www.tiffen.com
Protection/UV/Haze Control
essentials
UV Protector Sky | Haze | Digital Ultra Clear Warm UV |
Safeguard your lens and absorb UV light
Film and video are more sensitive to UV light than our eyes are. This often shows up as a bluish cast in images, especially shots from high altitudes and long distances, particularly over water. Ultra Violet filters are available in a variety of UV absorption levels. Protects your camera or camcorder lens against dust, moisture, fingerprints, scratches and
Without Filter
© Kenneth Sklute
Sky
damage. These filters can be kept on your camera at all times.
UV Protector
❍Most popular protection filter.
❍Provides basic reduction of UV light.
❍Available for Wide Angle lenses.
Digital Ultra Clear™
❍Made from the highest quality optical glass.
❍Offers ultimate protection.
❍May be kept on lens at all times.
❍For Digital, Video and Photo.
Sky 1-A Filter
❍Absorbs almost half of UV light.
❍Popular general use filter.
❍
❍Especially helpful when shooting in outdoor open shade and on overcast days.
❍Available for Wide Angle lenses.
Haze-1
❍Reduces excessive blue by absorbing almost three quarters of UV light.
❍Best general purpose UV control.
❍Eliminates UV problems from most situations where increased haze tends to wash out color and image clarity.
❍Available for Wide Angle lenses.
Sky
WaindleJ.
Roger©
SPECIAL UV FILTERS Haze 2A
❍Absorbs virtually all UV light.
❍Reduces haze more than
❍Perfect for use in high altitudes and along bodies of water. Ideal for aerial/mountain/marine scenes.
❍Maintains color and image clarity.
UV-17/Warm UV
❍For the
❍Absorbs slightly less UV light than Haze 2A.
❍Combines benefits of UV 17 with Tiffen exclusive 812® Color Warming Filter for added warmth.
| 100 |
|
|
|
|
|
| UV Reduction |
|
|
|
|
|
| |||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
| 90 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 80 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
(%T) | 70 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||
60 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||
Transmittance | 50 |
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||||
40 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |||
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| ||
30 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
20 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| |
| 10 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 0 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
| 380 | 400 | 420 | 440 | 460 | 480 | 500 | 520 | 540 | 560 | 580 | 600 | 620 | 640 | 660 | 680 | 700 | ||
|
|
|
|
|
|
|
| Wavelength (Nanometers) |
|
|
|
|
|
|