Yamaha DM 2000VCM manual Fader & Encoder Mode, Selected Channel Section, Monitor Section

Extraordinary Power & Flexibility In an Intuitive Interface

Advanced features and functions are only of real value if they are easily accessible, easy to use, and make sense

within the context of the production process. The Yamaha DM2000 has been designed on the strength of past successes plus invaluable feedback

1.Fader & Encoder Mode

The FADER MODE keys allow the DM2000’s faders to be instantaneously switched between fader and auxiliary/matrix level control, while the ENCODER MODE keys assign the console’s rotary encoders for pan, send level, and other assignable control functions. This flexible system lets you set up the controls for the most efficient operation according to the signal flow and mixing task at hand. Version 2 additionally includes a fader touch-sense function that allows automix parameter punch in/out operations to be carried with unprecedented speed and efficiency. Of particular interest to broadcast engineers will be the new fader solo release and pre-fader with pan functions included in Version 2. Fader solo release allows instant, automatic switchover from solo source monitoring to mixing. Pre-fader with pan also provides a post-pan monitoring option. Also, Version 2 features a group master function that allows group control of specified faders. By assigning the input and output fader masters to the console’s user- assignable layer you have the operational equivalent of a large analog console equipped with 12 VCA faders.

OUTPUT FADER GROUP

TOUCH SENSE FUNCTION

INPUT FADER GROUP

INPUT FADER MASTER

OUTPUT FADER MASTER

3.Selected Channel Section

The SELECTED CHANNEL controls form the largest single control group on the DM2000 panel

—and with good

reason. Here’s where you’re likely to be spending most of your time, setting up channel EQ, dynamics, panning or surround positioning, matrix send levels,

and more. The SELECTED CHANNEL controls are, as the name implies, the hands on channel controls for the currently selected input and output channel, with analog-style buttons and knobs for direct, easy access to every single parameter. Need to adjust the highmid frequency a little? Just grab the HIGH-MID encoder and turn. And while we’re on the subject of EQ, note that individual numeric displays are provided for each of the four EQ bands, displaying precise frequency and dB values immediately below the encoders so you don’t have to refer to the LCD display. The SELECTED

CHANNEL section also offers a number of extra functions — such as the ability to copy and paste settings from one channel to another — to make life in the digital domain easier than ever. All of the sub-sections within the SELECTED CHANNEL section also feature DISPLAY keys that instantly

bring the corresponding parameters up on the LCD display.

4.Monitor Section

Whether you use the DM2000 in a single room or in a full-blown studio layout with isolated studio and control room, it provides all the monitor routing and control you’ll probably ever need.

from leading engineers and artists worldwide. It is the latest step in an ongoing evolution that makes more production power, creative potential, and operational efficiency available than ever before. Version 2 further builds on experience gained from the original DM2000, taking takes interface ease-of-use and versatility to unprecedented levels.

* Rear panel shown with optional expansion boards installed.

2.Display Control

The DISPLAY ACCESS keys determine which type of data will be shown on the DM2000’s LCD panel: digital inputs and outputs, channel parameters, utility functions ... a total of 12 selectable categories are provided here, in addition to the DISPLAY keys provided for each of the DM2000’s control sections. This approach minimizes the need to scroll through on-screen lists when you need access to a particular type of data. Below the display access keys are a group of EFFECTS/PLUG-IN keys that can be used to instantly bring the parameters for any of the eight simultaneously-assignable effects to the display.

Editing and selection of on-screen parameters is easy, too, via encoders located immediately below the display.

You have separate, multiple source selectors for the studio and control room sends, solo capability with “SOLO CONTRAST” control, separate source selectors and level control for surround monitoring, MONO fold down, a DIMMER switch, small monitor selector, and a TALKBACK section complete with slate capability. The DM2000 also offer advanced surround monitoring capability — see the “Surround Monitoring” section for more information.

In Version 2, for broadcast applications there’s a “mix minus one” function that allows the announcer’s voice to be instantly removed from the mix. Also, live sound engineers will really appreciate the new AUX pre-fader/pre-ON feature that allows monitor AUX output to be active at all times, regardless of whether the FOH send is on or off. Another feature that will be an advantage in live sound applications is instant AUX monitoring: solo monitor any desired AUX signal simply by pressing the AUX Select button. The ability to instantly switch to AUX without having to switch the master layer can be an enormous advantage for monitor control.