![](/images/new-backgrounds/1149082/1490829x1.webp)
Section 2 Exploring the
Still, the most outstanding feature of the
This arpeggiator, of course, also lets you create your own original styles. You can program using either step recording or realtime recording. Select the grid number and press the Write button to start the metronome (with accented beats) for guidance. Then you can quickly begin note input using either the
To make even more advanced arpeggios, simply connect an external MIDI sequencer and load the phrase data. (The
A full-blown MIDI module
Increase the flexibility of the
The
A dedicated knob is provided for parameters such as aftertouch and velocity. Select the parameter with the knob and enter the value with the Value buttons. Flexible control is provided. For example, you can use modulation messages to change the oscillator pitch, filter cutoff and LFO pitch fluctuation applied to the amp level; and use the pitch bend, after touch and velocity messages to make fine changes to the sound. By connecting a dual foot switch, you can control the on/off status of insertion effects and reverb/delay, and navigate up and down through the chord memory and arpeggio style numbers.
We hope this booklet and CD have given you a better idea of the power that lies within the
Patch List
Bank C (User)
No. Patch NameComment
C11 | Bass 1 | Bass sound with Resonance effect |
C12 | SyncLead 1 | Oscillator Sync lead sound |
C13 | Slicer 1 | Beat sound that uses the LFO |
C14 | Arpeggiator Saw 1 | Dance sound with ample use of Arpeggiator |
C15 | Dist Lead | Feedback lead with distortion strongly applied |
C16 | LFO Pulsing | FX sound with heavy use of Noise waveform |
|
| and LFO |
C17 | Spank Noize | Noise sound used in the demo song "SPANK" |
C18 | GR300 Lead | Lead sound using the distinctive |
|
| Saw wave |
C21 | Synth Orch | Analog PAD sound |
C22 | Techno Saws | Classic |
C23 | Ring Bell | Bell sound produced with the Ring Modulator |
|
|
|
C24 | Filter Arpeggiator | Sound with a strong sense of beat produced with |
|
| filter controlled by Arpeggiator |
C25 | Noise Pad | Noise sound with distinctive character |
C26 | Low Sweep | Sweep sound typical of analog synth |
C27 | Bass Beat | Bass sound with a sense of pulsation from |
|
| the LFO |
C28 | Arpeggiator Saw 2 | Dance sound with ample use of Arpeggiator |
C31 | Moving Noise | FX sound using LFO |
C32 | Moving Strings | String sound with changes produced using |
|
| the LFO |
C33 | Soft Lead | Distinctive |
C34 | Arpeggiator Saw 3 | Sequenced sound using Arpeggiator |
C35 | PWM Pad | PAD sound using the PWM function |
C36 | Techno Voice | Synth voice sound with Resonance |
C37 | Analog E.Piano | Electric |
|
| of analog synths |
C38 | Zap | Classic sound that uses a higher Resonance |
|
| setting |
C41 | Bass 2 | Mild, low bass such as used in drum and bass |
C42 | Bass 3 | Soft bass such as used in Hip Hop |
C43 | Bass 4 | Classic |
C44 | Bass 5 | |
|
| applied |
C45 | Bass 6 | Classic |
C46 | Bass 7 | Synth bass using saw wave |
C47 | Bass sound used in the demo song | |
|
| "CompFusion" |
C48 | Bass 8 | Bass sound with Resonance applied (variation) |
C51 | Bass 9 | Bass sound with Unison function |
C52 | Bass 10 | Bass sound using multiple oscillators |
C53 | Bass 11 | Bass sound with Resonance applied (variation) |
C54 | Bass 12 | |
|
| in Techno and other styles |
C55 | Bass 13 | Bass sound with delay |
