Crown Audio STUDIO AMPLIFIER owner manual High frequency oscillations can cause your amplifier

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Studio Reference I & II Professional Studio Amplifiers

1. For loads connected in parallel, use the equation that

amplifiers share a common cable tray or jacket,

follows to calculate each channel’s total load resistance.

use tie-wraps to bundle individual conductors so

Substitute the rated impedance of the connected loud-

the wires for each loudspeaker are kept close

speakers for the Zs in the equation. When finished, mark

together. (Do not bundle wires from different

your answer on the nomograph’s “Load Resistance” line.

amplifiers.) This reduces the chance of conduc-

 

Total Load Resistance in Ohms = (1¦Z1 + 1¦Z2 + 1¦Z3…)–1

tors acting like antennas to transmit or receive the

2. Select an acceptable damping factor and mark it on

high frequencies that can cause oscillation.

2. Avoid using shielded loudspeaker cable.

the “Damping Factor” line. Your amplifier can provide an

phenomenal damping factor of 20,000 from 10 to 200 Hz

3. Never tie together input and output grounds.

in Stereo mode with an 8 ohm load. In contrast, most

4. Never tie together the output of different amplifiers.

other amplifiers have a damping factor rating of 200 or

 

 

 

 

less. Higher damping factors yield lower distortion and

5. Keep output cables separated from input cables.

greater motion control over the loudspeakers. To give you

6. Install a low-pass filter in series with each input

a basis for comparison, effective damping factors for

(see Section 3.3.4).

 

 

 

commercial applications typically run between 50 and

 

 

 

 

 

 

 

100. Higher damping factors may be desirable for live

7. Install the input wiring according to the instruc-

sound, but long cable lengths often limit the highest

tions in Section 3.3.4.

 

 

 

damping factor that can be achieved practically. (Under

Another problem to avoid is the presence of large

these circumstances, Crown’s IQ System is often used so

amplifiers can be easily monitored and controlled when

subsonic currents when primarily inductive loads are

they are located very near the loudspeakers.) In record-

used. Examples of inductive loads are 70-volt step-up

ing studios and home hi-fi, a damping factor of 500 or

transformers and electrostatic loudspeakers.

more is very desirable.

 

 

 

 

3. Draw a line through the two points with a pencil, and

Inductive loads can appear as a short circuit at low fre-

quencies. This can cause the amplifier to produce

continue until it intersects the “Source Resistance” line.

large low-frequency currents and activate its protec-

4. On the “2-Cond. Cable” line, mark the length of the

tion circuitry. Always take the precaution of installing a

cable run.

high-pass filter in series with the amplifier’s input when

 

5. Draw a pencil line from the mark on the “Source Resis-

inductive loads are used. A three-pole, 18 dB per oc-

tance” line through the mark on the “2-Cond. Cable” line,

tave filter with a –3 dB frequency of 50 Hz is recom-

and on to intersect the “Annealed Copper Wire” line.

mended (some applications may benefit from an even

6. The required wire gauge for the selected wire length and

higher –3 dB frequency). Such a filter is described with

the subsonic frequency problems in Section 3.3.4.

damping factor is the value on the “Annealed Copper Wire”

line. Note: Wire size increases as the AWG gets smaller.

Another way to protect inductive loads from large low-

 

7. If the size of the cable exceeds what you want to use,

frequency currents and prevent the amplifier from pre-

(1) find a way to use shorter cables, like using the IQ Sys-

maturely activating its protective systems is to parallel

tem, (2) settle for a lower damping factor, or (3) use more

a 590 to 708 mF nonpolarized motor start capacitor and

than one cable for each line. Options 1 and 2 will require the

4-ohm, 20-watt resistor in series with the amplifier out-

substitution of new values for cable length or damping factor

put and the positive (+) transformer lead. This circuit is

in the nomograph. For option 3, estimate the effective wire

shown in Figure 3.15. It uses components that are

gauge by subtracting 3 from the apparent wire gauge every

 

 

 

 

time the number of conductors of equal gauge is doubled.

 

 

 

 

So, if #10 wire is too large, two #13 wires can be substituted,

4-ohm, 20-watt

 

 

 

or four #16 wires can be used for the same effect.

