Crown Audio STUDIO AMPLIFIER owner manual Input Wiring Tips, Solving Input Problems

Page 15

Studio Reference I & II Professional Studio Amplifiers

SOLVING INPUT PROBLEMS

Sometimes large subsonic (subaudible) frequencies are present in the input signal. These can damage loudspeakers by overloading or overheating them. To attenuate such frequencies, place a capacitor in series with the input signal line. The graph in Figure 3.11 shows some capacitor values and how they affect the frequency response of a Studio Reference amplifier. Use only low-leakage capacitors.

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f

 

 

 

 

 

 

 

f

 

 

 

7

f

 

 

 

 

 

 

 

f

 

 

 

4

7

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

.7

 

 

 

 

 

 

.0

 

 

.4

 

 

 

 

 

 

 

.1

 

 

.0

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

4

 

 

 

 

 

 

1

 

 

0

 

 

 

 

 

 

 

0

 

 

0

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

1 Hz

 

 

 

 

 

 

 

 

10 Hz

 

 

 

 

 

 

 

 

 

 

 

100 Hz

 

 

 

 

 

 

 

 

 

 

 

 

 

1 kHz

 

 

 

 

 

10 kHz

Frequency

Fig. 3.11 Subsonic Filter Capacitors

Another problem to avoid is large levels of radio fre- quencies or RF in the input signal. Although high RF levels may not pose a threat to the amplifier, they can burn out tweeters or other loads that are sensitive to high frequencies. Extremely high RF levels can also cause your amplifier to prematurely activate its protec- tion circuitry, resulting in inefficient operation. RF can be introduced into a signal by local radio stations and from the bias signal of many tape recorders. To pre- vent high levels of input RF, install an appropriate low-pass filter in series with the input signal. Some ex- amples of unbalanced wiring for low-pass filters are shown in Figure 3.12.

+

470 ohms

+

 

A Balanced In

.0056

Balanced Out

f

 

 

 

470ohms

1.8mH

 

+

 

+

B

Balanced In

.015

Balanced Out

f

 

 

 

 

1.8 mH

 

 

 

2.5 mH

 

 

+

 

+

C

Balanced In

.018

Balanced Out

f

 

 

2.5mH

0.47Film 1.8 mH

+

 

+

D Balanced In

.015

Balanced Out

f

0.47 Film 1.8 mH

Fig. 3.13 Balanced RF Filters

Tip: The P.I.P.-FX has plenty of space on its circuit board for the addition of input filter circuitry.

Another problem to avoid is ground loops. These are undesired currents that flow in a grounded system and usually cause hum in the output. A common source of ground loop problems is the placement of input cables parallel to power cables or near power transformers. The magnetic field that surrounds these conductors can induce the 50 or 60 Hz alternating current into your input cables. To prevent this type of ground loop, it is always a good idea to locate input cables away from

Input Wiring Tips

910 ohms

 

 

To

Source

.0056

Amp

 

f

 

 

 

A

 

GND

 

 

 

3.9 mH

To

 

 

R 600 ohm

.015

Amp

 

Source

f

 

B

 

GND

 

 

 

5 mH

To

 

 

R 600 ohm

.018

Amp

 

f

 

Source

 

GND

C

 

 

 

4 kHz

Note: A low source impedance (R) can be increased to 600 ohms with an appropriate resistor.

dB

0

6 dB/octave

A

12 dB/octave

–10

B

C

–20

10 kHz

40 kHz

100 kHz

Frequency

1. Use only shielded cable. Cables with

higher density shields are better. Spiral

wrapped shield is not recommended.

2. When using unbalanced lines, keep the

cables as short as possible. Avoid cable

lengths greater than 10 feet (3 meters).

3. Do not run signal cables together with

high-level wiring such as loudspeaker wires

or AC cords. This reduces the chance of

hum or noise being induced into the input

cables.

Fig. 3.12 Unbalanced RF Filters

For balanced input wiring, use an example from Fig- ure 3.13. Filters A, B and C correspond to the unbalanced filters shown in Figure 3.12. Filter D also incorporates the subsonic filter in Figure 3.11.

4. Turn the entire system off before chang-

ing connections. Turn level controls down

before powering the system back up. Crown

is not liable for damage incurred when any

transducer or component is overdriven.

