Guided Tour - Main Section
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AUX RETURNS | SAMSON |
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| PL 2404 STEREO MIXER |
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∞ | +10 |
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AUX RET.1 |
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1/2 | 3/4 | LEFT |
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| RIGHT |
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| 0 | +3 | +6 | +9 +12 |
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| PFL | AFL |
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| POWER | 6 | ||
∞ | +10 |
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AUX RET.2 |
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| SOLO |
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| AFL |
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| MAIN |
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1/2 | 3/4 |
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| 0 | 9 |
| 0 |
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∞ |
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+10 | MAIN LEVEL |
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| CONTROL ROOM |
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AUX RET.3 |
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1/2 | 3/4 | L |
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| R | 11 |
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| 0 | +10 |
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| dB |
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∞ | +10 |
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AUX RET.4 |
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| 0 |
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1/2 | 3/4 |
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0 | +10 |
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| ∞ |
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| ∞ |
| PHONES | BUS 1 |
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| BUS 3 |
| BUS 4 | 12 |
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1:Auxiliary Return Level (orange) - These knobs determine the input level of signal arriving via the PL 2404’s four stereo Auxiliary returns. The “0” (2 o’clock)
position of each knob indicates unity gain (no level attenuation or boost). Moving each knob counterclockwise from the “0” position (towards “∞”) causes the signal to be attenuated (at the fully counterclockwise position, it is attenuated infinite-
2:Auxiliary Return Bus switch - These switches determine which of the two pairs of stereo buses (1/2 or 3/4) the Aux return signal is routed to. When up, the Return’s signal is routed to the Bus 1/2 faders and then on to the Bus 1/2 jacks as well as (if the Bus “L/R” switch is pressed
(if the Bus “L/R” switch is pressed in) the Main and Control Room output jacks. If you set the Bus 3/4 faders all the way down (to their “∞” position), this switch can be used for selective muting of Aux returns. See the “Busing, Submixing and Channel Muting” and “Using the Aux Sends and Returns” sections on page 17 and page 20 in this manual.
3:Headphone Level - This knob sets the level of the signal sent to the headphone jack (see #4 below). WARNING: To avoid possible damage to con- nected headphones (or, worse yet, to your ears!), always turn this all the way off (to the fully counterclockwise “0” position) before plugging in a pair of head-
4:Headphone jack - Connect any standard stereo headphones to this jack
(via a 1/4" TRS plug) for private monitoring of the Main output (including all connected Aux returns). The
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