PM5D, PM5D-RH Specifications

ANALOG OUTPUT CHARACTERISTICS

 

Actual Source

 

 

Output Level

Output Terminals

For Use With Nominal

GAIN SW *4

 

 

Connector

 

Impedance

 

 

Nominal

Max. Before Clip

 

 

 

+24dB (default)

+4dBu (1.23 V)

+24dBu (12.28 V)

*1. XLR-3-32 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD)

GENERAL SPECIFICATIONS

All faders are nominal when measured. Output impedance of signal generator:150Ω

Internal Signal Processing

32-bit (Accumulator 58-bit)

Sampling Frequency

Internal

44.1kHz, 48kHz, 88.2kHz, 96kHz

 

External

Normal rate: 44.1kHz (-10%) — 48kHz (+6%)

 

 

Double rate: 88.2kHz (-10%) — 96kHz (+6%)

 

 

Signal Delay

Less Than 2.3ms INPUT to STEREO A, B (@ Fs = 48kHz)

 

Less Than 1.15ms INPUT to STEREO A, B (@ Fs = 96kHz)

 

 

Fader

Moterized, Stroke: 100mm All Faders

 

 

Fader Resolution

+10 — -138, -∞dB (1024 steps) All Faders

 

 

Total Harmonic Distortion

Less Than 0.05 % 20Hz — 20kHz @+4dBu into 600Ω

 

INPUT 1 — 48 ch to STEREO A,B OUT (@Sampling frequency = 44.1kHz or 48kHz)

Input Gain = Min.

Less Than 0.05 % 20Hz — 40kHz @+4dBu into 600Ω

 

INPUT 1 — 48 ch to STEREO A,B OUT (@Sampling frequency = 96kHz)

Frequency Response

PM5D

0.5, -1.5dB 20Hz — 20kHz @1kHz into 600Ω

Crosstalk

-80dB Ajacent Input 1 — 48

@1kHz

-80dB Input to Output

Power Requirements

PM5D

480W DC 24V 20A (Use PW800W Only)

 

PM5D-RH

600W DC 24V 25A (Use PW800W Only)

Dimensions

W x D x H (mm) 1551 x 950 x 283

Net Weight

PM5D: 98 kg, PM5D-RH: 97 kg

 

 

Operation free-air Temperature Range

10 — 35 ˚C

 

 

 

Storage Temperature Range

 

-20 — 60 ˚C

 

 

 

LIBRARIES

STEREO A, B [L, R]

150Ω

600Ω Lines

 

 

 

XLR-3-32 Type (Balanced) *1

+18dB

-2dBu (616mV)

+18dBu (6.16V)

 

 

 

 

 

 

 

 

 

 

 

MONITOR OUT [L, R, C]

150Ω

600Ω Lines

+24dB (default)

+4dBu (1.23 V)

+24dBu (12.28 V)

XLR-3-32 Type (Balanced) *1

 

 

 

+18dB

-2dBu (616mV)

+18dBu (6.16V)

 

 

 

 

 

 

 

 

 

 

 

CUE OUT [L, R]

150Ω

600Ω Lines

+24dB (default)

+4dBu (1.23 V)

+24dBu (12.28 V)

XLR-3-32 Type (Balanced) *1

 

 

 

+18dB

-2dBu (616mV)

+18dBu (6.16V)

 

 

 

 

 

 

 

 

 

 

 

MATRIX OUT 1 – 8

150Ω

600Ω Lines

+24dB (default)

+4dBu (1.23 V)

+24dBu (12.28 V)

XLR-3-32 Type (Balanced) *1

 

 

 

 

 

 

 

 

 

+18dB

-2dBu (616mV)

+18dBu (6.16V)

 

 

 

 

 

 

 

 

 

 

 

MIX OUT 1 – 24

150Ω

600Ω Lines

+24dB (default)

+4dBu (1.23 V)

+24dBu (12.28 V)

XLR-3-32 Type (Balanced) *1

 

 

 

 

 

 

 

 

 

+18dB

-2dBu (616mV)

+18dBu (6.16V)

 

 

 

 

 

 

 

 

 

 

 