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Contents Box 1000, Elkhart, Indiana Telephone Studio ReferenceThree Year Full Warranty Magnetic Field Crown Audio Division Technical Support GroupContents Balanced and Unbalanced Phone Plugs Studio Reference II Minimum Power MatrixStudio Reference II Maximum Power Matrix Studio Reference I Power Draw, Current DrawStudio Reference I Amplifier Unpacking InstructionsWelcome FeaturesLevel Controls FacilitiesDo not use the channel 2 input in either mono mode Reset SwitchInstallation MountingCooling Stereo Mode WiringBridge-Mono Operation Stereo Two-Channel OperationTortion and excessive heating Meters, switches, etc. to the Bridge-Mono outputMode until the wiring is removed especially Both sides of the line must be isolated fromTwin-lead Input ConnectionCable ShieldedSolving Input Problems Input Wiring TipsOutput Connection Use Good ConnectorsHigh frequency oscillations can cause your amplifier Additional Load Protection AC Mains PowerAffect the output power available from the amplifier Available from most electrical supply storesPrecautions IndicatorsOperation Protection Systems Indicator Status Amplifier ConditionAmplifier’s transformer thermal protection cir Standby ModeOdep Activate its DC / low-frequency protection circuitryCircuit Breaker ControlsSwitch to the left to isolate or lift the grounds Filter CleaningStereo Operation Technical InformationOverview Circuit TheoryCircuit Block Diagram Bridge-Mono Operation Performance SpecificationsPower Signal-to-Noise A-weightedConstruction Output SignalInput/Output ProtectionMinimum Guaranteed Power Specifications Crown specifications are guaranteed for three yearsMains Studio Reference II Minimum Guaranteed Power WattsStudio Reference I Maximum Power Watts Maximum Power Specifications100 Studio Reference II Maximum Power WattsTypical Frequency Response Typical Phase Response 10 Typical Crosstalk Studio Reference AC Power Draw and Thermal Dissipation50% 645 970 245 975 Accessories P.I.P. ModulesHere are some of the available P.I.P. modules FXT Crown Audio Division ServiceWorldwide Service North American ServiceCrown Factory Service Information

STUDIO AMPLIFIER specifications

Crown Audio, a leader in professional audio solutions, has long been renowned for producing high-quality amplifiers, and their Studio Amplifier series exemplifies this reputation. The Crown Studio Amplifier is meticulously engineered for audiophiles and professionals seeking excellence in sound reproduction, characterized by its superior performance, reliability, and advanced features.

At the heart of the Crown Studio Amplifier lies its robust power output, designed to deliver pristine audio quality at high volumes without distortion. With various models available, users can choose from a range of power ratings, ensuring they have the right amount of amplification for their specific needs. This versatility makes the amplifier suitable for various applications, including recording studios, live sound environments, and high-fidelity home listening.

One of the standout features of the Crown Studio Amplifier is its advanced signal processing technology. The unit includes built-in DSP (Digital Signal Processing), which allows users to tailor the audio output with precision. This feature enables various EQ settings and dynamic range adjustments that enhance sound clarity and compensate for room acoustics, making it an essential tool for audio engineers and sound designers.

Further enhancing its capabilities, the Crown Studio Amplifier is designed with a sophisticated thermal management system that ensures optimal performance even during prolonged usage. Users can rely on its ability to maintain consistent output without overheating, which is crucial during demanding sessions, whether in the studio or at a live event.

Moreover, the Crown Studio Amplifier boasts a user-friendly interface, featuring intuitive controls that simplify operation. The LCD display provides vital information at a glance, allowing users to monitor levels, settings, and system status easily. This focus on usability enhances the overall experience, allowing professionals to concentrate on their craft rather than getting bogged down in technical complexities.

In addition to outstanding performance, the Crown Studio Amplifier is built for durability and longevity. The rugged chassis and high-quality components are designed to withstand the rigors of the road, making it a reliable choice for touring musicians and sound technicians alike.

With its impressive combination of power, advanced technology, and user-friendly features, the Crown Studio Amplifier continues to set a high standard in the audio industry, making it an ideal choice for anyone serious about sound quality. Whether for studio work, live performances, or home audio setups, the Crown Studio Amplifier delivers exceptional fidelity and reliability, upholding Crown's legacy of excellence in professional audio.