Lexicon 284 manual Introduction

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Signature 284 User Guide

Introduction

You know the moment — the one where the volume is cranked to the limit and the guitar player looks as though his guitar might be playing him — as though they're locked in some ritual combat in another zone entirely. Well, this trip doesn't require illicit drugs, a rare coincidence of zodiac signs, or even the rush of an audience — just you, your guitar and a fully cranked all-tube amp. If you've been there, you know. If you've seen it but never felt it, hold onto whatever's handy because the Signature 284 is your ticket to ride.

When a tube amp is turned way up, the amp’s power section is pushed beyond the point where it's just making the preamp louder — the power tubes and transformer begin to add their own characteristic distortion and dynamic signatures to the sound.

This is where magic happens. The wide open amp becomes an expressive extension of the guitar, responding to your playing. You can control the amount of distortion and sustain simply by varying touch, or by making subtle adjust- ments to the guitar volume control. The bad news is that most tube amps are incredibly loud when they're turned up to this point. Larger amps (over 15 Watts or so) are so loud when you crank them up, that the loudness interferes with recording — the guitar sounds great, but it’s bleeding into the drums, and the vocal mics — and you can forget about playing that loud at home.

The good news is that the Signature 284 was designed to solve this problem by delivering the touch and tone of a cranked up amp — without the bone crushing volume. It uses a low wattage power section — so when you crank it up to the point where the magic happens, the volume level is relatively low. The stereo power amp in the Signature 284 uses two EL 84s in a Class A configuration. Its output power is rated at 3 Watts (RMS) per side. (Don’t be put-off by this seemingly small number. For recording or practicing at home, this amp is plenty loud — we measure >100dB SPL at 1 meter when used with our SB 210 cabinet.)

The low power design is the key to producing great sound at moderate volume levels —but it takes more than that to make a great amp. Other features include: high gain preamp (three 12AX7s), beautifully voiced tone controls, tube-driven stereo effects loop, balanced recording outputs, speaker simulators, and built- in passive loads for silent recording.

While it is designed primarily for recording, the Signature 284 is a great stage amp too. There are three ways to boost the volume: Mike the cabinet, use the recording outputs as a direct feed to the PA, or use the slave outputs to drive a larger power amp /guitar cabinet rig.

All of these applications, and more are described in this manual. Please take the time to look it over to make the most of your investment. We think that this is a great amp — and we hope you will too.

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Contents User Guide Acknowledgement Unpacking and InspectionContents Limited Warranty Introduction Pull for Boost Power and Standby Guitar Input GainFront Panel Controls Bass, Midrange, Treble and Presence Tone ControlsGetting the Feel of the Signature Volume Front Panel Controls Slave Outputs Recording Outputs Rear Panel ConnectionsSpeaker Outputs Stereo Loop vs. Mixer Bus for EffectsStereo Effects Stereo Loop ExamplesInserting a Mono Effect Signature 284 Effects Loop Mono Loop ExampleDual Mono Effects Rear Panel Guitar Input Direct recording Recording with directs and microphones ApplicationsApplications Clean Stratocaster/Neck pickup Clean Funk Example SettingsClean Country Stratocaster, Telecaster Jazzy 60s Vox Humbucker BridgeSinging Lead Stratocaster/Neck One Size Fits All Power Amp for Tube Warmth Harp Using the Signature 284 with non-Guitar SourcesKeyboards Lead SynthAcoustic Guitar VocalsDigital Effects Re-AmpingPrecautions Precautions and MaintenanceSpecifications Lexicon Inc Oak Park