INSERT OUT 1 – 48

150Ω

10kΩ Lines

—

+4dBu (1.23 V)

+24dBu (12.28 V)

Phone Jack (TRS) (Balanced) *2 *5

PHONES (x2)

15Ω

8Ω Phones

—

75mW (*6)

150mW

Stereo Phone Jack (TRS)

 

 

 

 

 

 

 

 

 

40É∂ Phones

—

65mW (*6)

150mW

(Unbalanced) *3

*2. Phone jack are balanced. (Tip = HOT, Ring = COLD, Sleeve = GND)

*3. PHONES stereo phone jack is unbalanced. (Tip = LEFT, Ring = RIGHT, Sleeve = GND)

*4. There are switches inside the body to preset the maximum output level.

*5. INSERT OUTs are only provided for PM5D

*6. The position of the level control is 10dB lowered from Max.

•In these specifications, 0dBu = 0.775 Vrms.

•All output DA converters are 24bit, 128times (@48kHz) oversampling.

 

 

INPUT 1 — 48 ch to STEREO A,B OUT

 

 

(@Sampling frequency = 44.1kHz or 48kHz)

 

 

0.5, -2dB 20Hz — 40kHz @1kHz into 600Ω

 

 

INPUT 1 — 48 ch to STEREO A,B OUT

 

 

(@Sampling frequency = 96kHz)

 

PM5D-RH 1.0, -3.0dB 20Hz — 20kHz @1kHz into 600Ω

 

 

INPUT 1 — 48 ch to STEREO A,B OUT

 

 

(@Sampling frequency = 44.1kHz or 48kHz)

 

 

1.0, -3.0dB 20Hz — 40kHz @1kHz into 600Ω

 

 

INPUT 1 — 48 ch to STEREO A,B OUT

 

 

(@Sampling frequency = 96kHz)

 

 

Dynamic Range

110 typ. DA Converter (STEREO A, B OUT)

(Max. level to noise level)

(@Sampling frequency = 44.1kHz or 48kHz)

 

108 typ. AD + DA (to STEREO A, B OUT),

 

GAIN: Min., PAD: ON (@Sampling frequency = 44.1kHz or 48kHz)

 

110 typ. DA Converter (STEREO A, B OUT) (@Sampling frequency = 96kHz)

 

106 typ. AD + DA (to STEREO A, B OUT),

 

GAIN: Min., PAD: ON (@Sampling frequency= 96kHz)

Name

Number

Total

Scene Memory

Preset 1 + User 500

501

 

 

 

Input Patch Library

Preset 1 + User 99

100

 

 

 

Output Patch Library

Preset 1 + User 99

100

Input Channel Library

Preset 1 + User 199

200

 

 

 

Output Channel Library

Preset 1 + User 199

200

 

 

 

Input EQ Library

Preset 40 + User 159

199

Output EQ Library

Preset 3 + User 196

199

 

 

 

GATE Library

Preset 4 + User 195

199

 

 

 

COMP Library

Preset 36 + User 163

199

Effect Library

Preset 54 + User 145

199

 

 

 

GEQ Library

Preset 1 + User 199

200

 

 

 

HA Library

Preset 1 + User 199

200

DIGITAL INPUT CHARACTERISTICS

Terminal

 

 

 

Format

Data Length

Level

Connector

2TR IN

1

 

AES/EBU

AES/EBU

24bit

RS422

XLR-3-31 Type (Balanced) *1

DIGITAL

 

 

 

 

 

 

 

2

 

AES/EBU

AES/EBU

24bit

RS422

XLR-3-31 Type (Balanced) *1

(*2)

 

 

 

 

 

 

 

 

 

 

3

 

COAXIAL

IEC-60958

24bit

0.5Vpp/75Ω

RCA Pin Jack

 

 

 

 

 

 

 

 

CASCADE IN

 

—

—

RS422

D-Sub Half Pitch Connector 68P (Female)

 

 

 

 

 

 

 

 

*1.

XLR-3-31 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD)

*2.

