Sony MDRPQ4/PNK manual ECM-C10 ECM-CS10, ECM-TL1, ECM-PC50 ECM-DS70P ECM-MS957, ECM-CZ10

ECM-MS957

Microphones ideal for stereo digital live recording

•Electret condenser, uni-directional (stereo)

•Directive angle switch (90–120°)

•Wide dynamic range of 90dB enabling faithful stereo pickup

•MS stereo type for excellent localisation of sounds and more natural pickup

•Mid-side dynamic stereo system makes panoramic stereo recording possible with 1 microphone

•Turning capsule mechanism enables directional change on the pick-up of mid microphone capsule to best match the microphone set-up

•OFC Litz cord and gold-plated plug minimise signal transmission loss to accurately deliver the original sound

•Cannon-type connector

ECM-C10

Versatile tie-pin microphone for interviews

•Electret condenser, omni-directional

•Small and compact tie-pin microphone for discreet recording

•Clip-on/detachable holding clip for ease of attaching microphone to tie, clothing and versatile usage on a desktop

•High sound quality recording utilising a 5.5mm ECM microphone capsule

•Stand mechanism on clip allows for placement on table for use in meetings

•Plug-in power from recording device with plug-in power function

•1m OFC Litz cord with gold-plated plug for minimal transmission loss

	ECM-DM5P
	Tiny and compact; to complement IC recorder
	• Electret condenser, uni-directional (mono)
	• Direct plug-in power for easy operation
	• Compact design for easy portability
	• Gold-plated plug minimises transmission loss
	• Die-cast body provides pure sound quality
	• Adjustable angle mechanism (0-60°) for optimal performance during
	meetings and interviews
	• Structure prevents vibration and sound from players for
angle-adjustable	clearer recording
	• Gold-plated stereo mini-plug minimises transmission loss

Specifications	ECM-TL1	ECM-CZ10	ECM-PC50 ECM-DS70P		ECM-MS957	ECM-C10 ECM-CS10		ECM-DS30P	ECM-DM5
Type				Electret Condenser
	Omni-			Uni-	Uni-
		Uni-	Omni-		directional	Omni-			Uni-
Directivity	directional			directional			Uni-directional x 2
		directional	directional		90/120	directional			directional
	x 2			x 2
					degrees
Frequency Response (Hz)	20-20,000Hz	100-	100-15,000Hz		50-18,000Hz 50-15,000Hz		100-	100-	100-
		10,000Hz					16,000Hz	10,000Hz	15,000Hz
Sensitivity	-35 dB/mW	-33 + -4.0	-42 + -3.5	-40 + -3.5	-45.8 + -3.5		-40 + -3.5 dB/mW		-34 + -3.5
		dB/mW	dB/mW	dB/mW	dB/mW				dB/mW
Impedence	1.6k					-
Recording Mode	Monaural		Stereo			Monaural	Stereo		Monaural
Cord Length	1.5m	1m	1.2m	-	2m		1m		-
Dimensions (W x H x D)	-	32 x 60	19 x 100	58 x 10	44 x 183mm	8 x 19mm	11 x 31mm	12 x 57mm	10 x 45mm
		x 110mm	x 8mm	x 57mm
Weight	Approx. 8g	Approx. 20g	Approx. 30g	Approx. 10g	Approx. 330g	Approx. 10g	Approx. 15g	Approx. 17g	Approx. 15g

ECM-CS10

Versatile stereo microphone for interviews

• Electret condenser, uni-directional (stereo)
• Small and compact tie-pin microphone for discreet recording
•	Clip-on/detachable holding clip for ease of attaching microphone to
	tie, clothing and versatile usage on a desktop
•	Realistic high sound quality recording utilising a 5.5mm ECM

Features And Functions

Digital Recording

Sony’s High-Performance Microphones have been designed for digital recording — maintaining the same wide frequency range characteristics, dynamic range and unmatched sound quality provided by your digital recording equipment.

Boundary Effect

A Flat Microphone for a better pick-up recording of the speaker. The Flat Microphone, featuring the “Boundary Effect System” is twice as sensitive as a normal microphone with frequency levels of 2KHz–5KHz. It records the speaker’s voice from every direction clearly, with the least possible noise.

microphone capsule

• Stand mechanism on clip allows for placement on table for use

in meetings

• Plug-in power from recording device with plug-in power function

• 1m OFC Litz cord with gold-plated plug for minimal transmission loss

• Coil cord which does not tangle easily even when being carried

Mid/Side Stereo Microphone

Sounds are recorded from the front, as well as from the left and right sides. The frontal sounds are being picked up by the Mid Microphone Capsule, and the side sounds by the Side Microphone Capsules. Hence, with just one microphone, panoramic stereo recording can be achieved by combining all the sound information from both Microphone Capsules.

Uni-Directional Position To Capture the Right Mood

This position captures the atmosphere of the scene by accurately mixing the sounds of the main object with those of its surroundings. Suitable for a variety of situations, including background-oriented or mood- capturing scenes, as well as filming of moving objects.

ECM-DS30P

Small and compact microphone for IC recorders

	• Electret condenser, uni-directional (stereo)
	• Direct plug-in power for easy operation
	• Compact design for easy portability
	• Adjustable angle mechanism (0-60°) for optimal performance during
	meetings and interviews
	• Structure prevents vibration and sound from players for a
	clearer recording
angle-adjustable	• Gold-plated stereo mini-plug minimises transmission loss

Zoom-In Position For A Clear	Wind Position For Clear Recording On
Distance Recording	a Windy Day
This position enables you to record distant sounds without	This reduces wind noise, enabling you to record clearly
including the surrounding noises. Suitable for stage	in a windy outdoor situation. Also suitable for a narrated
concerts as well as closed-up and telephoto situations.	recording.
Stereo Microphone
A Stereo Microphone allows for a clear recording
of discussions. Even in a heated discussion, every
overlapping voice is reproduced, capturing the real
atmosphere of the meeting.
	P e r s o n a l A u d i o C o l l e c t i o n I O c t 2 0 1 0 - M a r 2 0 1 1 95

SYW033 PA Catalogue-Part2_Ver10.indd 94-95 10/25/10 6:38:22 PM