Roland FR-7/FR-5 3. Bulk Dump 4. Program change messages

MIDI implementation

V-Accordion

r

87

❍

Pan (Controller number 10)

❍

Expression (Controller number 11)

•This adjusts the volume of a Part. Expression messages are used for musical ex-

pression within a performance, e.g., expression pedal movements, crescendo and

decrescendo.

❍

Hold 1 (Controller number 64)

❍

Effect 1 (Reverb Send Level) (Controller number 91)

•This message adjusts the Reverb Send Level of each Part.

❍

Effect 3 (Chorus Send Level) (Controller number 93)

❍

Program Change

❍

Channel Pressure

■ System Realtime Messages

❍

Active Sensing

❍

Start

❍

Stop

■ System Exclusive Messages

The System Exclusive Messages transmitted by the FR-7/FR-5 are messages relat-

ed to Data Set (DT).

● Data Set 1 DT1 (12H)

•The amount of data that can be transmitted at one time depends on the type of

data, and data will be transmitted from the specified starting address and size.

•Data larger than 256 bytes will be divided into packets of 256 bytes or less, and

each packet will be sent at an interval of about 20ms.

3. Bulk Dump4. Program change messages

Status 2nd byte 3rd byte

BnH 0AH vvH

n = MIDI channel number: 0H~FH (Ch.1~16)

vv = pan: 00H~40H~7FH (Left~Center~Right),

Initial value = 40H (Center)

Status 2nd byte 3rd byte

BnH 0BH vvH

n = MIDI channel number: 0H~FH (Ch.1~16)

vv = Expression: 00H~7FH (0~127)

Status 2nd byte 3rd byte

BnH 40H vvH

n = MIDI channel number: 0H~FH (Ch.1~16)

vv = Control value: 00H~7FH (0~127)

00H~63H= Off/64H~7FH= On

Status 2nd byte 3rd byte

BnH 5BH vvH

n = MIDI channel number: 0H~FH (Ch.1~16)

vv = Reverb Send Level: 00H~7FH (0~127), Initial value = 28H (40)

Status 2nd byte 3rd byte

BnH 5DH vvH

n = MIDI channel number: 0H~FH (Ch.1~16)

vv = Chorus Send Level: 00H~7FH (0~127), Initial value = 00H (0)

Status 2nd byte

CnH ppH

n = MIDI channel number: 0H~FH (Ch.1~16)

pp = Program number: 00H~7FH: program no. 1~128

Status 2nd byte

DnH vvH

n = MIDI channel number: 0H~FH (Ch.1~16)

vv = Channel Pressure: 00H~7FH (0~127)

Status

FEH Transmitted about every 250ms.

Status

FAH This message is transmitted when a footswitch of FBC-7 Pedal,

programmed as Start/Stop, is pressed.

Status

FCH This message is transmitted when a footswitch of FBC-7 Pedal,

programmed as Start/Stop, is pressed.

Status Data byte Status

F0H iiH, ddH, ......,eeH F7H

F0H: System Exclusive Message status

ii = ID number: An ID number (manufacturer ID) to indicate the manufacturer

whose Exclusive message this is. Roland’s manufacturer ID is

41H.

dd,...,ee= data: 00H~7FH (0~127)

F7H: EOX (End Of Exclusive)

Status Data byte Status

F0H 41H, dev, 42H, 12H, aaH, bbH, ccH, ddH, … eeH,

ffH, sum

F7H

Byte Explanation

F0H Exclusive status

41H ID number (Roland)

10H Device ID

00H Model ID #1 (FR-7/FR-5 V-Accordion)

7CH Model ID #2 (FR-7/FR-5 V-Accordion)

12H Command ID (DT1)

aaH Address MSB: upper byte of the starting address of

the data to be sent

bbH Address: upper middle byte of the starting address of

the data to be sent

ccH Address: lower middle byte of the starting address of

the data to be sent

ddH Address LSB: lower byte of the starting address of

the data to be sent

eeH Data: the actual data to be sent. Multiple bytes of data

are transmitted in order starting from the address.

:: ::

ffH Data

sum Checksum

F7H EOX (End of Exclusive)

Bulk Dump allows you to transmit a large amount of data at once, and is conve-

nient for storing settings for the entire unit on a computer or sequencer.

The FR-7/FR-5 is able to transmit and receive a SET.

