CHAPTER 2
Amplifi er connections
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Made in | AUDIO INPUTS |
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Snohomish | Washington |
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12 VDC trigger voltage From: TGIII 12 VDC
trigger output To: Amplifi er 12 VDC
trigger input
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| I R | ZONE2 | MAIN ZONE | |
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LEFT | 8- | CHANNEL | INPUTS |
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| L SUR |
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| CEN | LB SUR | STEREO |
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| FIXED MAINOUTPUTS |
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| ZONE2 | LEFT |
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| SUB2 | LB SUR | |
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RIGHT |
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| RB SUR |
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| MAIN ZONE2 | RIGHT |
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| RIGHT SUR |
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| RB SUR | |
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LEFT | BALANCED | AUDIO | OUTPUTS |
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RIGHT | RIGHT SUR |
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| RB SUR | |
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DIGITAL OUT | IEEE | Sunfire |
|
|
| |
| 1394 | Corporation | ||||
|
|
| Theater Grand |
| ||
SIDES |
|
| Processor | III |
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L SIDE AXIS |
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R SIDE AXIS |
| AC INPUT | ||||
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| 120 VAC |
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Balanced analog
audio outputs To: Amplifi er balanced
audio inputs
From: Amplifi er speaker outputs
To: Speaker inputs
User's Manual
(or use RCA unbalanced outputs as needed)
If your amplifi er has XLR inputs, it can be connected to the balanced audio outputs as shown. It is preferable to use the XLR connections if you have this option, because they offer superior noise rejection compared to unbalanced (RCA) connections, especially for long cable runs.
The left and right surround back outputs can be connected to a second amplifi er.
This example shows a fi
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