C56 | Spank Bass | Bass sound used in the demo song "SPANK" |
Bank D (User)
No. Patch NameComment
D11 | SEQ 2 | Sound for analog sequences |
D12 | SEQ 3 |
|
D13 | Reso BPF 1 | Sound with Sweep, typically used in Techno and |
|
| other styles |
D14 | Reso BPF 2 | Techno Sweep sound variation |
D15 | Reso HPF | Techno Sweep sound with special filter |
|
| characteristics |
D16 | LoFiRing | LoFi sound using Ring Modulator |
D17 | 4th Saws | Techno sound with oscillator layering fourths |
D18 | Lead sound used in the demo song | |
|
| "CompFusion" |
D21 | 4th Reso Saw | Techno sound with Resonance |
D22 | SEQ 4 | |
D23 | SEQ 5 | Sound for analog sequence |
D24 | PolySynth 1 | Polysynth sound |
D25 | PolySynth 2 |
|
D26 | PolySynth 3 |
|
D27 | PolySynth 4 |
|
D28 | Synth sound used in the demo song | |
|
| "CompFusion" |
D31 | TRAVELER 1 | Synth sound used in the demo song "TRAVELER" |
D32 | SawStack 1 | Saw stack sound used for Dance, Techno, and |
D33 | SawStack 2 | other styles |
| ||
D34 | SawStack 3 |
|
D35 | Brass 1 | Classic analog brass sound |
D36 | Brass 2 | Soft synth brass |
D37 | Brass 3 | Soft synth brass with lots of resonance |
D38 | SynthPad 1 | Synth PAD sound using saw wave |
D41 | SynthPad 2 | Analog PAD sound |
D42 | SynthPad 3 | Soft PAD sound with sweep |
D43 | SynthPad 4 |
|
D44 | SynthPad 5 | PAD sound with Phaser |
D45 | Analog Strings | Analog strings sound |
D46 | Soft Strings | Soft analog strings |
D47 | Oct Strings | Analog strings sound with added octave |
D48 | SynthPad 6 | |
D51 | SynthPad 7 | Bell PAD sound |
D52 | SynthPad 8 | PAD sound with filter controlled by Arpeggiator |
D53 | SynthPad 9 |
|
D54 | Slicer 2 | PAD sound using slicer |
D55 | LFOPad | PAD sound using LFO |
D56 | StepFlanger 1 | PAD sound using Step Flanger |
D57 | StepFlanger 2 |
|
D58 | Pot | Analog percussion sound |
D61 | MetalStick | Analog |
D62 | Electronica 1 | Driving sound used in Electronica and other |
|
| styles |
D63 | Arpeggiator Saw 3 Dance sound with ample use of Arpeggiator |
Performance List
No. | Performance Name | No. | Performance Name | No. | Performance Name | No. | Performance Name |
Power Beat | Clavi Beat 1 | Sync Beat | Bell ARP 3 | ||||
Techno Beat 1 | Noise Beat 3 | Noise Beat 6 | Pulsing Pad 2 | ||||
HipHop Beat 1 | LFO Low Beat | Organ Beat | Noise Beat 9 | ||||
HipHop Beat 2 | Saw Beat | Stack Pad 2 | Dance Beat 2 | ||||
Pop Beat 1 | Analog Gamelan | Sweep FX | Bellpad | ||||
Dist Sync | Techno Beat 3 | Dance Beat 1 | Dance Beat 3 | ||||
LoFi Stack 1 | Stack Pad 1 | Pop Beat 3 | LoFi Stack 4 | ||||
Noise FX 1 | Stack Pad ARP | Noise Beat 6 | Bell Stack | ||||
LFO Pad | Stack Pad Beat | Noise Beat 7 | Sometimes | ||||
Pop Beat 2 | Stack Lead | Noise Beat 8 | Dance Beat 4 | ||||
Asian Beat | BPM Pad | Sweep Pad 1 | Poly Brass | ||||
Bell ARP 1 | Techno Beat 4 | Bell ARP 2 | Dist ARP | ||||
LoFi Stack 2 | Noise Beat 4 | LoFi Stack 3 | Sweep Beat | ||||
Techno Beat 2 | Pulsing Pad 1 | Pop Beat 4 | Broken! | ||||
Noise Beat 1 | Noise Beat 5 | Clavi Beat 2 | Sweep Pad 2 | ||||
Noise Beat 2 | KalimbaGliss | Stack Pad 3 | INIT Performance |
Rhythm Wave List
No. | Rhythm Wave Name | No. | Rhythm Wave Name | No. | Rhythm Wave Name | No. | Rhythm Wave Name |
1 | SH32 Kick | 18 | Break Snare2 | 35 | TR909 OHH 3 | 52 | MG Zap 6 |
2 | TR808 Kick 1 | 19 | Flange Snr | 36 | TR808 OHH 1 | 53 | MG Zap 7 |
