FRONT PANEL CONTROLS

INPUT socket to plug in a bass guitar.

levels. Should the OL LED light up, reduce

GAIN control + 3 LEDs to adjust the input level:

OUTPUT of the respective channel. The standard

 

CLIP

too high,

setting, i.e. with neither attenuation nor

 

OK

optimum,

amplification, is position 8 (when tone controls are

 

LOW

too low.

set linearly).

LIMITER switch + 2-colored LED to compress

CH. SELECT + two LEDs to switch from channel

the signal (channel 2 only):

1 (red) to channel 2 (green).

 

green

Limiter on,

PHONES socket for connecting a headphone (min

 

red

the signal level is actually being

200 Ω).

IV

reduced.

MUTE switch + red LED cuts the signal from all

 

 

 

 

 

 

For features of CHANNEL 1, please refer to the

outputs, except from the PHONES socket, and

chapter CHANNEL 1-TUBE.

activates the TUNER output (rear panel).

For features of CHANNEL 2, please refer to the

MASTER control determines the mains level.

chapter CHANNEL 2-SOLID STATE.

POWER switch for turning the amplifier on and

OUTPUT control for each channel + OL

off.

(overload) LED to mutually balance both channel

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

REAR PANEL

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

GROUND

LIFT switch isolates the earth

the unmodified bass signal is retained here.

connection from the ground of signal. Should

LINE OUT L + R sockets allow to connect

several devices be simultaneously connected to

additional power amplifiers.

Tube

 

 

 

 

 

EFF. LOOP for the insertion of effects units.

earth by the same conductor as well as via line

connections, a so called hum loop might appear. In

Connect SEND with the input and RETURN L.

this case operate the GROUND LIFT switch to

and RETURN R. with the outputs of the effects

eliminate the current hum (when pressed).

device.

DI PRE/POST switches the signal lying at the DI

CHANNEL 1/2 FOOTSWITCH allows to

OUT sockets.

 

 

 

 

 

connect a footswitch for selecting between both

PRE unmodified bass signal (it is retained on

channels. To do so use a switch (latch) and not a

both DI OUT sockets),

key (unlatch).

POST the tone control and effects loops are

SPEAKER OUT sockets designed to supply

inserted into the signal path in stereo.

loudspeaker cabinets. One XLR and one Speakon

DI OUT LEFT and DI OUT RIGHT sockets for

socket are provided. Both are connected in

supplying a stage or studio mixing console.

parallel. The signal from the Speakon output is

TUNER OUT socket for the connection of a tuner.

leaded by 1+ and 1-.

When MUTE mode is activated,

 

 

Pro

 

 

 

 

 

 

 

18

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Image 3
Warwick AMPs owner manual Front Panel Controls, Rear Panel
Page 2 Page 4

AMPs specifications

Warwick Amplification, commonly known as Warwick AMPs, has positioned itself as a significant player in the music industry, particularly in the realm of electric bass amplification. Known for their innovative technologies and quality craftsmanship, Warwick’s amplifiers have garnered a loyal following among musicians and sound engineers alike.

One of the standout features of Warwick AMPs is their commitment to providing high-quality sound reproduction. With a focus on clarity and warmth, their amplifiers ensure that the nuances of the instrument are faithfully captured. This is particularly important for bass players who seek rich, deep tones without sacrificing definition. The use of premium components in the circuits enhances the overall fidelity and performance of the amplifiers.

Warwick amplifiers often incorporate cutting-edge technologies that set them apart from their competitors. For example, models like the Warwick BC series utilize advanced EQ controls, allowing musicians to shape their sound with precision. With features such as a built-in compressor and flexible gain structure, players can achieve a variety of tones, from punchy slap sounds to smooth, round tones suited for jazz or pop.

Another characteristic that defines Warwick AMPs is their robust construction. Built with durability in mind, these amplifiers can withstand the rigors of touring and live performances. Many models feature rugged cabinets made of high-quality wood and sturdy hardware, ensuring they can endure the challenges of the road without compromising performance.

Portability is also a key consideration in the design of Warwick AMPs. Many of their models are lightweight and compact, making them ideal for musicians who travel frequently. Despite their smaller size, these amplifiers do not skimp on power, often delivering impressive wattage suitable for both practice and live performances.

Moreover, Warwick emphasizes versatility in their amplifiers. Many of their models come with multiple inputs, allowing for easy connection of various instruments or effects pedals. This flexibility enables musicians to customize their setup according to their specific needs.

In conclusion, Warwick Amplification stands out for its dedication to sound quality, innovative technologies, durability, portability, and versatility. Musicians seeking reliable and high-performing amplifiers will find in Warwick AMPs a brand that not only meets but exceeds their expectations. Whether in a studio setting or on stage, Warwick amplifiers are designed to elevate the playing experience, making them a favored choice for bassists worldwide.
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