With Sampling Rate Converter

 

 

 

SLOT (1-4) CHARACTERISTICS

DIGITAL OUTPUT CHARACTERISTICS

Terminal

 

 

Format

Data Length

Level

Connector

2TR OUT

1

AES/EBU

AES/EBU

24bit *1

RS422

XLR-3-32 Type (Balanced) *2

DIGITAL

 

 

Professional Use

 

 

 

(*3)

 

 

 

 

 

 

 

 

2

AES/EBU

AES/EBU

24bit *1

 

XLR-3-32 Type (Balanced) *2

 

 

 

 

 

 

 

Professional Use

 

 

 

 

 

3

COAXIAL

IEC-60958

24bit *1

0.5Vpp/75Ω

RCA Pin Jack

 

 

 

 

Consumer Use

 

 

 

CASCADE OUT

—

—

RS422

D-Sub Half Pitch Connector 68P (Female)

 

 

 

 

 

 

 

 

*1.

Dither :word length 16/20/24 bit

 

 

 

*2.

XLR-3-32 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD)

*3.

With Sampling Rate Converter

 

 

 

Hum & Noise

-128dBu Equivalent Input Noise (20Hz — 20kHz) STEREO A, B OUT

Rs = 150Ω

-86dBu Residual Output Noise, ST Master Off.

Input Gain = Max.

 

Input Pad = 0dB

 

Input sensitivity = -60dB

 

 

 

Maximum Voltage Gain

84dB INPUT 1 — 48 to STEREO A, B OUT, Rs = 150Ω, Input Gain: Max., PAD: Off

@1kHz

84dB INPUT 1 — 48 to MIX OUT/MATRIX OUT/CUE OUT/MONITOR OUT

 

(via STEREO Bus)

*Input Gain = Min.

*Hum & Noise is measured with a 6dB/octave filter @12.7kHz; equivalent to a 20kHz filter with infinite dB/octave attenuation.

*Total Harmonic Distortion is measured with a 18dB/octave filter @80kHz

*Dynamic range is measured with a 6dB/octave filter @12.7kHz; equivalent to a 20kHz filter with infinite dB/octave attenuation.

ANALOG INPUT CHARACTERISTICS (PM5D)

Each I/O SLOT accepts a Digital Interface card.

Only SLOT1 has a Serial Interface.

Card Name

Function

Input

Output

The Number Of

Usable Cards

 

 

 

 

MY4-AD

ANALOG IN

4 IN

—

4

 

 

 

 

 

MY8-AD24

ANALOG IN

8 IN

—

4

 

 

 

 

 

MY8-AD96

ANALOG IN

8 IN

—

4

 

 

 

 

 

MY4-DA

ANALOG OUT

—

4 OUT (MIX, STEREO, DIRECT, EXT INSERT, MONIOTR, CUE, OSC, TB)

4

 

 

 

 

 

MY8-DA96

ANALOG OUT

—

8 OUT (MIX, STEREO, DIRECT, EXT INSERT, MONIOTR, CUE, OSC, TB)

4

 

 

 

 

 

MY8-AE96

AES/EBU

8 IN

8 OUT (MIX, STEREO, DIRECT, EXT INSERT, MONIOTR, CUE, OSC, TB)

4

 

 

 

 

 

MY8-AE96S

AES/EBU

8 IN

8 OUT (MIX, STEREO, DIRECT, EXT INSERT, MONIOTR, CUE, OSC, TB)

4

 

 

 

 

 

MY8-AT

ADAT

8 IN

8 OUT (MIX, STEREO, DIRECT, EXT INSERT, MONIOTR, CUE, OSC, TB)

4

 

 

 

 

 

MY8-TD

TASCAM

8 IN

8 OUT (MIX, STEREO, DIRECT, EXT INSERT, MONIOTR, CUE, OSC, TB)

4

 

 

 

 

 

MY8-AE

AES/EBU

8 IN

8 OUT (MIX, STEREO, DIRECT, EXT INSERT, MONIOTR, CUE, OSC, TB)

4

 

 

 

 

 

MY16-AT

ADAT

16 IN

16 OUT (MIX, STEREO, DIRECT, EXT INSERT, MONIOTR, CUE, OSC, TB)

4

 

 

 

 

 

MY16-TD

TASCAM

16 IN

16 OUT (MIX, STEREO, DIRECT, EXT INSERT, MONIOTR, CUE, OSC, TB)

4

PW800W Specifications

GENERAL SPECIFICATIONS

Power Requirements

 

100 – 240V, 50/60Hz

 

 

1000W (Max.)

