Shure SCM810 Equalizer Functions, Using An Equalizer/Feedback Controller With An Automatic Mixer

Models: SCM810

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EQUALIZER FUNCTIONS

EQUALIZER FUNCTIONS

Low Cut Filter (High-Pass)

The low-cut (or high-pass) filter allows all frequencies above its cutoff point

+2

to pass from filter input to filter output without attenuation, while frequencies below the cutoff are attenuated (see Figure 6). The cutoff point is defined

0

FULL CW

as the frequency where the signal has dropped 3 dB relative to the flat, or bandpass, region. Below the cutoff point, the filter exhibits increasingly more attenuation as the frequency diminishes. The rate at which this atten- uation occurs is defined in decibels per octave (dB/oct). The SCM810 has a one-pole, low-cut (high-pass) filter of 6 dB per octave.

Low-cut filters are ideally used for attenuating, or rolling off, the audio signal where extraneous noise, excessive proximity effect, or other unwanted ma- terial is present. For example, the low-frequency vibration cause by foot- steps and vehicle traffic can be transmitted through microphone stands to the microphone, and then into the sound system. These frequencies, typi- cally ranging from 5 to 80 Hz, are generally not desirable.

-2

 

-4

 

-6

 

-8

FULL CCW

50%

 

-10

ROTATION

 

20

100

1,000

5,000

 

 

FREQUENCY (Hz)

 

LOW-CUT FILTER EFFECTS

FIGURE 6

High-Frequency Shelving

The fixed-frequency equalizer produces a 6 dB boost or cut at 5 kHz and above (see Figure 7). High-frequency shelving is extremely useful for boosting flat frequency response, tempering very sibilant vocal microphones, or enhancing the sound of off-axis lavalier microphones.

+10

+8

+6

+4

Low Cut Filter (High-Pass) +2

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High-Frequency Shelving -2

-4

-6

-8

-10

2001,000 FREQUENCY (Hz)

FULL

CW

50%

ROTATE

FULL

CCW

10,000 20,000

HIGH-FREQUENCY SHELVING EFFECTS

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USING AN EQUALIZER/FEEDBACK CONTROLLER WITH AN AUTOMATIC MIXER

When setting up a sound system which has an outboard equalizer or feed- back controller in the signal chain, set the SCM810 to MANUAL. This acti- vates all microphone inputs, so every possible feedback path is open. With the SCM810 in MANUAL mode, equalize the sound system and/or “Ring Out” the room to set the feedback controller.

After equalizing the sound system, set the SCM810 to AUTOMATIC mode. Remember that the input of an automatic mixer drops by 3 dB every time the number activated inputs doubles. When using an SCM810 in MANUAL mode, the master output drops by 9 dB when all 8 inputs are activated. Conversely, it will rise by 9 dB when switched back to AUTOMATIC mode.

BASIC MIXER OPERATION

1.Turn on the Power switch.

2.Adjust each channel level so that its Overload LED flickers only during very loud speech or noise.

3.Turn unused channel controls full counterclockwise.

4.Adjust the SCM810 Master level control for the required output level, as indicated by the output peak meter.

5.If a headphone monitor is to be used, adjust the PHONES control knob until the desired volume level is reached.The SCM810/E is now ready to use.

NOTE: The SCM810/E mixer is fully automatic. For most applications, no additional adjustments are required.

NOTE: The extreme sensitivity of the IntelliMix circuitry may allow some channel gating due to static discharge or electrical disturbance to the power

or signal lines. The unit will not be damaged: normal operation will resume after the disturbance ceases.

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Shure SCM810 Equalizer Functions, Using An Equalizer/Feedback Controller With An Automatic Mixer, Basic Mixer Operation