C O N T R O L S A N D C O N N E C T I O N S
2. STEREO INPUT SECTION
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| (12A) L (MONO) LINE |
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| INPUT |
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| On stereo input channels |
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| are designed for stereo |
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| or mono |
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| such as those from key- |
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| (12A) | boards, drum machines, | ||
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| CD players, tape decks, | |||
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| or samplers. However, |
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| these inputs can also be |
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| used as standard mono |
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| line inputs by connecting |
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| (12B) | the signal to the L | |
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| (MONO) line in. This sig- | ||
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| nal will be routed equally |
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| to the BAL control and |
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| (4A) | the left and right outputs | |||
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| in the same way as the | ||||
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| standard line input chan- |
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| (4) | nels. For the stereo line |
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| inputs the mono channel | |||
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| PAN (9) control is |
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| replaced by the BAL |
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| (5) | (Balance) control. See |
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| also BAL CONTROL | |||
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| (13) below. |
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| (12B) R LINE INPUT |
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| When using channels 5- |
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| 6, |
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| stereo input channels, |
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| the left signal should be |
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| connected to the L input |
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| and the right signal to the |
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| (6) | R input. These signals |
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| will be routed to the | |
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| TRIM (4), PAD (5), EQ |
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| (6), AUX (7), EFF (8) and |
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| Channel fader (11) con- |
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| trols equally and will |
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| retain their stereo sepa- |
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| ration. The AUX, EQ, |
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| EFF, BAL, and Channel |
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| fader controls all function |
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| the same as those on the |
mono input channels.
When a stereo signal is input to a stereo input channel, these controls will affect the left and right signals equally.
The Stereo Line Inputs jacks are 1/4” TRS unbalanced phone jacks, Tip = hot, Ring open, Sleeve = ground. The input sig- nals to these jacks, however, can be either balanced or unbalanced.
(6) EQUALIZERS
The stereo channel EQ’s operate in the same manner as those in the mono channels. The left and right signals will be affected equally. A stereo equalizer is generally preferable anyhow to using two mono equalizers when equalizing a stereo signal as it avoids possible discrepancies between the left and right settings.
(7) AUX SENDS |
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These are the same as |
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for the mono channels. |
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Note that a mono sum is | (7) |
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taken from the stereo |
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input. |
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(13) BAL CONTROL |
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For a mono input to the L | (8) |
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(MONO) input the func- |
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tion of the control is the |
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same as the PAN con- |
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trols (9) of the mono |
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channels. However, when |
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a channel is run in stereo, | (13) |
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this control functions as a |
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balance control, determin- |
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ing the relative balance of |
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the left and right channel | (10) |
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signals being sent to the |
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left and right Master Mix |
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buses. For example, with |
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the balance control |
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turned fully clockwise, |
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only the right portion of |
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the channel’s stereo sig- |
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nal will be routed to the |
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Master Mix. |
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(4A) PEAK LED INDI- |
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CATOR |
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(10) PFL SELECT |
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SWITCH |
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(11) CHANNEL FADER | (11) |
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All these have the same |
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function as for the mono channels. See MONO INPUT SECTION.
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