INPUT CHANNELS

MONO INPUTS

STEREO INPUTS

■Inputs

The mono input channels feature balanced XLR-type microphone/line inputs. +48V Phantom power is independently switchable for all mono inputs, providing direct compat- ibility with high-performance phantom- powered condenser microphones and DI boxes.

Stereo line sources can be directly con- nected to any of the 4 stereo input channels (a total of eight inputs). Stereo channel 1 has switchable “A” or “B” inputs: the “A” inputs are balanced XLR type connectors, and the “B” inputs are standard RCA pin jacks type for compatibility with the widest possible range of line sources. Stereo channels 2 through 4 have balanced TRS inputs.

■Channel Insertion

Insert send/return patch points are included on all mono channels for convenient insertion of compressor/limiters (a must for top-quality vocal sound), equalizers, or any other outboard equipment you might need to apply to individual channels.

■Input Controls & Level Matching

Gain trim controls with a 44-dB range on all mono inputs, independent 40-dB gain controls for the A input on stereo channel 1 and stereo channels 2 through 4, and 30-dB gain controls for the B input on stereo channel 1, facilitate optimum level matching with a wide range of sources. The mono inputs additionally feature 26-dB pad switches and phase switches for easy input phase correc- tion.

■Filters & Flexible 4-band Channel

EQ

All mono channels feature a switchable high-pass filters to effectively eliminate rumble and other low-frequency noise. The mono channels also feature a very flexible 4-band equalizer which provides sweepable frequen- cies for the HI MID and LO MID bands. The stereo channels offer 2-band shelving EQ. EQ bypass switches are provided on all channels so equalization can be punched in or out as required without having to change settings.

■14 Aux Sends

The AUX 1 through AUX14 controls are mono auxiliary sends, feeding the correspond- ing auxiliary busses. The AUX 7 through AUX 14 signals can be re-routed to the group master controls, as described in the “MASTER CONTROLS” section, below. AUX 1 and AUX 2 are hard-wired pre-fader, while the remaining 12 sends can be switched to receive the pre- or post-fader signal in groups of four.

■Buss Assign & Pan/Balance Controls

All mono and stereo channels have odd/ even assign switches for the 8 group busses, as well as stereo and mono buss assign switches. The mono channels have PAN controls switchable for LR or LCR operation, and the stereo channels have balance controls.

■3-point Level Indicators

All mono and stereo channels feature 3- point input level indicators for accurate monitoring of pre-fader signal levels. SIGNAL, NOM (nominal), and PEAK LEDs provide a broader “view” of channel signal levels than the usual one- or two-LED indicators.

■Channel Faders, Pre-fader Listen, & Channel ON Switches

Smooth, noise-free 100-mm linear faders make it easy to set up the optimum balance between channels, while PFL (Pre-Fader Listen) switches allow convenient solo monitoring of the channel’s pre-fader signal. All channels additionally feature ON/EDIT switches and indicators that can be used to switch the channel signal into or out of the mix — allowing editing of mute scenes, for example — without changing any other settings.

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Yamaha mixing consoles manual Input Channels
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mixing consoles specifications

Yamaha has long held a prominent place in the audio industry, particularly known for its innovative mixing consoles. These mixing boards are integral to live sound, studio recording, and broadcasting, thanks to their robust build, user-friendly interfaces, and advanced features. One of the standout elements of Yamaha mixing consoles is the exceptional sound quality they provide through superior analog and digital circuitry.

Yamaha's digital mixing consoles, such as the CL Series and QL Series, boast cutting-edge technology that enhances audio manipulation and processing. Advanced digital signal processing (DSP) allows for multiple channels to be handled with ease, providing flexibility and creative options for audio engineers. With numerous onboard effects, EQ settings, and dynamics processing options, users can fine-tune their mixes to perfection.

User interface is another hallmark of Yamaha's mixing consoles. Many models include a touchscreen interface that simplifies navigation through complex settings and functions. The intuitive layout ensures that users can quickly access features such as scene memory, channel strip settings, and routing without unnecessary complexity. Additionally, Yamaha’s Application programming interface (API) facilitates seamless integration with various audio software, enhancing the overall workflow in both live and studio environments.

Network capabilities are also a critical feature within Yamaha mixing consoles. Models like the TF Series leverage the Yamaha's proprietary Dante network protocol, enabling easy multi-device communication over standard Ethernet. This technology allows for the simple daisy-chaining of devices, expanding sound systems without the need for complex wiring.

Furthermore, Yamaha mixing consoles are renowned for their reliability. Built to withstand the rigors of live performance and demanding studio environments, they feature durable chassis and components that can handle frequent use. Additionally, many models come with redundant power supply options, ensuring continued operation even during power interruptions.

Yamaha also places a strong emphasis on scalability. Whether users are in small venues or large concert halls, their mixing consoles can adapt accordingly. With the ability to expand input/output capacities and integrate with various supporting tools, Yamaha consoles can grow with the evolving needs of audio professionals.

In summary, Yamaha mixing consoles combine advanced technology, exceptional sound quality, and user-friendly interfaces to meet the demands of audio professionals worldwide. Their innovative features and reliable performance make them a top choice for those seeking to create high-quality sound in any setting.
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