Warwick AMPs Examples, Clean Funk, Hard Funk, Hollow Reggae, Clear compress, Straight Rock

EXAMPLES

Clean Funk						Hard Funk
2ND STAGE					OFF	2ND STAGE				ON
TONE				SEE PICTURE		TONE			SEE PICTURE
CRUNCH				SEE PICTURE		CRUNCH			SEE PICTURE
CONTOUR					ON	CONTOUR				ON
LOW					FLAT	LOW			BOOST
MID				BOOST		MID				CUT
HIGH					FLAT	HIGH			BOOST
1			1	1	1	1		1	1	1
IV			LOW	MID	HIGH	CONT.		LOW	MID	HIGH
CONT.
			B/C	B/C	B/C			B/C	B/C	B/C
CRUNCH			2ND STAGE		TONE	CRUNCH		2ND STAGE		TONE
	6					6
4			8			4		8
2			10			2		10
0		12		LOW	HIGH	0	12		LOW	HIGH
Hollow Reggae						Clear compress
2ND STAGE					OFF	2ND STAGE				OFF
TONE				SEE PICTURE		TONE			SEE PICTURE
CRUNCH				SEE PICTURE		CRUNCH			SEE PICTURE
CONTOUR					ON	CONTOUR				OFF
LOW				BOOST		LOW				FLAT
MID					CUT	MID				FLAT
HIGH					CUT	HIGH			BOOST
1			1	1	1	1		1	1	1
CONT.			LOW	MID	HIGH	CONT.		LOW	MID	HIGH
			B/C	B/C	B/C			B/C	B/C	B/C
CRUNCH			2ND STAGE		TONE	CRUNCH		2ND STAGE		TONE
	6					6
4			8			4		8
2			10			2		10
0		12		LOW	HIGH	0	12		LOW	HIGH
These setting examples aim at helping you to
Tubebetter handle with the control stage and to utilise
it for the realisation of your sound conceptions. Set
channel 1 according to the examples and adjust
Pro

the TONE control to the left and to the right within the suggested area, respectively. press the switches to learn more about their efficiency.

Straight Rock					Fat and ugly
2ND STAGE				ON	2ND STAGE				ON
TONE			SEE PICTURE		TONE			SEE PICTURE
CRUNCH			SEE PICTURE		CRUNCH			SEE PICTURE
CONTOUR				OFF	CONTOUR				ON
LOW			BOOST		LOW			BOOST
MID				FLAT	MID			BOOST
HIGH				FLAT	HIGH				CUT
1		1	1	1	1		1	1	1
CONT.		LOW	MID	HIGH	CONT.		LOW	MID	HIGH
		B/C	B/C	B/C			B/C	B/C	B/C
CRUNCH		2ND STAGE		TONE	CRUNCH		2ND STAGE		TONE
6					6
4		8			4		8
2		10			2		10
0	12		LOW	HIGH	0	12		LOW	HIGH
Tapping/chords					Ballade
2ND STAGE				ON	2ND STAGE				ON
TONE			SEE PICTURE		TONE			SEE PICTURE
CRUNCH			SEE PICTURE		CRUNCH			SEE PICTURE
CONTOUR				ON	CONTOUR				OFF
LOW				CUT	LOW			BOOST
MID			BOOST		MID			BOOST
HIGH				FLAT	HIGH				CUT
1		1	1	1	1		1	1	1
CONT.		LOW	MID	HIGH	CONT.		LOW	MID	HIGH
		B/C	B/C	B/C			B/C	B/C	B/C
CRUNCH		2ND STAGE		TONE	CRUNCH		2ND STAGE		TONE
6					6
4		8			4		8
2		10			2		10
0	12		LOW	HIGH	0	12		LOW	HIGH

CRUNCH settings are level-dependent. The examples suppose GAIN has been set to OK. As Rock-parts are usually performed harder than tapping-techniques, rather than compensating for this gap with GAIN to obtain the desired compression, you could just raise the CRUNCH control in this case.

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