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Roland SH-201 , FILTER ENV (p. 37), LFO 1/LFO 2 (p. 40), MIX/MOD (p. 32), FILTER (p. 34), AMP (p. 38), AMP ENV (p. 38), EFFECTS (p. 44)

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Panel descriptions

LFO 1/LFO 2 (p. 40)

Here you can apply cyclic change to the sound,

such as modulating the pitch to create vibrato,

or modulating the volume to create tremolo.

MIX/MOD (p. 32)

This mixes the

waveforms

generated by OSC 1

and OSC 2 to create

a richer sound.

Here you can also

boost or cut the low-

frequency range.

FILTER (p. 34)

This adjusts the brightness or thickness of the sound

produced in the MIX/MOD section. Here you can

also add a distinctive tonal character that is typical of

synthesizer sounds.

FILTER ENV (p. 37)

Here you can create time-varying changes in tone,

such as the way in which a note played on a piano

begins with a bright tone and gradually becomes

more mellow.

AMP (p. 38)

This determines the loudness of the sound that has

passed through the FILTER section. Here you can

also distort the sound to make it more powerful.

AMP ENV (p. 38)

Here you can create time-varying changes in volume,

such as the way in which a note played on a piano

gradually diminishes, or the way in which notes on a

bowed-string instrument begin gradually.

GROUP/BANK/NUMBER Buttons (p. 16)

Use these buttons to select the patch you want to play.

If the ARPEGGIO SELECT button’s indicator is lit, these

buttons will select an arpeggio template (p. 23).

WRITE Button/CANCEL Button (p. 48)

Use these buttons to save a sound you’ve created.

EFFECTS (p. 44)

Here you can add

depth and

spaciousness to the

sound by applying

effects such as echo

or reverberation to

simulate the

acoustic character

of a room or hall.

INPUT Jacks (p. 49)

Connect your digital audio

player, CD player, or sampler

to these jacks.

MIDI Connectors (p. 58)

Connect other MIDI devices to

these connectors.

PHONES Jack (p. 13)

Connect headphones (sold

separately) to this jack.

USB Connector (p. 54)

Connect this to your computer.

PEDAL Jack (p. 21)

Connect a pedal switch (DP series;

sold separately) or expression pedal

(EV-5; sold separately) to this jack.

OUTPUT Jacks (p. 13)

Connect your monitor

speakers or stereo set to these

jacks.

DC IN Jack (p. 12)

Connect the included

AC adaptor to this jack.

POWER Switch

(p. 14)

This switch turns the

power on/off.

