well as with dual mono settings. You will |
|
|
|
|
|
|
|
|
| CLR | 0 |
| ENTER |
|
|
|
|
|
|
| |||||||||||||||||||
|
|
| hear sources according to the number of |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||||||||||
| EXT.STEREO | Gives multichannel sound to a stereo |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||||||||
|
|
| channels in the signal. |
|
|
|
|
|
| While listening to a source, press |
|
| , then press |
| |||||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
| RECEIVER |
| |||||||||||||||||||||||||||||||||||
|
|
|
|
| source, using all of your speakers |
|
| Phase Control, Acoustic Calibration EQ, |
| EQ to switch the EQ (Acoustic Calibration |
| EQ) ON or | |||||||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
| |||||||||||||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| Sound Delay, Auto Delay, LFE Attenuate |
|
| OFF. |
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| and Center image functions are available. |
|
| The MCACC indicator on the front panel lights when | |||||||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
| PURE DIRECT | Analog and PCM sources are heard without |
|
|
| Acoustic Calibration EQ is active. |
|
|
|
|
|
|
|
|
|
|
|
| ||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| any digital processing. |
|
|
|
|
|
| • You can’t use Acoustic Calibration EQ with Stream | |||||||||||||||||||||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||||||||||||||||||||
Direct mode and it has no effect with headphones.
34