3 | TR909 Kick 4 | 20 | TR707 Rim | 37 | TR606 Cym 1 | 54 | MG Zap 12 |
4 | TR909 Kick 5 | 21 | TR909 Rim | 38 | TR909 Ride | 55 | MG Blip |
5 | TR909 Kick 9 | 22 | TR808 Rim | 39 | TR707 Ride | 56 | Beam HiQ |
6 | TR909 Dst BD | 23 | TR808 RimLng | 40 | TR909 Crash | 57 | CR78 Beat |
7 | Plastic BD 2 | 24 | Ragga Rim 2 | 41 | TR909 Clap 1 | 58 | MG WhiteNoise |
8 | Plastic BD 3 | 25 | TR808 Tom | 42 | TR909 SnClp1 | 59 | MMG PinkNoise |
9 | Plastic BD 4 | 26 | TR909 CHH 1 | 43 | TR909 SnClp2 | 60 | TR909 Snr2 |
10 | JungleKick 2 | 27 | TR909 CHH 2 | 44 | Group Clap |
| Reverse |
11 | TR909 Snr 3 | 28 | TR808 CHH 2 | 45 | TR808 Cowbell | 61 | BreakSnr2 |
12 | TR909 Snr 4 | 29 | TR808 CHH 3 | 46 | Techno Shaker |
| Reverse |
13 | TR909 Snr 5 | 30 | TR909 PHH 1 | 47 | TR626 Shaker | 62 | FlangeSnr |
14 | TR909 Snr 6 | 31 | TR909 PHH 2 | 48 | CR78 Tamb |
| Reverse |
15 | TR909 Snr 7 | 32 | TR808 PHH 1 | 49 | HiBongo LoFi | 63 | TR909 Crash |
16 | TR808 Snr 5 | 33 | TR909 OHH 1 | 50 | LoBongo LoFi |
| Reverse |
17 | TR808 Snr 8 | 34 | TR909 OHH 2 | 51 |
|
|
Rhythm Style List
ORIGINAL DEMO SONG
Track
C57 | Bass 14 | Bass sound with distortion applied |
C58 | Lead 3 | Pipe lead sound using triangle wave |
C61 | Lead 4 | Pipe lead sound with combined rectangular |
|
| wave and noise |
C62 | Lead 5 | Lead sound with combined triangular wave and |
|
| vibrato |
C63 | Lead 6 | Lead sound using saw wave |
C64 | Lead 7 | Lead sound with combined rectangular wave |
|
| and pulse wave |
C65 | Lead 8 | Lead sound using rectangular wave |
C66 | Lead 9 | Lead sound with phaser added |
C67 | Lead 10 | Lead sound with Resonance |
D64 | SynthFX 1 | FX sound with ample use of LFO Slicer |
D65 | SynthFX 2 | FX sound with ample use of LFO |
D66 | SynthFX 3 |
|
D67 | SynthFX 4 | PAD FX sound using Noise |
D68 | SynthFX 5 | FX sound with ample use of LFO |
D71 | SynthFX 6 | Classic analog FX sound using sample and |
|
| hold LFO |
D72 | SynthFX 7 | FX sound using LFO and Noise |
D73 | SynthFX 8 | Sweep FX sound |
D74 | SynthFX 9 | Classic FX sound using pink noise |
D75 | SynthFX 10 | Bell FX sound with delay added |
D76 | SynthFX 11 | Noise Sweep FX sound |
No. | Rhythm Style Name | No. | Rhythm Wave Name | No. | Rhythm Wave Name |
11.r | BASIC (HOUSE/TECHNO 1) | 37.r | TECHNO/HOUSE 7 | 65.r | HIPHOP/R&B 5 |
12.r | BASIC (HOUSE/TECHNO 2) | 38.r | TECHNO/HOUSE 8 | 66.r | HIPHOP/R&B 6 |
13.r | BASIC (HOUSE/TECHNO 3) | 41.r | TECHNO/HOUSE 9 | 67.r | HIPHOP/R&B 7 |
14.r | BASIC (HIPHOP/R&B 1) | 42.r | TECHNO/HOUSE 10 | 68.r | HIPHOP/R&B 8 |
15.r | BASIC (HIPHOP/R&B 2) | 43.r | TECHNO/HOUSE 11 | 71.r | HIPHOP/R&B 9 |
16.r | BASIC (REGGAE 1) | 44.r | TECHNO/HOUSE 12 | 72.r | HIPHOP/R&B 10 |
17.r | BASIC (REGGAE 2) | 45.r | TECHNO/HOUSE 13 | 73.r | HIPHOP/R&B 11 |
18.r | BASIC (POP) | 46.r | TECHNO/HOUSE 14 | 74.r | HIPHOP/R&B 12 |
21.r | BASIC (ROCK 1) | 47.r | TECHNO/HOUSE 15 | 75.r | HIPHOP/R&B 13 |
22.r | BASIC (ROCK 2) | 48.r | TECHNO/HOUSE 16 | 76.r | HIPHOP/R&B 14 |
“Natal Dance”
15
C68 | Lead 11 | Lead sound with soft distortion added |
C71 | Lead 12 | Lead sound using PWM |
C72 | Lead 13 | Lead sound using SPECTRUM waveform |
C73 | Lead 14 | Lead sound using Oscillator Sync |
D77 | SynthFX 12 | Analog sound simulating drops of water |
D78 | SweepingUp | FX sound used in the demo song "SPANK" |
D81 | TRAVELER 2 | Synth sound used in the demo song "TRAVELER" |
D82 | TRAVELER 3 |
|
