Extraordinary New Effects
The DM2000VCM offers unprecedented effect performance with a selection of new effect programs that employ Yamaha’s revolutionary
VCM (Virtual Circuitry Modeling) and ISSP (Interactive Spatial Sound Processing) technologies for unprecedented effect quality and control.
Check out the Effect List on page 19 for a complete overview of the available effects.
REVERB
These reverb effects employ the latest “REV-X” algorithms first introduced in Yamaha’s SPX2000 Professional Multi Effect Processor. The REV-X programs feature the richest reverberation and smoothest
ideal for vocals. All models deliver dense, warm reverb that does not interfere with the natural timbre of the source.
CHANNEL STRIP
The Channel Strip effect includes 5 models that employ VCM (Virtual Circuitry Modeling) technology
to recreate the sound and characteristics of several
classic compression and EQ units from the 70’s. Not only do these models faithfully capture the unique saturation of analog circuitry – in part thanks to precise modeling of the original FET gain reduction, Tube/Transformer buffer amplifier, VCA (Voltage Controlled Amplifier) and RMS detector circuits – but they have also been fine-tuned by leading engineers and feature carefully selected parameters in a simple interface that makes it easier than ever to create the ideal sound.
Compressor 276 (mono), Compressor 276S (stereo)
These models recreate the fast response, frequency characteristics, and tube-amp saturation of the most in-demand analog compressors for studio use, delivering classic- style compression with all the punch and fatness you’d expect from a fine piece of studio- grade analog gear. Not limited to processing drums and bass, these compressors are also an excellent choice for vocals and master stereo mix compression. The 276 is a dual mono unit, while the 276S operates in stereo.
Compressor 260 (mono), Compressor 260S (stereo)
Featuring faithful modeling of the solid-state voltage-controlled amplifier and RMS detection circuitry of the late 70’s, these effects bring back the sound of classic comp / limiters used primarily for live sound reinforcement applications. They offer three selectable compression knee types – hard, medium, and soft – and although variable attack and release are provided, presets recreate the fixed settings of the vintage gear. Top-level sound-reinforcement engineers have carefully tweaked the parameters of optimum response in live
situations. The 260 is a dual mono unit, while the 260S operates in stereo.
Equalizer 601
The 601 equalizer offers two equalizer types – Clean and Drive. The Drive type models the distortion characteristics of 70’s analog EQ circuitry, delivering musical-sounding drive and saturation. The 601 is a stereo six-band parametric equalizer with LO and HI shelving filters and four MID peaking filters, and it accurately reproduces both the boost and cut frequency response and band interaction of
vintage analog gear. And you get EQ capability over a wide 16 Hz ~ 40 kHz range when operating at
88.2/ 96 kHz. The 601 features a familiar knob- style interface as well as graphical editing capability on both the console and PC displays.
decay available, based on years of dedicated research and development. REV-X Hall, REV-X Room, and REV-X Plate programs are provided, with new parameters such as room size and decay envelopes that offer unprecedented definition and finer nuance control. The REV-X Hall and REV-X Room programs have a very open sound, while REV-X Plate delivers a brighter tonality that is
SURROUND POST
The three effects in this package take full advantage of Yamaha’s 
remarkable iSSP (Interactive Spatial Sound Processing) technology to 
deliver precisely-controllable spatial processing capabilities that are particularly suited to cinema or television sound post-production and mixing facilities. All effects are applicable to a range of surround formats, providing unprecedented precision in matching visual motion with sound, and vast creative control for the creation of fantastic sonic environments.
The Surround Post Package effects are compatible with Yamaha Digital mixing Consoles (except the 01V96, PM5D, and PM1D), and can be controlled directly from the console’s joystick.
Room-ER
Room-ER is capable of simulating the acoustic properties of a room of about 30 meters in length, with accurate reproduction of the direct sound and early reflections as affected by distance from the source, source motion,
REV-X (HALL) | REV-X (ROOM) | REV-X (PLATE) |
Auto Doppler
Perhaps the most common example of the Doppler effect is the change in pitch of an ambulance siren as it moves toward and then away from the listener. Auto Doppler effectively simulates this effect in a wide variety of scenarios. In addition to objects moving linearly past the listener, Auto Doppler
can recreate the effect of objects moving toward and then away from the listener, for example, with precise speed and distance control. Timecode automation is also possible.
Field Rotation
The Field Rotation effect can be used to rotate or distort the sound field around the listener. The listener can be at the center of rotation, or the listener can be rotated or moved around a sound source. The axis of rotation, amount of movement, distance from the center of rotation, and speed of motion can be specified and controlled manually via a joystick like the one provided on the
The Master Strip effect Open Deck employs Virtual Circuitry Modeling technology to recreate both the analog circuitry and tape characteristics that shaped
the sound of open-reel tape recorders. Because of their ability to smooth out peak levels and tidy up the response, many high-end recording studios still maintain open-reel recorders such as the Studer A80mk1, A80mk4 and A820, and the Ampex ATR100 and others from the 70’s and 80’s to be used to provide tape compression at the mastering stage. Different types of tape – new BASF, old Ampex, etc. – are also selected and used according to the unique sounds they produce. The Open Deck provides models of four machine types: Swiss ’70, Swiss ’78, Swiss ’85, and America ’70. You can even combine different record and playback decks for a wider range of variation. You also have a choice of “old” and “new” tape types, tape speed, bias, and EQ settings that can vary the “focus” of the sound, distortion, and saturation characteristics.
Now you can easily take advantage of top-end sound-shaping techniques in real time using Yamaha digital consoles.
America ’70 + Swiss ’78
Swiss ’70 + Swiss ’70
America ’70 + America ’70
Swiss ’85 + Swiss ’85
VINTAGE STOMP
This package includes a number of super-realistic recreations of vintage guitar stomp-box effects that are highly values for their rich, warm sound. VCM
technology brings these outstanding effects back to life with greater controllability and flexibility than ever!
MAX100
Born in the late ‘70’s, this phaser is still available in reissue form. There are many who believe the original ‘70’s models sounded better than the current models, and so the K’s Lab team have painstakingly modeled the original circuit and components. Even the original light- sensitive CdS cell that was used for modulation has been modeled so the subtle change in modulation character with modulation speed of the original is recreated in perfect detail.
DUAL PHASE
Like the MAX100, there are many guitarists who will go to any lengths to get an original version of this stomp box to enhance their sound. This is a faithful reproduction of the original with dual phaser circuits and dual LFOs that can be configured to deliver a
dazzling array of effects. Special care has been taken in modeling the effect of the CdS cell in the phase-shifting circuit so that the exquisite balance at all modulation speeds that was a major part of the sound of the original has been retained.
VINTAGE PHASER
Rather than a simulation of a specific phaser, this model has been designed to deliver the best qualities of the most sought- after classic phasers in one versatile effect. Different mode settings transform this effect into dramatically different phaser types. Stereo and mono versions are provided.