 

 

 

Dimensions

W x H x D (mm)

480 x 132 (=3U) x 355

DC Output

Voltage

24V

 

 

 

 

Current

23A (Max.)

 

 

 

Net Weight

 

10 kg

Operation Temperature Range

10 – 35 °C

 

 

Storage Temperature Range

-20 – 60 °C

 

 

 

OUTPUT CHARACTERISTICS

Input Terminals

PAD

GAIN

Actual Load

For Use With Nominal

GAIN SW *4

 

Input Level

 

 

Connector

Impedance

Sensitivity *1

Nominal

Max. Before Clip

 

0

-60dB

 

 

 

-80dBu (0.0775mV)

-60dBu (0.775mV)

-40dBu (7.75mV)

 

 

 

3kΩ

50-600ΩMics & 600Ω Lines

 

 

 

 

 

XLR-3-31 Type (Balanced) *2

INPUT 1 – 48

-16dB

—

-36dBu (12.3mV)

-16dBu (123mV)

+4dBu

(1.23V)

 

 

26

 

 

 

-10dBu (245mV)

+10dBu (2.45V)

+30dBu

(24.51V)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

STEREO INPUT 1 – 4 [L, R]

-34dB

4kΩ

600Ω Lines

—

-54dBu (1.55mV)

-34dBu (15.5mV)

-14dBu (155mV)

XLR-3-31 Type (Balanced) *2

 

 

 

 

 

10dB

-10dBu (245mV)

+10dBu (2.54V)

+30dBu

(24.51V)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

INSERT IN 1 – 48

 

 

10kΩ

600Ω Lines

—

-16dBu (123mV)

+4dBu (1.23V)

+24dBu

(12.28V)

Phone Jack (TRS) (Balanced) *3

2TR IN ANALOG 1, 2 [L, R]

10kΩ

600Ω Lines

+24dB (default)

-6dBu (388mV)

+4dBu (1.23V)

+24dBu

(12.28V)

XLR-3-31 Type (Balanced) *2

 

 

 

 

 

+18dB

-12dBu (195mV)

-2dBu (0.616V)

+18dBu (6.16V)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TALKBACK

 

 

3kΩ

50-600ΩMics & 600Ω Lines

—

-60dBu (0.775mV)

-50dBu (2.45mV)

-30dBu (24.5mV)

XLR-3-31 Type (Balanced) *2

ANALOG INPUT CHARACTERISTICS (PM5D-RH)

MY16-AE

AES/EBU

16 IN

16 OUT (MIX, STEREO, DIRECT, EXT INSERT, MONIOTR, CUE, OSC, TB)

4

MY16-C

CobraNet ™

16 IN

16 OUT (MIX, STEREO, DIRECT, EXT INSERT, MONIOTR, CUE, OSC, TB)

4

Dimensions

PM5D

PM5D-RH

 

283

 

271

 

260

OUTPUT TERMINAL

FORMAT

LEVEL

CONNECTOR

DC OUTPUT

—

DC 24V

JL05-2A22-14PC 24pin (Male)

 

 

 

 

Specifications and appearance are subject to change without notice. All trademarks and registered trademarks are property of their respective owners.

283

271

260

Input Terminals

GAIN

Actual Load

For Use With Nominal

GAIN SW *4

 

Input Level

 

Connector

Impedance

Sensitivity *1

Nominal

Max. Before Clip

INPUT 1 – 48

-62dB

3kΩ

50-600ΩMics & 600Ω Lines

—

-82dBu (61.6∝V)

-62dBu (0.616mV)

-42dBu (6.16mV)

XLR-3-31 Type (Balanced) *2

 

 

 

 

+10dB

-10dBu (245mV)

+10dBu (2.45V)

+30dBu (24.5V)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

STEREO INPUT 1 – [L, R]

