HEADPHONE JACK

The Headphone jack allows the user to monitor the sound via the use of stereo headphones. To prac- tice without sound coming through the Super Redhead’s speakers, turn the Speaker On/Off switch to the “Off” position and connect headphones to the Headphone jack. Stereo headphones must be used in this jack, as mono headphones will short out one side.

Since the headphone “amp” is actually a reduced signal from the power amp, the Headphone volume is controlled by the Master Volume control.

SPEAKER ON/OFF SWITCH

Setting the Speaker On/Off switch to the “On” position allows the speakers to function as normal. Turning the switch to the “Off” position cuts the signal off to the Super Redhead’s internal speakers. This feature does not affect the external speaker output jack.

The Speaker On/Off switch allows the user to:

1.Use the record out system without using the internal speakers. This is especially useful when only a direct signal is required.

2.Practice in a quiet environment without disturbing your neighbors by using the Headphone jack.

3.Tune up without interfering with other band members when using the Tuner Input jack.

POWER ON/OFF SWITCH

Setting the switch to the “On” position activates the electronics in the Super Redhead as indicated by the Power LED lighting.

REAR PANEL FEATURES

EFFECTS LOOP

The Effects Loop accepts any line level effects unit. Many high quality effects on the market have input level adjustments, usually a switch that can be set for either –10dB or +4dB. In all cases, these should be set for either 0dB or +4dB. The level going to your effect is controlled by the Gain control. The Effects Loop is designed as a “side chain” and functions similarly to recording studio mixing consoles.

Because the Effects Loop is after the preamp gain stages in the signal chain, use of the Effect Loop should greatly reduce any residual noise generated by your effects unit (as compared to using an effect “in line” between your instrument and the input to the Super Redhead).

SEND

To use an effect in the Effects Loop of your Super Redhead, connect a shielded patch cable from the Send jack to the input of your effects unit. The output impedance of the Send jack is 100 ohms. This jack may also be used as a line level output for use in conjunction with an external “slave” power amp.

RECEIVE

After connecting the send jack as described above, connect a shielded patch cable from the Receive jack to the output jack of your effects unit. The input impedance of the Receive jack is 27kohms mini- mum.

A unique feature of the Receive jack is that you can practice along with pre-recorded music. To do this, insert a tape recorder or other sound source into the Receive jack (make sure it is a mono source). Using the Effects Blend control on the Super Redhead’s front panel, adjust the level of the outside source so that a good blend is achieved with the sound level of your instrument. The blended

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SWR Sound Super Redhead owner manual Rear Panel Features
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Super Redhead specifications

The SWR Sound Super Redhead is a standout choice for musicians seeking a powerful and portable bass amplifier. Known for its exceptional sound quality and rich tonal capabilities, this amplifier combines impressive engineering with high-end performance, making it a favorite among professional bass players.

One of the primary features of the Super Redhead is its 400-watt power output, which provides sufficient headroom for live performances and studio recordings. Its ability to deliver a robust low end and clear mids makes it suitable for various musical styles, from jazz and blues to rock and metal. The amplifier is equipped with a custom-designed speaker cabinet featuring a 1x15-inch driver, designed to maximize low-frequency response while ensuring clarity across the entire frequency spectrum.

Another notable characteristic of the Super Redhead is its built-in 4-band EQ. This equalization system allows musicians to tailor their sound precisely to their liking, offering control over bass, low mid, high mid, and treble frequencies. The presence of a contour knob also enables players to shape their tone effortlessly, producing everything from a punchy slap sound to a smooth, rounded tone.

The Super Redhead incorporates SWR’s patented "tube compression" circuitry, which provides a warmth reminiscent of vintage tube amplifiers. This technology enhances sustain and articulation, resulting in a tonal depth that players appreciate. Additionally, the amplifier features a balanced XLR output for direct recording or PA integration, preserving tonal integrity in any setting.

Portability is another major appeal of the SWR Sound Super Redhead. Weighing in at just under 50 pounds, it remains manageable for gigging musicians. Its rugged construction ensures durability while the stylish design makes it visually appealing on stage.

Overall, the SWR Sound Super Redhead stands out for its innovative technologies, powerful sound generation, and versatility. Musicians looking for a reliable, high-performance bass amplifier will find that the Super Redhead not only meets but often exceeds their expectations. Whether in the studio or on stage, this amplifier has proven itself to be an essential tool for bassists who demand the best in sound quality and performance.
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