23.r | BASIC (ROCK 3) | 51.r | TECHNO/HOUSE 17 | 77.r | HIPHOP/R&B 15 |
24.r | BASIC (ROCK 4) | 52.r | TECHNO/HOUSE 18 | 78.r | HIPHOP/R&B 16 |
25.r | BASIC (ROCK 5) | 53.r | TECHNO/HOUSE 19 | 81.r | DNB/2STEP 1 |
26.r | BASIC (ROCK 6) | 54.r | TECHNO/HOUSE 20 | 82.r | DNB/2STEP 2 |
Composer’s Notes by WATUSI (COLDFEET)
Going with my impression of the
C74 | Lead 15 | Lead sound using distortion |
C75 | Lead 16 | Lead sound with distortion and delay applied |
C76 | Syn Organ 1 | Synth organ sound |
C77 | Syn Organ 2 |
|
C78 | Synth Sitar | Synth sitar |
C81 | Bell 1 | Synth bell sound |
C82 | Bell 2 | Synth bell sound variation |
C83 | Analog Piano 1 | Analog synth |
C84 | Synth Clavi 1 | Analog synth clavi sound |
C85 | Synth Clani 2 | Analog clavi sound with distinctive attack |
C86 | Analog Key 1 | Analog keyboard sound with Resonance |
C87 | Analog Key 2 | Analog keyboard sound |
C88 | SEQ 1 | Sound for analog sequences |
D83 | TRAVELER 4 |
|
D84 | TRAVELER 5 |
|
D85 | TRAVELER 6 |
|
D86 | TRAVELER 7 |
|
D87 | TRAVELER Bs | Bass sound used in the demo song "TRAVELER" |
D88 | INIT PATCH | Initial Patch |
|
| (convenient Patch to use when creating sounds |
|
| from scratch) |
27.r | BASIC (ROCK 7) | 55.r | TECHNO/HOUSE 21 | 83.r | DNB/2STEP 3 |
28.r | BASIC (ROCK 8) | 56.r | TECHNO/HOUSE 22 | 84.r | DNB/2STEP 4 |
31.r | TECHNO/HOUSE 1 | 57.r | TECHNO/HOUSE 23 | 85.r | DNB/2STEP 5 |
32.r | TECHNO/HOUSE 2 | 58.r | TECHNO/HOUSE 24 | 86.r | DNB/2STEP 6 |
33.r | TECHNO/HOUSE 3 | 61.r | HIPHOP/R&B 1 | 87.r | DNB/2STEP 7 |
34.r | TECHNO/HOUSE 4 | 62.r | HIPHOP/R&B 2 | 88.r | DNB/2STEP 8 |
35.r | TECHNO/HOUSE 5 | 63.r | HIPHOP/R&B 3 |
|
|
36.r | TECHNO/HOUSE 6 | 64.r | HIPHOP/R&B 4 |
|
|
being stimulated by the sounds of this box, I ended up proceeding on a whim, going from idea to idea.) My tools were an
As for the main sound, I wanted to introduce the
Starting from the top, in order, I somehow thought up the intro chord when playing the keyboard after creating this sound. Also, the
filter type using a note number followed by tweaking to death the basic cutoff and resonance. The flashy,
Further developed parts employed typical motifs using the chord memory along with pads and a metal kalimba. The part which returns you to the intro pattern was created exclusively using the arpeggiator. The rhythm styles that spin out are a parade of preset patterns: 76, 83, 84, 87, and 88. They are all blurred,
The sounds of the
■Rear Panel
■Specifications
●Sound Generator: 2 x Oscillators (with Sub Oscillator, PWM, Oscillator Sync, or Ring
Modulation), 1 x Filter (LPF/BPF/HPF/PKG/OFF), 1 x Amp, 2 x LFO (7 forms) ●Note: Patches using Oscillator Sync will be monophonic. These patches can be used in Part 1. Sub Oscillator, PWM, Oscillator Sync, and Ring Modulation cannot be used together in the same patch. ●Parts: 4 (or 3 + 1 Rhythm) ●Maximum Polyphony: 32 voices ●Waveform: 67 waves (7 categories) for main oscillators, 63 rhythm waves for rhythm sets ●User Memory: Patches: 128, Rhythm Sets: 2, Performances: 64 ●Preset Memory: Patches: 128, Rhythm
Sets: 2 ●Arpeggiator: Style Programmable (Step Input/Realtime Input), Arpeggio Styles:
64, Rhythm Styles: 64, Tempo = 20.0 — 250.0 BPM ●Chord Memory: Chord forms: 64
●Display: 8 segments, 3 characters (LED) ●Connectors: Output Jacks (L/MONO, R), MIDI Connectors (IN, OUT), Foot Switch Jack, Headphones Jack (Stereo), AC Adaptor Jack ●Power Supply: AC Adaptor (ACI
7 | 8 |