70
Using Insert Effects
With “BASS MULTI” or “GUITAR TO
BASS” algorithms
ORIGINAL This is the built-in speaker of the amp
you selected with PREAMP TYPE.
1x8” This is a compact open-back speaker
cabinet with one 8-inch speaker.
1x10” This is a compact open-back speaker
cabinet with one 10-inch speaker.
1x12” This is a compact open-back speaker
cabinet with one 12-inch speaker.
2x12” This is a general open-back speaker
cabinet with two 12-inch speakers.
4x10”
This is an optimal speaker cabinet for a
large enclosed amp with four 10-inch
speakers.
4x12”
This is an optimal speaker cabinet for a
large enclosed amp with four 12-inch
speakers.
8x12” This is a double stack of two cabinets,
each with four 12-inch speakers.
MIC TYPE
This setting selects the simulated microphone type.
DYN57
This is the sound of the SHURE SM-57.
General dynamic microphone used for
instruments and vocals. Optimal for
use in miking guitar amps.
DYN421
This is the sound of the SENNHEISER
MD-421.
Dynamic microphone with extended low end.
CND451
This is the sound of the AKG C451B.
Small condenser microphone for use
with instruments.
CND87
This is the sound of the NEUMANN
U87.
Condenser microphone with flat response.
FLAT
Simulates a microphone with perfectly
flat response. Produces a sonic image
close to that of listening to the sound
directly from the speakers (on site).
MIC DIS (Mic Distance)
Simulates the distance between the microphone and speaker.
OFF MIC This setting points the microphone
away from the speaker.
ON MIC
Provides conditions whereby the micro-
phone is directed more towards the speaker.
MIC POS (Mic Position)
This simulates the microphone position.
CENTER
Simulates the condition that the microphone
is set in the middle of the speaker cone.
1–10
Simulates the condition that the micro-
phone is moved away from the center
of the speaker cone.
Parameter/
Range Explanation
MIC LEV (Mic Level)
0–100 Adjusts the volume of the microphone.
D.LEVEL (Direct Level)
0–100 Adjusts the volume of the direct sound.
Parameter/
Range Explanation
ON/OFF
OFF, ON Turns the AMP effect on/off.
TYPE
This sets the type of the preamp.
SUPER FLAT An amp with flat response.
FLIP TOP Models the Ampeg B-15.
B MAN Models the Fender Bassman 100.
CONCERT 810
Models the Ampeg SVT.
BASS 360 Models the acoustic 360.
T.E. Models the Trace Elliot AH600SMX.
SESSION Models the SWR SM-400.
AC BASS An amp ideal for ACOUSTIC BASS.
GAIN
0–100 Adjusts the distortion of the amp.
BASS
0–100 Adjusts the tone for the low frequency
range.
MIDDLE
0–100 Adjusts the tone for the middle frequency
range.
MID FREQ (Middle Frequency) *1
220Hz, 800Hz,
3.0kHz
Specifies the center of the frequency range
that will be adjusted by the Mid Freq.
TREBLE
0–100 Adjusts the tone for the high frequency
range.
PRESENCE *2
0–100 Adjusts the tone for the ultra high frequen-
cy range.
LEVEL
0–100
Adjusts the volume of the entire preamp.
* Be careful not to raise the Level setting too
high.
Parameter/
Range Explanation
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