Contents
Main
MG16/4, MG12/4
Precautions
In case an abnormality occurs during operation
Operation
CAUTION
WARNING
For correct operation
Connector pin assignments Replacing abrasive parts
Introduction
Features Contents
Introduction
Turning the Power On
Before Turning on the Mixer
Making the Most Of Your Mixer
An Introduction
The Sturdy XLR
The Versatile Phone Jack
The Venerable RCA Pin Jack
1-1. A Plethora Of ConnectorsWhat Goes Where?
1-2. Balanced, UnbalancedWhats the Difference?
A balanced cable has three conductors:
How Do Balanced Lines Reject Noise?
To summarize:
1-3. Signal LevelsDecibel Dos and Donts
Master Section
Input Channel
2-1. Greatly Simplied Mixer Block Diagram
Where Your Signal Goes Once Its Inside the Box
Page
3-2. Level Setup Procedure For Optimum Performance
1
4
3
2
External Effects, Monitor Mixes, and Groups
Pre/PostWhats the difference?
4-1. AUX Buses For Monitor Sends and Overall Effects
4-2. Using Groups
4-3. Channel Inserts for Channel-specic Processing
Making Better Mixes
5-1. Approaching the MixWhere Do You Start?
Faders Down
Example1:
Example2:
5-3. To EQ Or Not To EQ
Cut For a Cleaner Mix
Boost With Caution
5-4. Ambience
Reverb/Delay Time
Front & Rear Panels
Channel Control Section
Page
Master Control Section
8
5
B 76 A
Page
1Channel Input jacks
2INSERT I/O Jacks
3Channel Input jacks
4GROUP OUT (1, 2) Jacks
Rear Input/Output Section
4 15
6 37 8
AB
9 0 2
MG16/4, MG12/4 23
8RETURN L (MONO), R Jacks
9REC OUT (L, R) Jacks
02TR IN Jacks
APOWER Switch
Setting Up
Home Recording
Setup Procedure
Setup Examples
Setting Up
MG16/4, MG12/4 25
Sound Reinforcement for Live Performance
Setting Up
Mounting the MG16/4
Mounting the MG12/4
Rack Mounting
Appendix
General Specications
Specications
Appendix
Input Specications
Output Specications
Appendix
MG16/4, MG12/4 29
MG16/4
When mounted on rack
102.6 2
Page
HEAD OFFICE
AUSTRALIA
OTHER ASIAN COUNTRIES
NORTH AMERICA
OCEANIA
CENTRAL & SOUTH AMERICA
EUROPE AFRICA MIDDLE EAST
Appendix