SPEAKER | SPEAKER | |
INPUT | ||
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Vocal
Active Monitor
Active Monitor
dB500a
dB500a
7
SPEAKER
INPUT
SERVO 550 STUDIO AMPLIFIER |
| SAMSON TECHNOLOGIES CORP., HICKSVILLE, NEW YORK |
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| F |
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| Bass Guitar |
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| Lead Guitar |
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| MAIN POWER AMP |
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| S direct |
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| Signal Processor |
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| Direct Box |
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| INPUTS |
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| Stereo Signal |
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| SIGNAL FLOW |
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| SIGNAL FLOW |
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| SIGNAL FLOW |
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| SIGNAL FLOW |
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| Active Monitor | |
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| Keyboards |
| Monitor |
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| ActivedB500a | |
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| dB500a | |
MIC/LINE 1 |
| MIC/LINE 2 |
| MIC/LINE 3/4 | MIC/LINE 5/6 |
| MASTER SECTION |
| SIGNAL FLOW |
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| LEFT/MONO | LEFT |
| LEFT | AUX OUT |
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| AUX RET |
| CR OUT | MIX OUT |
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| MONITOR AMP | ||
| 30 |
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| 30 |
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| 3/L | LINE IN |
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| 5/L | LINE IN |
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| RIGHT |
| RIGHT | RIGHT | MONO OUT |
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GAIN |
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| GAIN |
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| INPUT |
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CLIP |
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| CLIP |
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| SIGNAL FLOW |
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| 4/R |
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| 6/R |
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5 | 5 |
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| SIGNAL FLOW |
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| 0 | 5 12KHF |
| 0 | 5 12KHF |
| 0 | 5 12KHF |
| 0 | 5 12KHF |
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| SERVO 550 STUDIO AMPLIFIER | SAMSON TECHNOLOGIES CORP., HICKSVILLE, NEW YORK | ||||
5 |
| 5 |
| 5 |
| 5 |
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10 |
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| 10 | 10 |
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| 10 | 10 |
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| 10 | 10 |
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| 10 | M A X I M U M D Y N A M I C R A N G E |
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15 | 0 | 15 | 15 | 0 | 15 | 15 | 0 | 15 | 15 | 0 | 15 |
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| 5 |
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5 |
| 5 2.5KMF | 5 |
| 5 2.5KMF | 5 |
| 5 2.5KMF | 5 |
| 5 2.5KMF | 2T IN |
| 2T OUT |
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10 |
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| 10 | 10 |
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| 10 | 10 |
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| 10 | 10 |
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| 10 |
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15 | 0 | 15 | 15 | 0 | 15 | 15 | 0 | 15 | 15 | 0 | 15 | LEFT | RIGHT | LEFT | RIGHT | 0 MONO 10 |
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5 |
| 5 | LF | 5 |
| 5 | LF | 5 |
| 5 | LF | 5 |
| 5 | LF |
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| 80Hz |
| 80Hz |
| 80Hz |
| 80Hz |
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| 2TK TO MIX |
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10 |
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| 10 | 10 |
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| 10 | 10 |
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| 10 | 10 |
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| 10 | 5 |
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15 |
| 15 | 15 |
| 15 | 15 |
| 15 | 15 |
| 15 |
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| 48V | POWER |
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| AUX |
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| AUX |
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| AUX |
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| AUX |
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| SIGNAL |
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| 0 | 10 | HARD | MODE | PEAK |
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| DISK |
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| AUX RETURN |
| +6 |
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0 |
| 10 | 0 |
| 10 | 0 |
| 10 | 0 |
| 10 |
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0 | 0 | 0 | 0 | 5 |
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| PAN |
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| PAN |
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| BAL |
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| BAL |
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| FLOW |
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L |
| R |
| L |
| R |
| L |
| R |
| L |
| R |
| 0 | 10 |
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| REC |
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| REC |
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| REC |
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| REC |
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| MASTER SECTION |
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10 |
| 10 | 10 |
| 10 | 10 |
| 10 | 10 |
| 10 | MIX/2T |
| 10 | 10 | 10 |
| SPEAKER |
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5 | _ |
| 5 | 5 | _ |
| 5 | 5 | _ |
| 5 | 5 | _ |
| 5 |
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| 5 | _ 5 | _ 5 |
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| _ | _ |
| INPUT |
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| C/ROOM |
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0 | _ |
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| 0 | _ |
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| 0 | _ |
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| 0 | _ |
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| +PHONES |
| 0 | _ | _ |
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_ 0 | _ 0 | _ 0 | _ 0 | 5 |
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| _ | _ |
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5 |
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| 5 | 5 |
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| 5 | 5 |
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| 5 | 5 |
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| 5 |
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| 5 | 5 | 5 |
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10 |
| 10 | 10 |
| 10 | 10 |
| 10 | 10 |
| 10 | 0 | 10 |
| 10 | 10 | 10 |
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15 |
| 15 | 15 |
| 15 | 15 |
| 15 | 15 |
| 15 |
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| 15 | 15 | 15 |
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20 |
| 20 | 20 |
| 20 | 20 |
| 20 | 20 |
| 20 |
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| 20 | 20 | 20 |
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30 |
| 30 | 30 |
| 30 | 30 |
| 30 | 30 |
| 30 |
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| 30 | 30 | 30 |
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40 |
| 40 | 40 |
| 40 | 40 |
| 40 | 40 |
| 40 |
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| 40 | 40 | 40 |
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CHANNEL 1 | CHANNEL 2 | CHANNEL 3/4 | CHANNEL 5/6 | PHONES |
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| L MIX | R |
| EXTENSION SPEAKER | ||||||||||||||
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| OUTPUT |
SIGNAL FLOW
This example shows a typical PA system using mixer with an external power amplifier and a pair of dB500 for the main left and right mix. A separate signal from the mixer’s AUX/MOINITOR buss is sent to two additional dB500’s place in the