SH-201_r_e.book 3ページ２００６年４月２７日　木曜日　午前１１時２８分

Contents

Main Owners Manual To learn how the knobs and buttons work... To create your own sounds... To learn about the performance functions... Panel descriptions Rear Panel Top Panel AUDIO FILTER (p. 50) EXT IN (p. 49) Panel descriptions FILTER ENV (p. 37) LFO 1/LFO 2 (p. 40) MIX/MOD (p. 32) Contents Contents Page Main features Page IMPORTANT NOTES Repairs and Data Maintenance Placement Additional Precautions Handling CD-ROMs Before you begin Making the connections Connecting the power adaptor Connecting headphones or speakers Page Basic structure of the SH-201 How sound is produced C Playing sounds Selecting a sound to play (GROUP/BANK/NUMBER) Examples: Adjusting the volume (MASTER VOL) About Patches Restoring the original settings (Factory Reset) Modulation speed and shape Pitch bend range Shifting the pitch range of the keyboard (OCT UP/DOWN) Using legato and portamento simultaneously Legato Smoothly connecting the pitch of two notes (PORTAMENTO) Playing monophonically (SOLO/LEGATO) Legato: OFF Legato: ON Moving your hand to vary the pitch or volume (D BEAM) Active Expression Sustaining the notes (Hold pedal) Adding dynamics to your performance (Expression pedal) Changing the sensitivity of the D Beam controller Automatically playing arpeggios (ARPEGGIO) Playing arpeggios (ON/HOLD) Playing arpeggios via MIDI Selecting how the arpeggio is to sound (SELECT) Changing the tempo during recording Recording Recording your performance (RECORDER) Saving a recorded phrase Changing the tempo of the phrase Starting/stopping playback Selecting the phrase you want to play Playback Creating sounds Cyclic change in the sound (Modulation) Time-varying change in the sound (Envelope) The three elements of sound Specifying the waveform and pitch (OSC) WAVE buttons OSC 1 (oscillator 1) button/OSC 2 (oscillator 2) button PITCH knob DETUNE knob Using the PITCH knob PW/FEEDBACK (Pulse Width/Feedback) knob INTERVAL buttons DEPTH slider PITCH ENV (pitch envelope) sliders pitch time Using PITCH ENV Combining waveforms to create rich or metallic sounds (MIX/MOD) OSC 1 waveform (output waveform) OSC 2 waveform CUT BOOST BALANCE knob LOW FREQ (low frequency) button BYPASS BPF (Band Pass Filter) Specifying the brightness and thickness of the sound (FILTER) LPF BPF HPF SLOPE button CUTOFF knob Example: LPF (Low Pass Filter) SLOPE settings RESONANCE knob KEY FOLLOW knob FILTER ENV (filter envelope) sliders R (release time) knob S (sustain level) knob D (decay time) slider Specifying how the sound begins and ends (AMP) LEVEL knob AMP ENV (amp envelope) sliders volume Creating a powerful, distorted sound (OVERDRIVE) OVERDRIVE button Modulating the sound (LFO) SHAPE buttons LFO 1 button/LFO 2 button RATE knob Speed and waveform of the vibrato applied by the modulation lever DEPTH knob DESTINATION 1 Patch DEPTH knob DESTINATION 2 Effect types Adding depth and spaciousness to the sound (EFFECTS) FX ON (effect on) button EDIT button TIME knob DEPTH knob Selecting an effect template Playing and editing the LOWER tone Combining two sounds (DUAL/SPLIT) Layering two sounds to play them simultaneously (DUAL) SH-201 Playing different sounds in the right and left hands (SPLIT) UPPER Tone Split Point LOWER Tone Saving a sound you create (WRITE) Performing with sound from your digital audio player, etc. (EXT IN) Connecting your digital audio player, etc. Modifying the sound from the external source (AUDIO FILTER) FILTER ON button LPF BPF SLOPE button CUTOFF knob RESONANCE knob Example: LPF (Low Pass Filter) SLOPE settings Using the keyboard to play sound from an external source (WAVE - EXT IN) Producing sound from the external device only when you play the keyboard Using the SH-201 together with your computer or another sound module Making connections Macintosh users Windows users Installing the USB driver in your computer USB audio signal flow What is the USB driver? Macintosh users Creating sounds in greater detail (Editor)/ Using your computer to manage patches (Librarian) Using SH-201 Librarian to manage patches Using SH-201 Editor to create sounds and arpeggios SH-201 Editor System requirements About the SH-201s MIDI channel MIDI OUT connector MIDI IN connector Using the SH-201 as a controller or a sound module (MIDI) About MIDI connectors MIDI channels Using an external sequencer to play the SH-201s internal sound generator (MIDI IN) Using the SH-201s keyboard and knobs to play an external sound module (MIDI OUT) Parameter list MIX/MOD PITCH ENV OSC2 FILTER & AMP parameters AMP ENV AMP FILTER ENV LFO parameters LFO2 LFO1 EFFECTS parameters REVERB DELAY PATCH COMMON parameters PORTAMENTO OCTAVE SHIFT PITCH BEND RANGE CONTROLLER ASSIGN D BEAM CONTROLLER DESTINATION MOTIF These are arpeggio-related settings. Arpeggio parameters are also saved for each patch. ARPEGGIO parameters About arpeggio styles NOTE (pitch) STEP SYSTEM COMMON parameters TRANSMIT SWITCH PEDAL parameters KEYBOARD parameters Other parameters Page Control change message list Others EFFECTS LOWER Tone MIDI implementation chart SYNTHESIZER Model SH-201 Date : March 1, 2006 Version : 1.00 Specifications Block diagram Panel index Top Panel Rear Panel Panel index Index D C B E L K I H G M R O N S W V T U As of April 1, 2006 (ROLAND) Information SH-201_r_e.book 82 distributor in your country as shown below. MIDDLE EAST NORTH AMERICA ASIA FEDERAL COMMUNICATIONS COMMISSION RADIO FREQUENCY INTERFERENCE STATEMENT DECLARATION OF CONFORMITY Compliance Information Statement 04129778 2MP Patch list PRESET Name Bank Select Program Change MSB LSB USER Name Bank Select Program Change MSB LSB