BANK SELECT PROGRAM

CHANGE REGISTER

MSB CC00 LSB CC32

TREBLE REGISTER RX SET RX (PC)

-- -- 1 Bassoon 1 CONCERTO

-- -- 2 Bandon 2 CLASSIC

-- -- 3 Cello 3 JAZZ

-- -- 4 Harmon 4 “I” FOLK

-- -- 5 Organ 5 “D” FOLK

-- -- 6 Accord 6 “F” FOLK

-- -- 7 Violin 7 “SP” FOLK

-- -- 8 Master 8 BallROOM

-- -- 9 Musette 9 BANDNEON

-- -- 10 Celeste 10 ALPINE

-- -- 11 Tremolo 11 CAJUN

-- -- 12 Clarinet 12 TEX MEX

-- -- 13 Oboe 13 OldPARIS

-- -- 14 Piccolo 14 CiaoROME

ORCHESTRA REGISTER RX 15 DiatFOLK

-- -- 1 Trombone 16 STUDIO

-- -- 2 Trumpet 17 TRDITION

-- -- 3 Tenor Sax 18 BAROQUE

-- -- 4 Alto Sax 19 ROMANTIC

-- -- 5 Clarinet 20 CONCERTN

-- -- 6 Oboe 21 SCOTTISH

-- -- 7 Harmonica 22 IRISH

-- -- 8 Mute Harm 23 CELTIC

-- -- 9 Violin 24 XLowReed

-- -- 10 Pizzicato 25 HalfVALV

-- -- 11 Flute 26 FUTURE

-- -- 12 Pan Flute 27 MUSETTE

-- -- 13 HighLand 28 BASSOON

-- -- 14 Zampogna 29 MASTER

-- -- 15 PercOrgan 30 EXAMPLES

-- -- 16 JazzOrgan 31 EMPTY

-- -- 17 RotOrgan 32 EMPTY

-- -- 18 TremOrg 33 EMPTY

-- -- 19 ScatVoice 34 EMPTY

-- -- 20 Mandolin 35 EMPTY

-- -- 21 AcGuitar 36 EMPTY

-- -- 22 AcPiano 37 EMPTY

BASS REGISTER RX 38 EMPTY

–012’39 EMPTY

–024’40 EMPTY

–0 3 8-4’

–0416’/8’/8-4’/4’/2’

–058’/4’/2’

–0616’/8’/8-4’

–0716’/2’

