Crown Audio STUDIO AMPLIFIER owner manual Input Connection, Cable, Shielded, Twin-lead

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Studio Reference I & II Professional Studio Amplifiers

3.3.4 Input Connection

The balanced inputs have a nominal impedance of 10 K ohms (5 K ohms unbalanced) and will accept the line-level output of most devices. Phone jacks are pro- vided on the back panel, while the factory-installed P.I.P.-FX provides female XLR input connectors (see Figure 2.2). Optional P.I.P. modules like the P.I.P.-BB and the P.I.P.-FPX can provide barrier block and phono (RCA) connectors. Various P.I.P.s are also avail- able which provide a wide range of input signal pro- cessing features (see Section 8).

Correct input wiring depends on two factors:

(1)whether the input signal is balanced or unbal- anced, and (2) whether the signal floats or has a ground reference. Figures 3.8 and 3.9 show the recom- mended connection techniques for each combination of source signal characteristics.

 

 

 

– +

 

 

 

INPUT

 

3

 

 

 

1

2

 

 

Floating

Shield connected

 

 

 

 

source

to ground terminal

 

 

 

 

 

 

 

 

 

Output +

 

 

 

cable

 

 

2-wire line cord

 

– +

 

 

 

shielded

 

(or battery power)

 

 

 

 

INPUT

 

3

 

 

1

2

 

Grounded

Shield is not

 

 

 

source

connected

 

 

Twin-lead

 

 

at this end

 

 

 

Output +

 

 

 

 

 

3-wire grounded line cord

 

 

 

 

 

 

 

 

(or other ground connection)

 

 

 

 

 

 

 

– +

 

 

 

INPUT

 

3

 

 

Floating

1

2

 

 

Shield connected to both

 

 

 

 

source

negative (–) and ground

 

 

 

 

 

input terminals

 

 

 

 

Output +

 

 

 

conductorcoax

 

 

2-wire line cord

 

– +

twistedpair

(or battery power)

 

 

 

 

3

 

 

 

 

 

Note: If two or more channels with

 

 

– +

 

 

 

 

 

the same input ground reference

 

 

3

 

 

are driven from the same

 

 

 

 

INPUT

1

2

 

 

floating source, connect

 

 

 

 

Floating only one shield to the

 

 

 

source

source chassis.

 

 

 

Output

 

 

 

 

 

+

 

 

 

 

2-wire line cord

(or battery power)

– +

 

 

INPUT

 

3

Grounded

1

2

Shield not connected

 

 

source

 

 

at this end

 

 

 

 

 

 

Output

 

 

 

 

+

 

 

 

3-wire grounded line cord

(or other ground connection)

Fig. 3.9 Balanced Input Wiring

The amplifier’s built-in 1¦4-inch input phone jacks can be wired similarly for balanced or unbalanced, floating or ground-referenced sources. They have a standard tip-ring-sleeve (TRS) configuration: the tip is positive (+), the ring is negative (–) and the sleeve is ground (see Figure 3.10). Wiring for various sources follows the XLR wiring examples in Figures 3.8 and 3.9.

If you install a P.I.P. module other than the P.I.P.-FX, P.I.P.-BB, P.I.P.-FMX or P.I.P.-FPX, do not connect in- put signals to the phone jacks. The phone jacks are in parallel with the output of the P.I.P. module, so the source connected to the phone jacks can feed into the P.I.P. and generate a distortion in the output. The phone jacks can still be used as “daisy chain” outputs to feed the post-processed signal from the P.I.P. to the input of other amplifiers.

If the amplifier will be used in Bridge-Mono or Parallel- Mono mode, be sure to follow the instructions provided in Sections 3.3.2 and 3.3.3. Do not use the channel 2 input in either mono mode.

+

Grounded

INPUT

1 2

Input ground

Single- or

source

terminal not used

 

 

SHIELD

BALANCED

Output +

3-wire grounded line cord

(or other ground connection)

Fig. 3.8 Unbalanced Input Wiring

+

UNBALANCED

SHIELD

Fig. 3.10 Balanced and Unbalanced Phone Plugs

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Contents Studio Reference Box 1000, Elkhart, Indiana TelephoneThree Year Full Warranty Crown Audio Division Technical Support Group Magnetic FieldContents Studio Reference I Power Draw, Current Draw Studio Reference II Minimum Power MatrixStudio Reference II Maximum Power Matrix Balanced and Unbalanced Phone PlugsUnpacking Instructions Studio Reference I AmplifierFeatures WelcomeFacilities Level ControlsReset Switch Do not use the channel 2 input in either mono modeCooling InstallationMounting Wiring Stereo ModeStereo Two-Channel Operation Bridge-Mono OperationBoth sides of the line must be isolated from Meters, switches, etc. to the Bridge-Mono outputMode until the wiring is removed especially Tortion and excessive heatingShielded Input ConnectionCable Twin-leadInput Wiring Tips Solving Input ProblemsUse Good Connectors Output ConnectionHigh frequency oscillations can cause your amplifier Available from most electrical supply stores AC Mains PowerAffect the output power available from the amplifier Additional Load ProtectionOperation PrecautionsIndicators Indicator Status Amplifier Condition Protection SystemsActivate its DC / low-frequency protection circuitry Standby ModeOdep Amplifier’s transformer thermal protection cirControls Circuit BreakerFilter Cleaning Switch to the left to isolate or lift the groundsCircuit Theory Technical InformationOverview Stereo OperationCircuit Block Diagram Bridge-Mono Operation Signal-to-Noise A-weighted SpecificationsPower PerformanceProtection Output SignalInput/Output ConstructionCrown specifications are guaranteed for three years Minimum Guaranteed Power SpecificationsStudio Reference II Minimum Guaranteed Power Watts MainsMaximum Power Specifications Studio Reference I Maximum Power WattsStudio Reference II Maximum Power Watts 100Typical Frequency Response Typical Phase Response 10 Typical Crosstalk AC Power Draw and Thermal Dissipation Studio Reference50% 645 970 245 975 Here are some of the available P.I.P. modules AccessoriesP.I.P. Modules FXT North American Service ServiceWorldwide Service Crown Audio DivisionCrown Factory Service Information

STUDIO AMPLIFIER specifications

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