-62dB

3kΩ

50-600ΩMics & 600Ω Lines

—

-82dBu (61.6∝V)

-62dBu (0.616mV)

-42dBu (6.16mV)

XLR-3-31 Type (Balanced) *2

 

 

 

 

 

+10dB

 

-10dBu (245mV)

+10dBu (2.45V)

+30dBu (24.5V)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

2TR IN ANALOG 1, 2 [L, R]

 

10kΩ

600Ω Lines

+24dB (default)

-6dBu (388mV)

+4dBu (1.23V)

+24dBu (12.28V)

XLR-3-31 Type (Balanced) *2

 

 

 

 

 

 

+18dB

-12dBu (195mV)

-2dBu (0.616V)

+18dBu (6.16V)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

TALKBACK

 

3kΩ

50-600ΩMics & 600Ω Lines

—

-60dBu (0.775mV)

-50dBu (2.45mV)

-30dBu (24.5mV)

XLR-3-31 Type (Balanced) *2

*1. Sensitivity is the lowest level that will produce an output of +4dBu (1.23V) or the nominal output level when the unit is set to maximum gain. (All faders and level controls are maximum position.)

*2. XLR-3-31 type connectors are balanced. (1 = GND, 2 = HOT, 3 = COLD)

*3. Phone jacks are balanced. (Tip = HOT, Ring = COLD, Sleeve = GND)

*4. There are switches inside the body to preset the maximum input level.

•In these specifications, 0dBu = 0.775 V rms.

•All input AD converters are 24bit linear, 128times (@48kHz) oversampling.

•+48V DC (phantom power) is supplied to INPUT (1 – 48) XLR type connectors via each individual switch.

865

950

865

950

 

 

1450

 

 

 

 

 

 

 

 

 

1450

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1551

 

 

 

 

 

 

 

1551

 

 

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Yamaha Digital Mixing Console manual PM5D, PM5D-RH Specifications
Page 10 Page 12

PM5D, Digital Mixing Console specifications

The Yamaha PM5D digital mixing console is recognized as one of the industry standards for live sound reinforcement and professional audio applications. Launched in the early 2000s, the PM5D has garnered acclaim for its intuitive design and robust performance capabilities, making it a popular choice among sound engineers and touring professionals.

One of the hallmark features of the PM5D is its 96 kHz sampling rate, which provides superior audio quality and clarity. The console boasts up to 48 channels, allowing sound engineers to mix complex audio setups with ease. Each channel is equipped with a comprehensive set of processing tools, including parametric equalizers, dynamics processors, and high-pass filters, enabling users to shape and fine-tune the sound to their specific needs.

The PM5D's digital architecture allows for seamless integration with Yamaha's Virtual Sound Check feature, allowing audio engineers to conduct sound checks using pre-recorded tracks. This feature significantly enhances the efficiency of the sound-check process, particularly for large-scale events where setup time is limited.

Ergonomics play a vital role in the PM5D’s design. The console features a user-friendly interface with a large color LCD screen that displays critical mixing information. Its layout is designed for fast navigation, making it easy for engineers to access channels and control settings quickly. The PM5D is also equipped with a powerful automation system that allows users to save and recall mix settings, which is a time-saving feature during multiple shows or festival setups.

Another notable characteristic of the PM5D is its extensive connectivity options. The console supports various audio formats and protocols, including ADAT, AES/EBU, and Yamaha's own digital stage boxes. This versatility enables seamless integration within existing audio systems, making the PM5D an adaptable choice for a wide range of applications, from concert tours to corporate events.

Moreover, the PM5D is compatible with a range of Yamaha's iPad apps and remote control software, enhancing the flexibility of its operation. Users can adjust levels and settings remotely, adding convenience in dynamic live performance situations.

In summary, the Yamaha PM5D digital mixing console combines advanced technology with practical features, making it a reliable tool for audio professionals. Its exceptional sound quality, user-friendly interface, extensive connectivity, and automation capabilities position it as a leading choice in the competitive landscape of digital mixing consoles. Whether for a touring band, theater production, or large corporate event, the PM5D consistently delivers remarkable performance and audio excellence.
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