FREE BASS REGISTER RX

–1 1 low

–1 2 high

–1 3 low+high

–1 4 lw+hglow

–1 5 lwlow+hi

–1 6 highlw+h

–1 7 lowhigh

ORCH BASS REGISTER RX

-- -- 1 Acoustic

-- -- 2 Bowed

-- -- 3 Fingered

-- -- 4 Fretless

-- -- 5 Picked

-- -- 6 Tuba

-- -- 7 Tuba Mix

Status Data byte Status

Contents

Main CAUTION ATTENTION NEUTRAL LIVE IMPORTANT SAFETY INSTRUCTIONS SAVE THESE INSTRUCTIONS FR-7/FR-5 ENGLISH ENGLISH ENGLISH ENGLISH Owners Manual Page Contents Stand-alone electronic instrument The digital advantage Superb performance flexibility Sophisticated MIDI control 1. Features Page Page 2. Important notes Power supply Important notes Additional precautions Repairs and data Important notes V-Accordion FR-7/FR-5 | Using the unit safely Treble control panel 3. Panel descriptions Bass control panel Display and master bar Connection panel Connection panel of the FBC-7 Connections Connecting the FR-7/FR-5 to the supplied FBC-7 Using the OUTPUT sockets 4. Setting up Switching the power on and off If you are using a battery and no external amplification (FR-7 only) If you are using a battery and an audio connec- tion to an external device If you are using the FBC-7 Listening to the demo songs First steps The sections of your FR-7/FR-5 Selecting Easy or Full mode About the Main page ABCD EG F Touring the FR-7/FR-5s sections Treble section Page Bass section Page Using the orchestral sounds Orchestral sounds for the Treble section Page Page Orchestral sounds for the Bass section Other practical functions General remark Pitch-related functions Page Volume-related functions Using the FBC-7 Connecting the FBC-7 Using the footswitches Connecting an optional expression pedal 5. About the FBC-7 Charging the battery Recharging the battery without removing it from the FR-7/FR-5 Recharging the battery on the FBC-7 If the battery fails to last 8 hours (or slightly less) Selecting parameters Selecting parameters using the Jump function 6. Editing sounds Selecting parameters via the menu Setting parameter values Setting parameter values TUNING parameters 1.1 Master Tune 1.2 Transpose 1.3 Scale 1.4 Scale Edit 1.5 Scale Assign TREBLE EDIT parameters Introduction 2.1 Reed Type 2.2 Register 2.3 Reed Volume 2.4 Treble Octave 2.5 Valve Noise 2.6 Musette Detune 2.7 Bellows Detune 2.13 Orchestra Link 2.14 Treble MIDI TX BASS EDIT parameters 3.1 Reed Type 3.2 Register 3.3 Reed Volume 3.4 Button Noise 3.5 Reed Growl 3.6 Bellows Detune 3.7 Reverb Send, 3.8 Chorus Send, 3.9 Delay Send 3.10 Bass MIDI TX, 3.11 Chord MIDI TX FREE BASS EDIT parameters 4.1 Reed Type 4.2 Register 4.3 Reed Volume 4.4 Button Noise 4.5 Reed Growl 4.6 Bellows Detune 4.10 Free Bass MIDI TX ORC.BASS EDIT parameters 5.1 Lowest Note 5.2 Orc Bass Release Time 5.3 Orc Bass Volume 5.4 Reverb Send, 5.5 Chorus Send, 5.6 Delay Send 5.7 Orc Bass MIDI TX ORCH. EDIT parameters 6.1 Orchestra Octave 6.2 Orchestra Volume 6.3 Bellows Detune 6.4 Reverb Send, 6.5 Chorus Send, 6.6 Delay Send 6.7 Aftertouch Pitch 6.8 Orchestra MIDI TX SET COMMON parameters 7.1 Reverb Macro Type 7.2 Reverb Parameters 7.3 Chorus Macro Type 7.4 Chorus Parameters 7.5 Delay Macro Type 7.6 Delay Parameters 7.7 Name 7.8 Master Bar Recall 7.9 Icon SYSTEM parameters 8.1 LCD Contrast 8.2 Parameter Access 8.3 Bellows Curve 8.4 Pedal Controller 8.5 Bass & Chord Mode 8.5 Bass & Chord Mode 8.6 Free Bass Mode 8.7 Stereo Width 8.8 Auto Power OFF 8.9 Startup 8.10 Startup Name UTILITY parameters 9.1 Battery Status 9.2 Copy ALL Effects 9.3 Copy Reverb, 9.4 Copy Chorus, 9.5 Copy Delay 9.6 Copy SET 9.7 Bulk Dump ALL, 9.8 Bulk Dump SET 9.9 Restore SET About MIDI 7. MIDI functions Working with a sequencer and other tone generators Final note regarding sequencers Global MIDI parameters MIDI channel numbers (10.1 RealTime RX-TX) Preventing sections from sending MIDI data (10.2 Ext. Seq. Playback) Solving MIDI buffer problems (10.3 Bellows TX Resolution) MIDI parameters for the various sections/parts Important remarks Sections Procedure for setting these parameters Parameters Page Page Archiving your settings via MIDI (Bulk Dump) Archiving your settings with a sequencer Sending Bulk data (back) to the FR-7/FR-5 Saving settings using the WRITE function 8. Miscellaneous functions Restoring the factory defaults Troubleshooting The screen is difficult or impossible to read No sound No power The FR-7/FR-5 does not respond to your playing MIDI-related issues While saving data, the FR-7/FR-5 displays the following message At power-on, the FR-7/FR-5 displays the follow- ing message Specifications Miscellaneous functions | Parameter list Parameter list Parameter list Miscellaneous functions | Parameter list Factory Sets Demo Songs MIDI implementation | Demo Songs 1. Received data Channel Voice Messages 9. MIDI implementation MIDI implementation System Realtime Messages Data Set 1 DT1 (12H) System Exclusive Messages 3. Bulk Dump 4. Program change messages MIDI implementation | MIDI Implementation Chart MIDI Implementation Chart [V-Accordion] Date: January 2004 Model: FR-7/FR-5 Version: 1.00 Information NORTH AMERICA 10. Information EGYPT REUNION SOUTH AFRICA CHINA 11. Index Page Page NOTICE AVIS FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT