Making Global and Other Important Settings — Function
147
PSR-2000/1000
Receiving MIDI Data — Receive

This determines which parts will receive MIDI data and over which MIDI channel the data will be received.

MIDI Receive Parts

Setting Root Note Channels — Root

The note ON/OFF messages received at the channel(s) set to “ON” are recognized as the root notes in the accompaniment

section. The root notes will be detected regardless of the accompaniment ON/OFF and split point settings.

Setting Chord Channels — Chord Detect

The note ON/OFF messages received at the channel(s) set to “ON” are recognized as the chord notes in the

accompaniment section. The chords to be detected depend on the fingering type. The root notes will be detected

regardless of the accompaniment ON/OFF and split point settings. The operation procedure is basically the same as that

of the ROOT display above.

OFF No MIDI data is received.
SONG Normally, the part receiving the MIDI data corresponds to the part/voice used in playing back the song data. Channels 1 - 16
correspond to song channels 1 - 16, respectively.
MAIN The MAIN part is controlled by the MIDI data received on the corresponding channel.
LAYER The LAYER part is controlled by the MIDI data received on the corresponding channel.
LEFT The LEFT part is controlled by the MIDI data received on the corresponding channel.
KEYBOARD
MIDI note data received by the PSR-2000/1000 plays the corresponding notes in the same way as if they are played on the keyboard.
ACMP RHYTHM1-2 The received notes are used as the accompaniment RHYTHM 1 and RHYTHM 2.
ACMP BASS The received notes are used as the accompaniment BASS.
ACMP CHORD1-2 The received notes are used as the accompaniment CHORD 1 and CHORD 2.
ACMP PAD The received notes are used as the accompaniment PAD.
ACMP PHRASE1-2 The received notes are used as the accompaniment PHRASE 1 and PHRASE 2.
EXTRA PART1-5 There are five parts specially reserved for receiving and playing MIDI data. Normally, these parts are not used by the instrument
itself. When these five channels are enabled, you can use the instrument as a 32-channel multi-timbral tone generator.
D
A
E
B
C
81 2 3 4 5 6 7
Determines the channel for
changing receive settings.
Determines the Part for the
selected channel. See below for
details about the receive parts.
Turns reception of the specified
data type on or off. See page 146
for details on the data types.
The dots corresponding to each
channel (1 - 32) flash briefly
whenever any data is received
on the channel(s).
The MIDI IN/OUT terminals
and Port A of the TO HOST
terminal (Port A of the CBX
driver) correspond to chan-
nels 1 - 16. Port B of the TO
HOST terminal (Port B of the
CBX driver) corresponds to
channels 17 - 32.
D
A
E
B
C
81 2 3 4 5 6 7
Selects the channels in groups of
eight: 1 - 8, 9 - 16, 17 - 24, and 25
- 32, respectively.
Sets the desired channel to ON or OFF.
Sets all channels to OFF.
The MIDI IN/OUT terminals
and Port A of the TO HOST
terminal (Port A of the CBX
driver) correspond to chan-
nels 1 - 16. Port B of the TO
HOST terminal (Port B of the
CBX driver) corresponds to
channels 17 - 32.
When several channels are
simultaneously set to “ON,”
the root note is detected
from merged MIDI data
received over the channels.