Using the Footswitch Jack and Effects Loop

14.If you’re using a professional external signal processor that has Line-level inputs and outputs, turn your GT Series amp off momentarily and then connect a standard audio cable

between the rear panel EFFECTS SEND jack and your effects processor input and another standard audio cable between the EFFECTS RETURN jack and your effects processor output. (If required, multiple effects processors can be daisy-chained together, output to input). Then turn the GT Series amp back on and play your guitar while adjusting the controls of your effects processor(s). For best results, set both the input and output gain of the connected effects processor(s) to 0 dB (unity gain), so that there is no increase or decrease in level whether the effects are switched in or out.

15.The Hartke GT60 has a footswitch jack located on the rear chassis panel. You can connect a standard footswitch terminated with a 1/4-inch phone plug, readily available at your musical instrument retailer, so that channel switching is

hands-off easy.

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Samson GT408, GT60C manual Using the Footswitch Jack and Effects Loop

GT60C, GT60, GT408 specifications

The Samson GT408, GT60, and GT60C are renowned microphones designed for a variety of professional applications, showcasing advanced technology and superior sound quality that make them favorites among audio engineers and musicians alike.

The Samson GT408 is a compact, versatile microphone that excels in capturing vocals and instruments with clarity and precision. It features a cardioid pickup pattern that effectively isolates sound sources while minimizing background noise. This makes it ideal for live performances and studio recordings alike. One of its standout characteristics is its robust build quality, ensuring durability and reliability in various environments. The GT408 also boasts a frequency response that extends from 40 Hz to 18 kHz, allowing it to capture a wide range of sounds, from deep lows to crisp highs.

Moving on to the GT60, this microphone builds on the strengths of the GT408 by offering enhanced sensitivity and a broader frequency response. With a range of 20 Hz to 20 kHz, the GT60 captures the full spectrum of sound, making it perfect for vocalists and instrumentalists who require high fidelity in their recordings. The GT60 is also equipped with advanced shockmount technology that minimizes handling noise and vibrations, ensuring that the recorded sound remains clean and professional. Its versatile design allows it to be used in studio settings, live performances, and even broadcasting applications, making it a truly multifunctional tool.

The GT60C, a condenser model, takes the advancements of the GT60 further with its high-frequency response and smooth transient handling. Designed for studio use primarily, the GT60C features a large diaphragm that enhances sensitivity to soft sounds while maintaining clarity and detail. It effectively captures the nuances of vocals and acoustic instruments with exceptional warmth and depth. The microphone's built-in high-pass filter helps eliminate low-end rumble and unwanted noise, making it ideal for studio recordings.

All three models benefit from Samson's commitment to high-quality components and user-friendly design, ensuring that audio professionals can rely on these microphones for their performances and recordings. Whether for stage use or in the studio, the GT408, GT60, and GT60C offer unique features that cater to various audio needs, proving that Samson is a formidable name in the microphone industry. With their impressive characteristics and advanced technologies, these microphones not only enhance sound quality but also empower creativity in music and audio production.