 

 

 

Resistor

 

 

 

SOLVING OUTPUT PROBLEMS

+

+

 

 

 

 

High frequency oscillations can cause your amplifier

590 to 708 f Capacitor

 

 

120 VAC, N.P.

 

 

 

 

 

 

 

to prematurely activate its protection circuitry. The ef-

From

 

 

Inductive

Amplifier

 

 

 

 

Load

 

 

 

 

fects of this problem are similar to the effects of the RF

Output

 

 

 

 

 

 

problem described in Section 3.3.4. To prevent high-

 

 

 

 

 

frequency oscillations, follow these guidelines:

 

 

 

 

1. When using long cable runs, or when different

Fig. 3.15 Inductive Load (Transformer) Network

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Contents Box 1000, Elkhart, Indiana Telephone Studio ReferenceThree Year Full Warranty Magnetic Field Crown Audio Division Technical Support GroupContents Studio Reference II Maximum Power Matrix Studio Reference II Minimum Power MatrixStudio Reference I Power Draw, Current Draw Balanced and Unbalanced Phone PlugsStudio Reference I Amplifier Unpacking InstructionsWelcome FeaturesLevel Controls FacilitiesDo not use the channel 2 input in either mono mode Reset SwitchCooling InstallationMounting Stereo Mode WiringBridge-Mono Operation Stereo Two-Channel OperationMode until the wiring is removed especially Meters, switches, etc. to the Bridge-Mono outputBoth sides of the line must be isolated from Tortion and excessive heatingCable Input ConnectionShielded Twin-leadSolving Input Problems Input Wiring TipsOutput Connection Use Good ConnectorsHigh frequency oscillations can cause your amplifier Affect the output power available from the amplifier AC Mains PowerAvailable from most electrical supply stores Additional Load ProtectionOperation PrecautionsIndicators Protection Systems Indicator Status Amplifier ConditionOdep Standby ModeActivate its DC / low-frequency protection circuitry Amplifier’s transformer thermal protection cirCircuit Breaker ControlsSwitch to the left to isolate or lift the grounds Filter CleaningOverview Technical InformationCircuit Theory Stereo OperationCircuit Block Diagram Bridge-Mono Operation Power SpecificationsSignal-to-Noise A-weighted PerformanceInput/Output Output SignalProtection ConstructionMinimum Guaranteed Power Specifications Crown specifications are guaranteed for three yearsMains Studio Reference II Minimum Guaranteed Power WattsStudio Reference I Maximum Power Watts Maximum Power Specifications100 Studio Reference II Maximum Power WattsTypical Frequency Response Typical Phase Response 10 Typical Crosstalk Studio Reference AC Power Draw and Thermal Dissipation50% 645 970 245 975 Here are some of the available P.I.P. modules AccessoriesP.I.P. Modules FXT Worldwide Service ServiceNorth American Service Crown Audio DivisionCrown Factory Service Information

STUDIO AMPLIFIER specifications

Crown Audio, a leader in professional audio solutions, has long been renowned for producing high-quality amplifiers, and their Studio Amplifier series exemplifies this reputation. The Crown Studio Amplifier is meticulously engineered for audiophiles and professionals seeking excellence in sound reproduction, characterized by its superior performance, reliability, and advanced features.

At the heart of the Crown Studio Amplifier lies its robust power output, designed to deliver pristine audio quality at high volumes without distortion. With various models available, users can choose from a range of power ratings, ensuring they have the right amount of amplification for their specific needs. This versatility makes the amplifier suitable for various applications, including recording studios, live sound environments, and high-fidelity home listening.

One of the standout features of the Crown Studio Amplifier is its advanced signal processing technology. The unit includes built-in DSP (Digital Signal Processing), which allows users to tailor the audio output with precision. This feature enables various EQ settings and dynamic range adjustments that enhance sound clarity and compensate for room acoustics, making it an essential tool for audio engineers and sound designers.

Further enhancing its capabilities, the Crown Studio Amplifier is designed with a sophisticated thermal management system that ensures optimal performance even during prolonged usage. Users can rely on its ability to maintain consistent output without overheating, which is crucial during demanding sessions, whether in the studio or at a live event.

Moreover, the Crown Studio Amplifier boasts a user-friendly interface, featuring intuitive controls that simplify operation. The LCD display provides vital information at a glance, allowing users to monitor levels, settings, and system status easily. This focus on usability enhances the overall experience, allowing professionals to concentrate on their craft rather than getting bogged down in technical complexities.

In addition to outstanding performance, the Crown Studio Amplifier is built for durability and longevity. The rugged chassis and high-quality components are designed to withstand the rigors of the road, making it a reliable choice for touring musicians and sound technicians alike.

With its impressive combination of power, advanced technology, and user-friendly features, the Crown Studio Amplifier continues to set a high standard in the audio industry, making it an ideal choice for anyone serious about sound quality. Whether for studio work, live performances, or home audio setups, the Crown Studio Amplifier delivers exceptional fidelity and reliability, upholding Crown's legacy of excellence in professional audio.