To find the midrange area you are looking for:

1.Set the Level control to the full boost or cut position.

2.Rotate the Frequency control until the area you wish to boost or cut is found.

3.Adjust the Level control to the amount of cut or boost desired.

FREQUENCY CONTROL

The Frequency control sets the area that is to be cut or boosted by the Level control. If the Level con- trol is set at mid-position, turning the Frequency control will have no affect.

TIPS FOR USING THE MID RANGE CONTROLS

If you need to “cut through” the band a little more, try boosting 200 to 400Hz. If you like a more transparent sound, try cutting 800Hz. The Midrange controls are especially useful in controlling fret- less basses and their inherent qualities.

TREBLE CONTROL

The Treble control is a shelving-type tone control that cuts or boosts the high frequencies. Starting from mid-position, turning the Treble control counter-clockwise cuts the high frequencies; turning the control clockwise boosts the high frequencies.

PULL TRANSPARENCY FUNCTION

In the normal (in) position, the shelving point of the Treble control is approximately 2kHz. By pulling the control to the “out” position, the shelving point is changed to 4kHz, which essentially allows you to control the output of the tweeter (as the Super Redhead’s internal speaker complement is crossed over at 4kHz). The end result should be a clearer, more “transparent” sound.

MASTER VOLUME CONTROL

The Master Volume control adjusts the signal level going to the power amplifier, the Effects Send jack, and the Record Out section when set in the “Line” mode. The Master Volume does not control the level of the Record Out section when set in the “Direct” mode. If the Power Amp Clip LED lights, turn down the Master Volume to correct the overload condition.

POWER AMP CLIP LED

The Power Amp Clip LED will light when the internal power amp reaches clipping (runs out of head- room). Although this will not harm the electronics in the Super Redhead, continual clipping of the power amp section will shorten the life of the internal speakers and may damage them. Turn down the Master Volume to correct the situation. Speaker damage due to continuous clipping of the power amp section is not covered under warranty.

RECORD/LINE OUTS

Unbalanced Output

The Unbalanced Out can be patched into any unbalanced input on tape decks, mixing consoles, etc. The signal at the Unbalanced Out corresponds to the position of the Line/Direct switch. In the Line position, the level is adjusted by the XLR Pad and all front panel controls are functional (i.e., affect the sound and level). In the “Direct” position, the level is adjusted by the XLR Pad and the front panel controls do not affect the signal. Output impedance of the Unbalanced Out is 1.5kohms.

Balanced XLR Output

The Balanced XLR Out is a true balanced output and its level is set by the XLR Pad. The signal appearing at the XLR out is determined by the position of the Line/Direct switch. In the “Line” posi-

SUPER REDHEAD OWNER’S MANUAL • 5

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SWR Sound Super Redhead Frequency Control, Tips for Using the MID Range Controls, Treble Control, Master Volume Control
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Super Redhead specifications

The SWR Sound Super Redhead is a standout choice for musicians seeking a powerful and portable bass amplifier. Known for its exceptional sound quality and rich tonal capabilities, this amplifier combines impressive engineering with high-end performance, making it a favorite among professional bass players.

One of the primary features of the Super Redhead is its 400-watt power output, which provides sufficient headroom for live performances and studio recordings. Its ability to deliver a robust low end and clear mids makes it suitable for various musical styles, from jazz and blues to rock and metal. The amplifier is equipped with a custom-designed speaker cabinet featuring a 1x15-inch driver, designed to maximize low-frequency response while ensuring clarity across the entire frequency spectrum.

Another notable characteristic of the Super Redhead is its built-in 4-band EQ. This equalization system allows musicians to tailor their sound precisely to their liking, offering control over bass, low mid, high mid, and treble frequencies. The presence of a contour knob also enables players to shape their tone effortlessly, producing everything from a punchy slap sound to a smooth, rounded tone.

The Super Redhead incorporates SWR’s patented "tube compression" circuitry, which provides a warmth reminiscent of vintage tube amplifiers. This technology enhances sustain and articulation, resulting in a tonal depth that players appreciate. Additionally, the amplifier features a balanced XLR output for direct recording or PA integration, preserving tonal integrity in any setting.

Portability is another major appeal of the SWR Sound Super Redhead. Weighing in at just under 50 pounds, it remains manageable for gigging musicians. Its rugged construction ensures durability while the stylish design makes it visually appealing on stage.

Overall, the SWR Sound Super Redhead stands out for its innovative technologies, powerful sound generation, and versatility. Musicians looking for a reliable, high-performance bass amplifier will find that the Super Redhead not only meets but often exceeds their expectations. Whether in the studio or on stage, this amplifier has proven itself to be an essential tool for bassists who demand the best in sound quality and performance.
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