500 500

Controls and Functions

Positioning the dB500

Microphone Positioning - How to Reduce Feedback

Feedback is the annoying howling and squealing that is heard when the microphone gets too close to the speaker and the volume is high. You get feedback when the microphone picks up the amplified signal from the speaker, and then amplifies through the speaker again, and then picks it up again, and so on and so on. In general, it is always recommended that any LIVE mic (a mic that’s on) is positioned behind the speaker enclo- sures. This will give you the best level from your system before feedback. One possible exception is when you are adjusting the sounds of the microphones, since you want to listen in front of the speaker to hear prop- erly. To do this, lower the MAIN VOLUME while setting the EQ and effect from in front of the speakers. Once you have the sound you like, move the microphones to behind the speakers and raise the Main volume.

Speaker Placement

Whenever possible it is a good idea to raise the speakers above the heads of the listening audience. The dB500 enclosure features a stan- dard 1 3/8” pole mount receptacle, which are compatible with speaker stands from a variety of manufacturers. In a smaller setting like a school cafeteria, library, or a mall kiosk, you can also use the dB500 in one of the tilt back monitor positions, which will improve the projection of the speakers and may eliminate the need for speaker stands.

Using the dB500 as a Floor Monitor

The dB500 is an ideal solution for stage

 

 

monitoring and thanks to its unique design,

 

 

two wedge monitor positions are possible.

 

 

When placed on its side with the high fre-

 

 

quency horn facing to the left of the enclo-

 

 

sure, the dB500 is tilted at a 15 degree

 

 

angle optimizing performance when used

 

 

on a small stage. When placed on its side

 

 

with the high frequency horn facing to the

FAR FIELD

NEAR FIELD

right of the enclosure, the dB500 is tilted at

 

 

a 30 degree angle optimizing performance

 

 

when used on larger stages. In a large

 

Top

stage monitor system, several dB500’s can

Bottom

 

be daisy-chained together using the

 

 

EXTENSION SPEAKER output.

 

 

Note: Be sure to check the manufacturers

 

 

minimum recommended impedance for

STAGE MONITOR POSITION

STAGE MONITOR POSITION

your power amplifier to avoid overload and

15 DEGREES

30 DEGREES

possible damage to both the speaker and

amplifier. In many instances when using the dB500 as a monitor system, you may choose to use an external equalizer like the Samson S Curve 131 to increase the volume and reduce the chance of feedback.

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Samson manual Controls and Functions, Positioning the dB500