Product Review
Sony MDS-JE440 MiniDisc Deck
Reviewed by Gary Galo
Sony
The
MINIDISC BASICS
PHOTO 1: The Sony
The MiniDisc has been around for nearly ten years. Sony introduced it in 1992 as a means of making digital recording affordable to the consumer. The MiniDisc has the same sampling rate and bit rate as the Compact Disc. But, the MiniDisc is only 2½″ in diame- ter. In order to achieve the same recording and playing time as the CD, a severe amount of data compression— about
Sony’s compression system is known as ATRAC, for Adaptive TRansform Acoustic Coding. In developing the ATRAC system, Sony employed psy- choacoustic principles to determine what types of information loss are the least readily discernible to the human ear. In the early years of the MiniDisc, the format’s sound quality left a great deal to be desired. The MiniDisc seemed like a giant step
Much has changed since the intro-
duction of the format. Sony has continued to improve the ATRAC sys- tem, and their compression algorithms have evolved to the point where the MiniDisc is now gaining some re- spect, especially among those who need a portable recording system of reasonably high quality. The
RECORDING
The MiniDisc is a magne- | PHOTO 2: Sony Premium Gold MiniDisc. The media is |
only 2½″ in diameter, and the case measures only 2 ¹³₁₆ ⋅ | |
mat using the Sony Mag- | 2 ¹¹₁₆″ . |
netic Field Modulation |
|
system, which uses both heat and mag- | nent impression in the particles in the |
netism. During recording, the laser | disc’s recording layer. This system is a |
beam heats the recording medium, | significant departure from convention- |
while a magnetic field applied to the | al |
other side of the disc leaves a perma- | explained in a link on Sony’s website: |
74 audioXpress 10/01 | www.audioXpress.com |